The “Future History” Timeline…
I believe Heinlein coined the phrase “future history” when describing his books about Lazarus Long and his descendants (sci-fi aficionados can correct me if I’m wrong). It seems a bit contradictory, but it describes well a huge story arc, a long saga if you will, that moves along through the future and over several books. Asimov’s extended Foundation series is exactly that, but the sci-fi master didn’t offer up many dates—I don’t think Heinlein did either.
I revisited and updated the timeline for my future history recently. I mentioned last week that I’m working on a new YA sci-fi mystery. Because the short story it’s based on (written in 2007) is in the same universe described by the timeline, I had to place the events in the story on it. Let me summarize the timeline (this updates a much earlier post).
In brief, the timeline includes three series, the “Detectives Chen and Castilblanco Series,” the “Clones and Mutants Trilogy,” and the “Chaos Chronicles Trilogy.” It also includes these bridge-books: The Golden Years of Virginia Morgan (bridge between the first two series), and Soldiers of God (bridge between the second two series). The novella “From the Mother World” in Pasodobles in a Quantum Stringscape can be considered an introduction to Sing a Samba Galactica, the YA sci-fi mystery The Secret Lab is concurrent with the first part of Survivors of the Chaos, and the Dr. Carlos stories in Pasodobles and Fantastic Encores! (and the one still archived in “Steve’s Shorts”) lead into Rogue Planet, the last novel (so far) on the timeline.
How did I keep this all straight? I probably didn’t. Although linear, it’s a complex timeline, so it might have some contradictions. You might say an obvious one is that The Midas Bomb, set in 2014, describes events that never took place in that year, but the first edition was published in 2009, so 2014 was still in the future. (Because the timeline extends into the far future, please just consider it as describing events in a parallel universe!) Ignoring that contradiction, I’m sure there are other events out of place and/or contradictory.
Most people wouldn’t think the books in the “Detectives Chen and Castilblanco Series” are sci-fi—they’re more in the mystery/suspense/thriller category, after all. But they’ve always been a wee bit in the future. My new novel Rembrandt’s Angel will be in the middle of the books in that series, by the way, just after The Collector where Castilblanco first meets Scotland Yard Inspector Esther Brookstone (he met Interpol agent Bastiann van Coevorden in Aristocrats and Assassins). But there are some hidden sci-fi elements right from the start (NYPD’s car pool, advances in cellphone technology, and so forth). So far I’ve not received any complaints from crime fiction fans about that!
In fact, the futuristic elements through the detective series and the clones and mutants trilogy are subtle as I tried to integrate technology advances into the stories discreetly—Castilblanco’s cellphone, Bouncer’s internet connection, and Sirena’s creation are examples of easy extrapolation of current technology into the future. Of course, the farther we go out on the timeline, the more dangerous that extrapolation becomes. But even Soldiers of God and most of the Dr. Carlos stories are crime stories.
My writing is anything but linear, of course. Full Medical, which starts in 2053, was my first published book (2006). The Midas Bomb was published in 2009. Survivors of the Chaos, which starts in 2111 with Zebediah Lane’s birth, was published in 2011. (The first two already have a second edition, and I hope to publish one for the third soon.) These three books were written when I still had a day-job and wasn’t a full-time writer. I’ve been hopping around that timeline ever since.
Because readers often like a challenge, I’ve added to my list of PDFs free for the asking a summary of this timeline that indicates where many of my stories fall. As you read my books, you can use that list as a tool and help me catch any errors that I’ve made. Or not. Because all the books can be read independently and in any order, creating this PDF was more a mental exercise to make sure my new YA sci-fi mystery is placed where it belongs—I generally don’t worry much about that, which might be one cause of errors.
So where will the new novel fall on the timeline? 3053, just before the events in Come Dance a Cumbia…with Stars in Your Hand! Does that matter? Probably not much because the story is more the universal and ubiquitous one about Humans not understanding ETs—not a surprise when one considers that groups of Humans often don’t even understand other groups of Humans!
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Rather than provide links to all the books mentioned, here’s the link to my Amazon author page.
Teeter-Totter between Lust and Murder. #3 in the “Detectives Chen and Castilblanco Series,” this mystery/suspense/thriller novel has more twists and turns than a carnival pretzel. Chen is accused of murder, so naturally Castilblanco tries to help her. But there is a lot more to the murder than meets the eye. Readers will have a great time unraveling it all with these NYPD homicide detectives and will be kept guessing right up to the climax. Soon available in all ebook formats.
In libris libertas!
December 8th, 2016 at 2:58 pm
I think I’ve said it before that some of your writing reminds me of Dr. Asimov’s writing. I think Asimov had a penchant for writing crime/mystery stories, and I guess maybe you do, too!
Looking forward to the new one.
(Haven’t forgotten about RA quote…but just when I think things are getting less busy, they get more busy… Last weekend we were building bridges for physics class. I was “helping” my freshman son while the junior did all of his own work. “My” bridge did only slightly better than the junior’s bridge. I was a bit mollified. 🙂 )
December 9th, 2016 at 6:50 am
Scott,
A lot of authors influenced me, but Asimov was a big one. He was too cerebral at times–no space opera there–but he maintained the reader’s interest (at least mine). I read so much that it’s hard to pin down direct influences, although I make a feeble attempt in the “Notes, Disclaimers, and Acknowledgements” section at the end of my books.
By bridges I assume you mean those constructs over waterways. Did anyone mention the Tacoma Bridge as a painful lesson in resonant oscillations? 🙁 While of practical importance, it’s probably more important to build social bridges in the U.S. right now.
I also bet you know a few things about bridges in dental work? 😉
Take care.
r/Steve
(PS. Don’t make a big deal about the RA blurb. Short and sweet for a backcover is all that’s needed.)
December 10th, 2016 at 11:18 am
Balsa or Basswood bridges. Scale models that have to built within a set of dimensions and under a certain weight, then are loaded at one of two pre-set points. The arched ones do better, but we didn’t have the time (or the inclination) to soak and/or steam the wood to put the proper bends in it.
I have a fair idea how bridges work in dentistry, but it doesn’t carry over too much, unfortunately. 😉
December 11th, 2016 at 7:30 am
Scott,
The bridge project sounds like something that I could be good at IN THEORY but NOT IN PRACTICE (all my model airplanes failed, but one science project, a homemade rocket, soared to about 500 feet before exploding–zipped up the fuel mix a wee bit too much).
Thanks for reading “The Whistleblower.” Hmm. You might have a good idea about turning it into a novel. We’ll see.
r/Steve
PS for other readers. “The Whistleblower” and other PDFs are free for the asking–see the list on the “Free Stuff & Contests” webpage.