Sci-fi authors often extrapolate current events, inventions, and issues into the future, so they run the risk of getting it wrong. Usually, the farther they extrapolate, the safer the extrapolation, because who knows what things will look like thousands of years hence? Near-future extrapolations can easily be proven wrong later on in the life of a novel. I’m more than a sci-fi author, of course, but I’ve written enough speculative fiction that I’ve guessed a lot about what will occur in humanity’s future, near or far.

Some of my guesses are more obviously wrong than others and soon proven wrong. Hydrogen-powered cars in the early “Chen & Castilblanco” novels are an example. A more egregious error perhaps, because I saw the intense hatred for our first black president among the far right (who became today’s MAGA maniacs—their future fuehrer championing that “birther theory” for years), I thought there’d be at least one attempt to assassinate Obama (the first novel, The Midas Bomb). (If Obama’s roasting of Trump in that national press event had already occurred—the latter’s expression is enough to betray his thoughts because narcissistic sociopaths can’t take humorous criticism—I probably would have guessed that the assassin would be a Trump supporter, not a Russian terrorist as in the novel.) These errors (and others) were near-future extrapolations that are surprisingly more difficult because they’re usually more detailed and specific than the far-future ones. They also turned my whole “Future History” timeline into an alternate history of humanity after the fact!

That timeline is also interesting because it predicts a slower turn to fascism in the world than what’s occurring, an eroding fascism in the US and elsewhere that basically follows the Chinese model—i.e. an Earth controlled by autocratic multinational corporations, their CEOs forming a world order akin to an oligarchy that doesn’t require a Putin or Xi. I believe that will still occur a lot faster now (I’m more pessimistic about this with every day that passes), but it looks like this Chaos I’ve postulated might arrive a bit later than I thought. People will have to get tired of personality cults first, Narcissus le Grand’s among them.

Moving along that timeline, the excesses of AI we now worry about (Chat-whatever is still very primitive, computer code that’s more brute-force than elegant) are seen in The Golden Years of Virginia Morgan (bridge novel between the “Inspector Steve Morgan” series and “Clones and Mutants”), and they naturally led me (I was already bored by HAL) into Full Medical (first book in the latter series) and the consequences of cloning. While AI might have more importance than I’ve projected, cloning has been simmering on the stove’s backburner and will probably soon rear its ugly head again. On the other side of the stove, you’ll find bubbling in the pot more atrocities and excesses created by radical religious fanatics like those that already exist because of these fanatics’ participation in the MAGA hordes; you won’t have to wait long for the consequences portrayed in Soldiers of God. Or maybe I just didn’t get the order right?

Of course, for me and many other sci-fi writers, these predictions about humanity’s future are just warnings that put flesh on the bones of a plot that is often an exciting adventure, mystery, or thriller. Readers are imaginative and smart enough to suspend belief and just enjoy the rides on these futuristic rollercoasters. I do that in my own reading, but in my writing I still feel bad sometimes when I got it wrong.

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The “Future History” mega-series of novels. This alternate-history timeline begins with The Midas Bomb and moves through six series of novels (“Chen & Castilblanco,” “Esther Brookstone,” “Steve Morgan,” “Clones & Mutants,” “Chaos Chronicles,” and A. B. Carolan’s YA sci-fi mysteries), three standalone novels (The Golden Years of Virginia Morgan, Soldiers of God, and Rogue Planet), and ends with the Dr. Carlos stories (see Pasodobles in a Quantum Stringscape and elsewhere). The books can generally be found wherever quality ebooks are sold, and there are free PDF downloads containing stories that have settings on this timeline. (See the list on the “Free Stuff & Contests” web page.) A free PDF download covers most of the timeline. (I try to keep it up to date.) Enjoy!

Around the world and to the stars! In libris libertas!

I’ve explained a few times here in articles in this blog how I’ve chosen prices for my books, both ebooks and print versions (also see the little course “Writing Fiction,” the free PDF download). Some prices of print versions are out of my control for books published by my two small-press publishers, Penmore Press (Rembrandt’s Angel and Son of Thunder) and Black Opal Books (The Last Humans). Now pricing is out of my control for my other print versions—not that there are many (most of my books are only in ebook format), but there are some important changes for YA readers. Amazon has decided to unilaterally force price changes in all self-published print books that were published using their KDP POD service (print on demand—it used to be called Create Space), completely ignoring any considerations self-published authors might have against taking such an action.

This self-serving and egregious action by Amazon is basically a breach of contract, the one entered into between Amazon’s KDP and self-published authors. In other words, we authors who use that service chose Amazon over some other POD service (such services existed long before Amazon’s Create Space got in on the act, even before ebooks) because of the contract details existing at that time. Amazon shouldn’t be able to legally change that contract without the self-published author agreeing to the changes.

To give that breach of contract charge a bit more oomph, we self-published authors should make it into a class action lawsuit: All self-published authors with print books published (and sold!) by Amazon should sue the retailer for breach of contract. Of course, that probably won’t occur. People let Amazon get away with murder…at least commercially. They’ve ruined retail competition in the US and worldwide, basically creating a retail monopoly in so many consumer areas. The big evil Bezos bot and all his little evil bots at the top get rich on the backs of suppliers and consumers. It’s time they’re taken down a notch!

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From my own experience as a reader, I generally consider sci-fi tales as a young person’s sport, although that doesn’t stop a lot of people young-at-heart from being great fans of the genre. Some of those dedicated readers are purists too—people who avoid boy magicians and cute robots and androids from those slick fantasy tales and even the inheritors of all those Buck Rogers-style space operas—so the sci has to be in the sci-fi to keep them happy. But youth is always present if only in the sense that youthful imagination based on solid scientific extrapolation is required to totally appreciate it.

As a consequence, it’s no surprise that tweens or young adults are often main characters, as they are in A. B. Carolan’s sci-fi mysteries for young adults (and adults who are young-at-heart). The first three are set in the sci-fi universe found on my extended “future history” timeline and feature three young women who can serve as heroes for both male and female young adults.

The Secret Lab and The Secret of the Urns might remind readers of the Hardy Boys and Nancy Drew mysteries, but their principal characters are very much young ladies of our far future. Shashibala Garcia is the leader of the nerd herd (loosely modeled after my own in high school—I wrote the first edition, A. B. reedited and republished it) on a futuristic version of the International Space Station (more a depot for solar-system commerce), although Mr. Paws, a mutant cat who can help young people with advanced math like calculus, becomes her partner in sleuthing.

Asako Kobayashi, the daughter of two Human scientists, part of a group studying some strange ETs native to a satellite of a Jupiter-like planet, forces Humans there to face their bigotry and prejudices. One of the ETs plays Dr. Watson to her Sherlock Holmes/Indiana Jones-like character.

Della Dos Toros has the most interesting role in those first three ABC mysteries, though. A, B, has gone where author hasn’t very often. There’s a lot of ESP in Mind Games (explained mainly in the same way FTL travel is explained in the “Chaos Chronicles”) that I only touched upon in Sing a Zamba Galactica and Come Dance a Cumbia…with Stars in Your Hand! (both novels found in the “Chaos Chronicles Trilogy Collection,” a three-novel ebook bundle), but not in Rogue Planet, which could be considered a prequel to Mind Games. But the latter novel is as much a celebration of ESP storytelling as The Time Traveler’s Guide through the Multiverse is of time travel (these novels both use the multiverse concept). Combining a great principal character with a exciting and suspenseful plot (at least that was A. B.’s intention!) should have made Mind Games into a sci-fi classic. (That it didn’t must have some deep significance that’s a mystery in itself!)

I won’t dwell on Origins, A. B. Carolan’s fourth YA sci-fi mystery. It’s supposed to be part of a trilogy describing an entirely new sci-fi universe. The concept is an interesting one: The real prehistorical Denisovans are a recently discovered offshoot of the Human family tree like the Hobbits, Cro-Magnons, and Neanderthals, so the storyline provides a theory about their origins on Earth, and future novels (to make a trilogy) will supposedly be filled with the intrigue and suspense as competing factions vie for power in an ancient galactic empire. If his cameo in Intolerance is any indication, A. B. is having problems writing the next two novels. I suppose that might be because the first novel is quite self-contained. (You can tell him using my contact page to get on with it!)

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Mind Games. Humans in the future want to give androids ESP powers. What could go wrong? Set in the same sci-fi universe as Steve Moore’s “Chaos Chronicles Trilogy,” Rogue Planet, and Dr. Carlos Stories, this sci-fi mystery for young adults written by A. B. Carolan features a principal character and plot filled with action, intrigue, and suspense that is sure to please every young adult and adult who is young-at-heart. It’s an ideal book for those book reports tweens and young adults have to write as well. Give your tween and teen the gift of exciting reading! Or enjoy a mind-bending (literally!) tale yourself!

Around the world and to the stars! In libris libertas!

Literacy is not equivalent to reading and writing. You can be literate without even reading a book. (Baldacci’s literacy project is a misnomer in that sense.) Today’s younger generations might be literate but most are not readers. I can’t blame them too much because they have so many entertainment alternatives now besides reading a good book. I pity them instead because they’ll never have the wonderful experience of reading a good story that grabs them and makes their imagination run wild. Their minds need the crutches of technicolor images and bombastic soundtracks because they’ve never fully developed those imaginations…or even tried.

Adults who have stopped reading earn more pity. They often offer other excuses—lack of time, waning attention spans, too much reading in their working lives, and all those temptations that affect younger generations. I used to do book events (Covid ended that activity), and the scientific observer in me noticed back then that audiences were getting progressively older.

Many older adults, myself included, started reading at a young age. We didn’t worry about literacy or experiencing new places and cultures (although that was a side benefit our parents could applaud); we simply wanted to be entertained, and we did that with heroes and villains much more developed than those two-dimensional caracitures found on TV and in the movies. Audiovisual media eliminates all the good stuff that goes on in our minds when reading, a book’s author doing a far better job of explaining their actions and struggles than any Hollywood director, no matter how gifted they are at their trade. That director is not a writer, and they can’t compete with an author who stimulates a reader’s imagination!

Avid readers will understand what I’m writing here in this post; non-readers never can. And that’s sad…for the writers and readers among us and for the future of human beings on this planet. Storytelling and reading stories are essential to making us human; by not telling stories and reading them, we have lost some of our humanity. Given the current sorry state of humanity, we can ill afford to lose even a little of what makes us human.

When someone says to you, “I saw a good movie the other day,” counter that with “And I read a good book, which is more fulfilling, so why don’t you try that?” In other words, let people know you’re an avid reader. Some might just wonder what they’re missing!

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The Mary Jo Melendez Mysteries. In the first book of this trilogy, Muddlin’ Through, ex-USN-Master-at-Arms Mary Jo is working in corporate security and is framed by a secret organization to cover up their incompetence for letting the Russians steal the MECHs (“Mechanically Enhanced Cybernetic Humans”); she struggles to prove her innocence. In Silicon Slummin’…and Just Getting’ By, she takes a new job in security at a computer games company, but CIA and Russian agents are after her; they want to know where the MECHs are. In Goin’ the Extra Mile, Chinese agents kidnap her, and the MECHs set out to save her. Action, intrigue, and thrills characterize Mary Jo’s travels as readers follow her adventures around the world. These “evergreen books” are as fresh and entertaining as the day the author finished their manuscripts. Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Most readers who visit this website and especially this writer’s blog know that I’ve been boycotting Amazon KDP (“Kindle Direct Publishing”) services for a while. No recent books have been published by KDP or even appeared for sale on Amazon. In general, Amazon is not an author’s friend—far from being one; in my case, its abuses and atrocities have led to my complete boycott. (My latest books have been released by Draft2Digital and not distributed to Amazon as a retailer.) The atrocities have been committed by the big bot Bezos and his inept little bot buddies working like an evil Santa Claus and his evil elven helpers.

Here’s the latest atrocity, and it can affect most authors: I once used KDP (originally called Create Space), the Amazon POD service, for my trade paperback versions. I don’t have many. (I no longer publish them, because they kill forests. Don’t like that as a reader? Tough!) POD or “Print On Demand” means that Amazon prints them as orders come in. Now Amazon’s evil bots have decided to charge more for the printing. They offer two options to authors, neither one good.

First option: We authors can increase the prices of our print versions to cover the extra printing costs. Second option: We can cover those extra printing costs by receiving fewer royalties.

The first option is a non-starter: I won’t raise my prices! I chose the lowest price possible originally allowed by Create Space (later KDP) to make my print versions’ prices more attractive for readers than anything offered by traditional publishers, including the Big Five’s overpriced trade paperbacks. This motivation was especially strong for A.  B. Carolan’s sci-fi mysteries, The Secret Lab, The Secret of the Urns, and Mind Games, designed for young-adult audiences (adults who are young-at-heart seem to enjoy these books as well). The print version of each novel is priced at $8.99. This is low enough that a young-adult reader can even purchase the book by  themself. Raising that price diminishes that option.

So, my only possible option is the second, and I’m willing to take that hit for my readers. I will get fewer royalties and have the satisfaction that my readers and I have stuck our thumbs in Bezos’s greedy eye, but I’ll certainly tell everyone I can that this egregious action taken by Amazon is more proof that this publisher-retailer is far from being an author’s friend and never the friend of the consumer. Pox on Bezos’s house!

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Sci-fi mysteries for young adults. The three novels, The Secret Lab, The Secret of the Urns, and Mind Games, all take place in my usual sci-fi universe, the same one created in the Chaos Chronicles Trilogy Collection, Rogue Planet, and Dr. Carlos stories. Whether in ebook or print format, they’re set at different times in the future, and they’re ideal additions to your young adult’s summer reading list and school-year book reports. Give your tweens and teens some exciting sci-fi reading that will stretch their imaginations.

Around the world and to the stars! In libris libertas!

“So You’re Looking for a New Book to Read?” (in the 5/3 NY Times “Arts” section) provided me with a good laugh. I have to confess that many things the NY Times states about reading, writing, and publishing just provide me with more evidence that their editors and critics are full of it! Unfortunately, that history of arrogant advertising also proves they think avid readers are too stupid to choose their own reading material, an insulting attitude that the Times exhibits with many news items, not just those about art and culture. Hey fellows, NYC isn’t the center of the Universe!

Of course, the Times is no worse or better than other news sources—or Oprah, once upon a time—so perhaps we should analyze why media in general believes people need to be told what to read…or do. Is the public who reads the media’s pablum really incapable of making its own decisions? After all, the media often sugarcoats this advice by implying that you’re not a cool person if you don’t do X, whether X is reading a certain book or voting a certain way. When considering books and other consumer items, the Times is just aping the apes of Madison Avenue (that’s insulting the great apes, of course), but Madison Avenue is NYC, and so is the Times. They all think they’re the center of the Universe, so it’s natural that the editors just echo the very organizations they think are so necessary to keep their rag alive. Our last president, king of the White House prevaricators going from Jackson and Grant all the way to the present day, learned how to lie from Madison Avenue, after all.

But back to you readers. The following might seem harsh, but let me state that if you need the NY Times editors and critics or anyone else to tell you what to read, you’re no avid reader. (You’re excused if you’re being bullied by an overzealous high school or college English professor, of course.) Avid readers insist on making their own decisions about what books to read, and they will resent anyone who tries to dictate that to them. (I’ve resented a few English professors in my time as well as the Times’ editors and critics!) Any article in the Times that tries to do that (including the one I mentioned at the beginning) would be better used to paper the bottom of your bird cage.

So, you ask, why do I read articles from the Times about books sometimes? Am I a masochist? No, just hopeful. I can only hope that they or some other media sources might say something intelligent about reading, writing, or publishing. And, at the very least, journalistic media usually gives me something to complain about! Similarly, beyond the ad that follows this article and unlike Big Five authors’ advertising blitzes (even video teasers are used nowadays), I’ll not pay the Times or any other media to advertise or say good things about my books. The following ad is more just a reminder to you that I’ve written a lot of them, and you might find some of them interesting!

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The “Inspector Steve Morgan” trilogy. NYPD detective Castilblanco (a seven-book series) led me to London-based art detective Brookstone (a nine-book series), and she led me to Bristol-based Inspector Morgan. Although he only has a supporting role in The Klimt Connection (“Esther Brookstone” #8), he became a principal character in the three very different cases forming this trilogy: Legacy of Evil resolves and expands some things from Celtic Chronicles (“Esther Brookstone” #9), Cult of Evil finds Morgan’s team chasing a maniacal cult leader and scam artist, and Fear the Asian Evil expands their fight against autocratic elements that began with Russian operatives in the first book to Chinese agents and assassins in the third. You’ll never see any of these books mentioned in the Times (self-published and small press books are rarely mentioned), but I offer them for your consideration in choosing your reading entertainment.

Around the world and to the stars! In libris libertas!

They naturally appear in mystery and thriller stories, and mine are no exception. Some are evil—China and Russia’s come to mind—and some aren’t supposed to be but can be warped. Many have appeared  in some my novels–the good, the bad, and the ugly.

Democracies should want their security agencies to be beyond reproach and just do the necessary work to keep the countries safe. Most of them do, of course, but there are bad apples in any barrel. “Bending the rules” to get a positive result might be a good policy once and a while, but doing that against the greater good is always questionable.

While I feature mostly UK and US agencies in my novels, I realize that the complete acronymic zoo can be confusing to readers. To help remedy that problem, I define these agencies and their acronyms at the beginning of some of my novels. You might also find the following list helpful in your other reading as well:

British national police—the Metropolitan Police System (“the Met” aka “Scotland Yard”) and its regional affiliates

British national crime agency—National Crime Agency (NCA)

British internal security—MI5

British external security—MI6

Chinese security—Ministry of State Security (MSS)

French internal security—DGSI

French external security—DGSE

Irish Republic’s national police—An Garda Siochana (Gardai or “the Guards”)

Russian internal security—FSB

Russian external security—SVR

US internal security—ATF, DEA, DHS, FBI

US external security—CIA, sometimes FBI

Notes:

The Metropolitan Police System, also called “the Met” or “the Yard” (for Scotland Yard, which is often used for both the Met and the independent but closely related City of London Police), and their regional affiliates represent the general policing organization for England and Wales; it covers general crime throughout that region with its many police districts, but it also covers background checks and crimes associated with the Official Secrets Act and railroad terminals and some local airports. Individual cities’ police departments are now considered part of the overall system (e.g., Bristol or Reading PD).

Police Scotland was created in 2013 to unify policing in all of Scotland, and it’s basically a copy of the Metropolitan Police system with all its own divisions and bureaucracy.

MI5 and MI6 were created during World War II. (The MI stands for “Military Intelligence,” and “Section Five” and “Section Six” are now just reduced to the numbers in general parlance.)

The National Crime Agency was also created in 2013 to lead efforts against organized crime, including human-, sex-, and drugs-trafficking.

One can equate MI5 + NCA to the FBI. ATF, DEA, and DHS, which are relatively recent in the US.

DGS is short for Departement Generale de Securite, and the I and E mean interior and exterior, respectively (these are the successors to the Surete).

FSB and SVR are the remnants of the old KGB, Putin’s old employer.

Of course, when in doubt, just use Google to check what an author means (or see if he got it right!).

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The “Esther Brookstone Art Detective” series. This nine-novel series might even have a few more security agencies and services not listed here because some novels are quite international in scope, including the first, Rembrandt’s Angel. Esther’s long career is portrayed in this series, from her work as an MI6 spy in East Berlin to various adventures after retiring from Scotland Yard’s Art and Antiques division. Two novels, Defanging the Red Dragon and Intolerance, are free (see the list on the “Free Stuff & Contests” web page). The others are available as ebooks, and the first three also have print versions. Enjoy!

Around the world and to the stars! In libris libertas!

I use “evergreen” to indicate a work of fiction that is as current and exciting as the day its author finished its manuscript. “Classic” is a catch-all term, overused in many ways, often incorrectly as if it were a superlative (like its cousin, “literary fiction” in many ways), and it often just means “a book you should read whether you like it or not,” the latter often coming from snobs and high school English teachers.

To Kill a Mockingbird might be evergreen, especially considering that improved race relations in America are something MLK would still be dreaming about, but it isn’t a classic either in any sense of the word because there are a lot of fiction books who portray the sorry state of race relations in America a lot better! Mockingbird is also probably just too old to be meaningful relevant as well, and it certainly isn’t entertaining. Okay, maybe it’s a classic in that sense of an English teacher bludgeoning her students by forcing them to read it.

As a historical novel—the only way it might be considered a classic—it’s less of a classic than Tolstoy’s War and Peace or Hugo’s Les Miserables, but old historical novels like these three often are ponderous and boring and therefore appropriate bludgeons for English teachers to use in America’s classrooms in their goal to make students hate reading. And while Macron probably read Les Miserables (self-serving and silly protests of French citizens against his increase of the retirement age are probably more violent than those in Hugo’s work), and Putin might think that he’s creating a new version of Tolstoy’s work that that it only has war and no peace. One can be sure, however, that Putin’s most ardent fan Trump never read that Bible he held upside down after walking across the park to that church. (That great book might qualify as both a classic and evergreen, by the way, but not in Trump’s hands because he couldn’t even bother to read his security briefs!)

Yes, I know there are publishers who make a lot of money selling fancy leather-bound tomes of boring “classics” that they insist should be on every educated person’s bookshelves. I’ve perused one of those, all of Shakespeare’s dramas (I studied the bard’s work for an entire semester in college—the professor made the dramas interesting; old William, not so much), but generally it’s less useful to me than Brainy Quotes and more useful as a doorstop. I also recently purchased the “original” pocketbook edition of The Hobbit and The Lord of the Rings Trilogy (I guess they can still call it original if it’s just a reprinting?), but that was more because I’d missed The Hobbit when reading Tolkien as a kid. (Those are both classics and evergreen, of course, and done far better than most fantasy books that have followed.)

The aforementioned publishers of those bulky leather-bound and colorful tomes (the perfect medium for any decorator wanting to create a color-coordinated and decorous perception of well-read ladies and gentlemen) create “classics” for people who can’t bother to read but want to put on airs and pretend to be cultured. “Evergreen books,” on the other hand, are stories avid readers actually read and maybe read again and again. You have a right to disagree, of course. “Evergreen book” isn’t standard literary terminology, after all. But it should be!

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A Time Traveler’s Guide through the Multiverse. Most sci-fi books are evergreen, and this one is too (although, within my oeuvre, it’s fairly recent). This sci-fi rom-com has historical fiction elements (the twists on historical and future events taking place in parallel universes), so maybe students can convince their English teachers it’s also a classic? (Okay, it’s a bit raunchy at times—dare I say “gay”?—so Ron DeSantis might want to ban it, so I suppose the students have to live outside Florida.) In any case, it’s time travel done right. Using the many worlds theory of quantum mechanics, it completely avoids the classic paradoxes as physicist Gail and her lab tech Jeff hop from universe to universe and shag to shag on their romantic road to exciting adventures and discoveries. Gail isn’t the meek and mild time-traveler’s wife, and Jeff is more brains than brawn. Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Authors and publishers often use ebook bundles to give new life to “evergreen books” (novels as current and entertaining as the day the author finished the manuscript). Readers love them because they’re often real bargains. (I recently bought a multi-volume set from British mystery publisher Joffe for $0.99. That’s a lot of good reading for a buck!)

Some readers might want to know if I recommend that an author, self-published or not, should bundle their novels, evergreen books or not. Basically, upon doffing my author’s hat, I’d say no to all. That advice would be just a consistent corollary of my more general one that an author should not give away their work, prose that they’ve spent a lot of creative time and effort on, not to mention the publishing stresses incurred. (I’m referring to published works, of course. I give away free PDFs, after all, most of them little cost to me, beyond time spent writing the stories; and they’re just a mouse-click away for the reader to download, not requiring any more of my time spent either.) In brief and more to the point, no author should ever give the perception that they don’t value their own work!

“Wait!” you say. “You’ve published The Chaos Chronicles Trilogy Collection.” Yes, indeed, I’ve done that. Each novel in that trilogy is sold individually for $2.99 or $3.99 (I can’t remember the prices right now), so buying all three would up to an investment a lot of readers don’t like to make, especially when trying a new author or one’s evergreen works. I sell the ebook bundle for $5.99, though, so the reader does receive a decent bargain. But the price isn’t $0.99 (that Joffe set was far more than a trilogy too) nor free! I value those three novels because they represent an early spurt of sci-fi creativity I’m proud of. They represent my Foundation trilogy, in fact. (Unlike Asimov, though, there are ETs in my trilogy, and they play important roles.) They required that I find and organize a lot of interesting background material, and they established the sci-fi universe that I’ve use in other sci-fi thrillers (most notably Rogue Planet, A. B. Carolan’s sci-fi mysteries for young adults, and the tales about Dr. Carlos, starship Brendan’s medical officer). They’re also a strong pillar for my long “future history” series of series and novels that begins with The Midas Bomb and ends with Dr. Carlos, representing many years of storytelling. (And my main motivation to publish the bundle was to write a second edition of the first novel, Survivors of the Chaos, in order to weasel out of a contract I had with an old POD publisher!)

Will I publish other bundles in the future? Maybe. Every trilogy, especially the evergreen ones, is certainly a potential candidate, of course Stay tuned.

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The Chaos Chronicles Trilogy Collection. While many parts of Survivors of the Chaos and Sing a Zamba Galactica originally my first efforts writing a major epic, the first book in the trilogy wasn’t the first I published. (The last novel was written as I developed my preliminary efforts into a trilogy.) The sci-fi universe created here appears in many other stories, including Rogue Planet and A. B. Carolan’s first three YA sci-fi mysteries. You can now read the entire trilogy—I think of it as my Foundation trilogy (unlike Asimov, my stories have ETs)—in this three-novel bundle. It’s available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

I’ve written about this topic many times before, including in my little course “Writing Fiction” (a free PDF download—see my “Free Stuff & Contests” web page). As the years pass, I always seem to come up with something more to say about it, so here goes:

I’ve seen some really bad titles and covers. Traditionally published books often have traditionally bad covers more akin to what a high school kid might produce using PowerPoint. (I guess the Big Five publishing conglomerates would be among the first to not want readers to judge one of their books by its cover. I rarely do.) Traditional publishers do a bit better with their titles. (Or, they pay more attention to their authors’ wishes, even if they aren’t the privileged old mares and stallions waiting in their stables to go to the glue factory.) They (or again, their authors) often blow the title as well, though. (Whether you like Sue Grafton’s “alphabet-soup series” or not, her titles were very boring and mundane; and Gone Girl and its imitators are laughingly silly and forgettable.)

One reason traditional publishers like print, I suppose (I insist on looking for logic even in what’s illogical!) is that hardbound books have flyleaf covers that often end up in the garbage bin (often the appropriate place for them), so their quality doesn’t really matter. Only the avid and aware reader notes the absurdity of the flyleaf on a hardbound edition. Small presses, if they publish a print version, generally only produce trade paperbacks, so they’re a bit more responsible about creating a nice cover. My three traditionally published books done by small presses, for example, have excellent covers. (There was input from me for The Last Humans, published by Black Opal—the rest of the trilogy was self-published—but that was not wanted for Rembrandt’s Angel and Son of Thunder, published by Penmore Press—as a consequence, I’ll admit that the latter two covers had to grow on me a bit. All my self-published print versions have good covers as well, thanks to cover artist Sara Carrick.)

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