Archive for the ‘Writing’ Category

A two-part motto…

Wednesday, January 18th, 2023

Readers of this blog know that at the end of an article I usually sign off by writing, “Around the world and to the stars! In libris libertas!” Although it might be obvious, let me parse this motto’s meaning, which has two parts.

The first might be considered a genre statement, but it’s more a statement about my stories’ settings. (I’m no fan of genres or anyone who tries to categorize my fiction besides me.) Those settings can cover anywhere on planet Earth or go far beyond Earth into the cosmos. What that first part does not contain is the time element, which can go from prehistory (e.g., A. B. Carolan’s Origins) to more or less contemporary times (e.g., The Midas Bomb) or to the far future (e.g., Rogue Planet) or a lot of different times in parallel universes (e.g. A Time Traveler’s Guide through the Multiverse). That’s a flaw in my motto, of course, but I didn’t want to make it any longer!

The second part expresses a lot more in fewer Latin words than the first part (the English non-literal translation is a bit longer: “In books, there’s liberty”), and it’s more profound. Books are the traditional and best way to support the fight for liberty vs. autocracy, good over evil, and tolerance over bigotry and hatred. It’s also a statement against book banning, so important nowadays with haters, bigots, racists, and other fascist personalities trying to dictate what people can and cannot read. That such censorship is now ubiquitous and increasing in the US is troubling, to say the least, and I will never condone it. Whatever a book’s themes or topics, a reader is free to choose not to read it, and anything beyond these personal choices should not be a subject of discussion.

So, most everything I write, novels, short fiction, and even these blog articles, can be summarized by my motto. I know most authors don’t have one, but I’m not like most authors! Readers of my many books already know that. I hope the word about my books (and my motto!) gets out so that new readers will join me in this grand adventure we call reading.

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A Time-Traveler’s Guide through the Multiverse. From the hard sci-fi perspective, this is time travel done right, using the “Many Worlds Theory of Quantum Mechanics” to avoid paradoxes. It’s also a rom-com because physicist Gail and her newly hired tech Jeff create a time machine that can only go into the future but also become lovers. But “the future” of one universe in the multiverse can seem like the past in another! The two hop from universe to universe living one romantic adventure after another, exploring some of the various possibilities of human existence…and non-human existence as well, each adventure a different commentary about our Earth and our own Universe. Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

 

 

Two new freebies…

Wednesday, January 11th, 2023

[Note from Steve: Some authors give away their published books. Except as an exchange for an honest review, I don’t. But I will give away unpublished fiction, mostly short fiction, and other fiction-related items, in the form of free downloadable PDFs. Here are two new ones you might want to download and peruse.]

The Detectives, Volume Two: The Earl of Penrith. Unlike that long first volume with many detectives and even a mystery that takes place in the future, this volume focuses on just one sleuth, Detective Inspector Earl Wilson, who works out of a substation in the Penrith Police District. Detectives in England’s northern counties generally have to cover large areas of beautiful countryside, and Earl’s Lake District is no exception. By the same token, they usually don’t have to solve a lot of murders—stealing stock and farm equipment are much more common crimes. Earl however has a rash of murder cases to solve, though. To solve them, his DS Sally Hill aids him.

As I was finishing the first story in this collection (there are four, the last never seen before), I thought Sally and Earl might inherit the mantles of Esther and Bastiann from the “Esther Brookstone Art Detective” series. But I decided that Earl seemed a bit old for the job (he’s about ready to retire too). I chose Steve Morgan and his team instead. But Earl is still an interesting bloke, and you might see more of him in the future.

Given that these are short stories (some are almost novella-length, though), I don’t focus on the CID briefings or relationships among the police personnel. That’s all better treated in a novel. Instead, I focus on the crimes and how Sally and Earl go about solving them. That has to be done in all short fiction, as you have seen in most of the fiction that I offer freely to readers. That’s the essense of most mystery and crime stories.

Writing Fiction, Revision 11. I can’t believe this is #11 already! Over my brief career of writing fiction (when my first novel Full Medical was published in 2006, I was already an old fellow), I’ve been continuously experimenting and trying out new tricks of the trade, so I’ve been passing on what I’ve learned to other writers, newbies or oldtimers who want a fresh perspective, or to anyone who wants to know the truth about this crazy business of writing and publishing fiction.

This new revision includes articles taken from this blog and expands on my recent experiences with Draft2Digital that I’ve used to self-publish my recent novels. It also sharpens my criticism against the Big Five and traditional publishing in general.

It also contains “The Recruit,” a short story you’ve seen in this blog (or in the above collection), but in annotated form to indicate key points about writing elements. This whole freebie is formatted exactly like the novels I’ve produced with Draft2Digital to go along with the article contained therein that explains how to use that easy-to-use software. (If I can use it, you can too!)

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Where can you go to download these free PDFs? At this website, go to my “Free Stuff & Contests” web page and find the list of all my offered freebies and then follow the directions at the end of the list. You can also download the other freebies as well—be my guest. Among them, you will find two complete novels, Defanging the Red Dragon and Intolerance, #6 and #7 from the “Esther Brookstone Art Detective” series.

Around the world and to the stars! In libris libertas!

Two free “Esther Brookstone” novels…

Wednesday, December 14th, 2022

Some readers know that I give away most of my short fiction in blog posts (see the “Steve’s Shorts,” “ABC Shorts,” and “Friday Fiction” archives) and as free PDF downloads (see the list on my “Free Stuff & Contests” web page). But there are two free novels you can download as PDFs as well.

Defanging the Red Dragon is a a crossover novel: Half takes place in NYC and features NYPD detectives Chen and Castilblanco; the other half takes place in London and features Esther Brookstone and Bastiann van Coevorden. So, it’s #8 in the “Detectives Chen and Castilblanco” series and #6 in the “Esther Brookstone Art Detective” series.

There’s just one plot, though: China is trying to steal Australia, the UK, and the US’s plans for new software and hardware upgrades to their nuclear submarines. (Remember the past scandal caused when Australia bailed out on the project with the French? That left egg on Biden’s face!) This novel’s spy-fi with a lot of mystery, suspense and thrills…and it’s free.

Intolerance is a complete shift. Esther Brookstone is involved in three different cases: A cold case from Ireland, the case of an old soldier murdered at a nursing home, and a case involving domestic terrorism. (That last case isn’t completely resolved and continues in The Klimt Connection, #8 in the “Esther Brookstone” series.) All three cases consider various aspects of intolerance, something that seems to be tearing apart civilized societies with uncivilized acts of terror.

Why did I make these novels free? The easy answer: Because I could! But a better reason might be that I didn’t know at the time if I wanted to publish any more Esther Brookstone books. I was going through “a rough patch,” as the Brits might say, and didn’t know if I could continue the mental marathons that novel writing requires me to run. Defanging the Red Dragon was also a holiday gift to my readers, as you can see from its title page. Readers can consider them both gifts, in fact.

While you can still jump directly from Leonardo and the Quantum Code to The Klimt Connection in the “Esther Brookstone” series (I provide enough background in #8 to allow you to do that without reading #6 and #7), a simple click will give you two free novels to read this holiday season. You can even download the two PDFs and give copies to your family and friends (as long as you respect the copyright).

I try to inform…

Wednesday, December 7th, 2022

Yes, my fiction is often complex. I sometimes receive that critique and then ignore it. You see, I don’t do simple; I refuse to write fluff. Even my comedy is complex; the rom-com The Time Traveler’s Guide through the Multiverse is hard sci-fi, and a lot in it informs and goes far beyond the fluff one often sees in that rom-com genre. (Did you know a secret op took place in Norway and destroyed the Nazi’s heavy-water production facility during WWII, helping to put an end to Hitler’s plans to develop the atomic bomb?) My stories’ plots, settings, and themes are designed to inform readers as much as (hopefully) entertain them.

I also inform readers and writers with my end notes. While many probably ignore them, nearly every book has them. I discuss what motivated me to write the story and offer references for further reading; I also acknowledge the real people who influenced the novel. I’m guessing people don’t read them because they’re not used to seeing such artistic candor? Most authors don’t bother. But both readers and writers can benefit from the information contained in them.

Of course, this blog also offers a wealth of information contained in these articles about reading, writing, and publishing. While my ideas on those subjects have evolved (and perhaps have become more acerbic and less mainstream?), I modestly believe that they inform readers of the blog about what goes on in this modern world of storytelling. (For writers and maybe readers, my course “Writing Fiction” collects many of those ideas. It’s a free PDF download available on the “Free Stuff & Contests” web page.)

All too often, authors only see their writing as a business and determine success by sales figures. I’ve never thought that way. Instead, I believe every author has an obligation to give something back to the community of writers, readers, and publishers (yes, even those associated with the Big Five and its sycophantic cadre of agents, although those authors never do), offering information others can use (or ignore at their own peril!), facts they might not know but can appreciate, and perspectives about our wonderfully diverse world and its peoples that can enrich their lives. I want to do my small part in achieving that.

Of course, I want to be true to myself and stick by my opinions, but I’ll often present the viewpoint of “the other side” in my prose. I will not be the next Ayn Rand or Karl Marx and write pure fiction that’s propaganda, but I might have characters who espouse libertarian or communist ideas. I realize that the spectrum of human beliefs and behavior is a wide one, and I want my prose to reflect that. Human beings are also political, and so I want my characters to be political as well. Fiction has to reflect reality; simple fluff never does!

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Fear the Asian Evil. This third book in the “Inspector Steve Morgan” series might seem ripped from the headlines after reports that President Biden strongly warned President-for-Life Xi about invading Taiwan. The book deals more with China’s long-standing policy of industrial espionage—they’d rather steal ideas than have to invent them—and fomenting unrest in western democracies. While it starts out as a typical police procedural—the sister-in-law of Morgan’s sergeant is shot—it acquires a spy-fi flavor that goes far beyond Christie’s typical British-style mysteries. Available wherever quality ebooks are sold (but not on Amazon).

Around the world and to the stars! In libris libertas!

 

 

Young female heroes…

Wednesday, November 30th, 2022

I often think of tweens and teens these days; how they’ll make out in the world we leave them, the new trials and tribulations awaiting them that previous generations didn’t have to survive, and so forth. Like everyone else, they were affected by the Covid-19 pandemic, but their lives were more adversely affected and interrupted than those of adults. Moreover, because they’re on the path of turning into adults, they’ll have intense adolescent problems to contend with long forgotten about by most adults plus a mountain of new ones to climb.

That’s how I became interested in young adult (YA) literature. I’d read Heinlein’s Podkayne of Mars as a kid long ago and immediately liked that novel about teen angst set in the future, something I and my nerdy cohort could easily identify with. Later, with that fond memory, I knew I had to try writing a YA novel. I didn’t embark on that marathon immediately. As I did with my mystery and crime novels, I studied what was “out there.” (That included those Harry Potter books, which taught me what not to do. Thank you, J.K.!) As with the mystery and crime stories, I discovered that sci-fi and YA literature weren’t incompatible, just like Heinlein had indicated.

My first YA sci-fi novel, The Secret Lab, was a sci-fi mystery set on the International Space Station (ISS) far in the future when families with tweens, not just astronauts, form a tight-knit little community living aboard a much-enlarged station. This YA novel’s timeline coincides with what was going on Earth below as the “downies” struggle through the Chaos in the hard sci-fi novel I titled Survivors of the Chaos.

In the two YA sci-fi novels after that one, we followed J. K. Rowling’s trajectory a bit: Tween to young teen and on to older teen, in The Secret Lab, The Secret of the Urns, and Mind Games, respectively. I say “we” because A. B. Carolan rewrote, reedited, and republished The Secret Lab and then authored the next two novels. But, in another major difference with Rowling’s fantasy series, besides those three novels being hard sci-fi as well as YA, their young heroes were all girls. Why is that?

You might think it was because of Podkayne? No, I had more a more profound reason that A. B. fully agreed with: Too many YA authors refuse to recognize young girls’ importance! (That’s true in general, of course, probably more so.) Young women aren’t sexual objects or childhood brides. They’re not men’s slaves. They’re not breeders who should stay home taking care of men’s children. Good things happen in societies when they can be creatives—artists, storytellers, techies, and scientists—even entrepreneurs, and yes, politicians. Our societies only have to give them the chance to realize their full potential to reap the benefits!

I’ll leave it to MFA students’ theses to analyze how many YA heroes are girls. Heinlein, of course, was a pioneer when he created Podkayne. I’d still bet the number of male YA heroes is larger than the number of female ones. Having known and admired many strong women in my long life, and having taught many years in academia where girls are often told they can’t do math or science (today called STEM), it was easy to get motivated and create Shashibala in The Secret Lab, Asako in The Secret of the Urns, and Della in Mind Games. (Readers will note that A. B. and I have followed the timeline of the three books in the “Chaos Chronicles Trilogy”—making a YA version of each one, if you will.) These three girls are young female heroes who represent the future power of women that lamentably is only beginning to be unleashed in some of Earth’s current societies.

Hopefully, I can get A. B. to finish the “Denisovan Trilogy.” His Kayla Jones could really kick ass in Origins! (That novel is not set in my usual sci-fi universe, but it’s hero is still a young adult female—something like a wizard, in fact, so take that, J.K.!)

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Three A. B. Carolan YA sci-fi mysteries. They’re listed above. The Secret Lab has Shashibala and her friends out to find a cat loose in the ISS. In the process, they uncover a conspiracy. The Secret of the Urns finds Asako befriending some strange ETs living on an Earth-sized moon of a Jupiter-sized planet. Humans are persecuting the ETs, and Asako wants to stop the persecution. Mind Games has Della trying to find her foster father’s killer. She has to use her ESP powers fully to thwart a plan to take over the fledgling ITUIP (“International Trade Union of Independent Planets”). These three novels, available in both ebook and print format wherever quality books are sold (even on Amazon—they were published before our boycott), would make a great holiday gift for the young adults among your family and friends. Many adults who are young-at-heart have also enjoyed them!

Around the world and to the stars! In libris libertas!

A villain’s long criminal career…

Friday, November 25th, 2022

I have a few series—seven, not counting A. B. Carolan’s—and Vladimir Kalinin has the role of arch-villain in four of them and in two bridge books between them. He also influences many of the events in a fifth, because five of the seven series are on the same fictional timeline that starts with The Midas Bomb and ends with Rogue Planet. (Both have paper editions if you’re interested.) I don’t know if that’s a new record for one fiction author, but it’s certainly evidence for Vladimir’s long criminal career.

Why do I keep returning to him? (Most recently, I did that in the “Inspector Steve Morgan” series, located midway along that timeline.) It’s complicated! He’s a complex and interesting villain, for one thing. While not afraid to commit violence to further his many nefarious schemes, he shows flashes of caring and compassion that could make readers used to simpler villains scratch their heads. While using his genius to gain influence and riches, a true master of the art of the deal, he also sometimes exhibits admirable feelings for his fellow human beings that can be surprising. His long friendship with Sean Cassidy, the old ex-pat Irish bomber, for example, which lasts all the way to No Amber Waves of Grain, is as solid as any friendship between strong personalities can be. In fact, they’ve formed more of a close partnership in which they trust each other more than their many accomplices.

But Vladimir also obsesses about revenge, a very human emotion. His long pursuit of Putin’s oligarchs is aimed at paying them back for forcing him to flee his native Russia when Putin grabbed power there. He’s also always thinking about revenge against those NYPD cops, Chen and Castilblanco, although he respects them and others for having thwarted him. He does eventually manage to take revenge against some oligarchs and other enemies, in particular the oligarch in Gaia and the Goliaths and the Korean industrialist who killed his protégé in No Amber Waves of Grain. Yet he’s not above trying to assassinate a few US presidents—he succeeds with a second attempt on one in Soldiers of God.

Many literary critics see authors’ villains as representations of authors’ dark sides. That’s not the reason Vladimir has appeared in so much of my fiction, though. Instead, he’s evidence for my belief that no one is purely good or evil. That yin-yang simplification so ubiquitous in fictional fluff isn’t justified because human beings are so complex. If fiction is to seem real, its plots and characters must both seem real as well.

A good thesis for an MFA graduate student (do they even do them?) might be following Kalinin’s career from The Midas Bomb to Soldiers of God and on to his influences beyond that, i.e. following my extended timeline. Because I don’t write all these novels in sequential order, that wouldn’t be a trivial task. And that student might prove that my development of Kalinin, if followed sequentially along that fictional timeline, is as complex and chaotic as his character seems to be!

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Fear the Asian Evil. This third book in the “Inspector Steve Morgan” series might seem ripped from the headlines after reports that President Biden strongly warned President-for-Life Xi about invading Taiwan. The book deals more with China’s long-standing policy of industrial espionage—they’d rather steal ideas than have to invent them—and fomenting unrest in western democracies. While it starts out as a typical police procedural—the sister-in-law of Morgan’s sergeant is shot—it acquires a spy-fi flavor that goes far beyond Christie’s typical British-style mysteries. Available wherever quality ebooks are sold (but not on Amazon).

Around the world and to the stars! In libris libertas!

Why British-style mysteries?

Wednesday, November 23rd, 2022

Here’s a question you might be dying to ask: How is it that an old half-Irish curmudgeon (my desktop’s scene is a photo I took of Ireland’s Blarney Castle!) enjoys writing about British detectives? (Some of them are Celtic, though—Irish, Scottish, and Welsh.) I started down that road with Esther Brookstone and have written twelve novels that can be called British-style mysteries, which include the three “Inspector Steve Morgan” novels as the most recent ones.

The answer isn’t what you might think. While I’ve always been an internationally oriented author—about half the “Chen & Castilblanco” series takes place outside the US—and I’ve spent a lot of time outside the country, that international perspective, while unusual among American authors, that doesn’t completely explain my recent focus on British-style sleuthing. In fact, there are two more important factors: One, I loved reading Christie’s stories as a kid, and survived Covid-19 by reading entire series of British-style mysteries; and two, Asimov’s two sci-fi mysteries, Caves of Steel and The Naked Sun, also read at an early age, showed me that mystery tales could be more universal than any other category of fiction. Christie barely probed into the possibilities. (That binge-reading didn’t either.)

Rembrandt’s Angel, the first book in the “Esther Brookstone Art Detective” series was written more as a personal challenge to myself to put together Miss Marple and Hercule Poirot, Christie’s two famous sleuths, and create a twenty-first century crime-fighting duo, something I always considered an error Christie made. (Brookstone is a modern Miss Marple; and her paramour and later husband, van Coevorden, is a modern Hercule Poirot.) But those two more general motivations remained.

A writer-friend among Black Opal Book’s authors writes mysteries set in ancient Egypt. Another sci-fi writer writes excellent mysteries set far in the future. (I think I’ve reviewed both these authors’ novels a while ago.) Many of my own Dr. Obregon stories are sci-fi mysteries, and, in my binge-reading, I’ve enjoyed mysteries set in the nineteenth century, some even written by Americans. In other words, mystery provides a large umbrella to tuck stories under. Authors and readers should never forget that mystery has that positive influence on fiction literature.

Yes, mystery stories’ characters can be from any country and any ethnicity, and their settings can be from any time and place, even in outer space.

But in my recent works, I returned to mystery’s roots more as an homage: Christie’s Britain, with new twenty-first century wrappings. Despite reforms and reorganizations (the NCA and Police Scotland represent two major examples), policing in the UK is still steeped in tradition. The “Inspector Morgan” novels are much more police procedurals than Rembrandt’s Angel and Son of Thunder, the first two novels in the “Esther Brookstone” series. I’m guessing that this turn in my writing journey might not resonate with UK readers. So be it. It’s a detour I needed to take to round out that part of my writing journey into the strange lands of mystery and crime writing.

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Comments are always welcome. (Please follow the rules on my “Join the Conversation” web page. If you don’t, your comment is considered spam.)

Fear the Asian Evil. This third book in the “Inspector Steve Morgan” series might seem ripped from the headlines after reports that President Biden strongly warned President-for-Life Xi about invading Taiwan. The book deals more with China’s long-standing policy of industrial espionage—they’d rather steal ideas than have to invent them—and fomenting unrest in western democracies. While it starts out as a typical police procedural—the sister-in-law of Morgan’s sergeant is shot—it acquires a spy-fi flavor that goes far beyond Christie’s typical British-style mysteries. Available wherever quality ebooks are sold (but not on Amazon).

Around the world and to the stars! In libris libertas!

 

Book pricing revisited: ebooks…

Friday, November 18th, 2022

Book pricing is always debated among self-published authors and the marketing gurus who pretend to advise them; traditionally published authors have no control over it—their publishers determine pricing, often to their detriment. But we can include both groups of authors (and hopefully exclude the gurus) by asking, “What should be the price of a quality ebook?”

Note that I’m focusing on ebooks. I no longer understand print-book pricing because that’s all over the board and no longer makes any sense. Also note the inclusion of the word “quality.” Whether self- or traditionally published, there’s a lot of garbage books out there that are often overpriced to make them appear to be quality literature—most celeb books are trash, for example.

For both, self- and traditionally published, let me start on an equal footing: I’m assuming that we’re deciding on the correct pricing for a fully edited novel, both copy- and content-edited, and one that has an attractive cover. I’m also ignoring additional publishing costs: Forget about trying to recuperate those editing and cover-art costs or anticipated marketing costs. And let me focus on a novel that has between sixty and seventy kwords (many traditionally published novels are padded to the extreme because the traditional publisher wants to make it “worth their while” to put out a print version—that’s a quote from one of my traditional publishers, by the way).

Such a novel in ebook format should be priced in the $3 to $5 range, independent of genre. I have many years of experience that goes into determining that range as a reader and a writer. As a reader, if I see a novel in ebook format priced outside that range, I rarely purchase it. When less than $3, I might take a chance; when more than $5, forget about it!

Traditional publishers’ ebook prices are usually far more than $5, which is absurd! An ebook is just an efile. Self-published books are usually better reading bargains, costing about the same as an on-demand movie, and it provides many more hours of quality entertainment.

My ebooks are generally in the range I’ve indicated. (Fortunately, my traditional publishers also keep their ebooks within that range as well.) Recent ones I’ve published and distributed using Draft2Digital reflect the inflationary pressures of our times (what doesn’t these days?) and are priced at $3.99.

Ebooks are usually purchased online, of course, but no one can claim they’re not browsable before purchasing. Just like in a bookstore, readers can read the blurbs and peek inside to see if they think the ebook is worth buying (or that the author can at least write). I do that all the time (while I mostly ignore the reviews, especially on Amazon).

There are borrowing opportunities for ebooks as well, just like in a public library. Draft2Digital distributes to many library and lending services, and many public libraries now offer ebooks. (They tend to cater to Big Five ebooks, though, which is unfortunate, because those are usually overpriced, so libraries’ number of offers have to be limited because of fixed budgets—the cost of the ebook determines what it costs to lend the ebook.) That’s all an argument for self-published authors to keep their ebook prices in the range I’ve indicated. Smart consumers know value when they see it.

There was a time when ebook sales plateaued and print sales didn’t. Covid changed all that because people favored online purchases. Buy an ebook online and you’re reading it almost immediately; buy a print book and you’re waiting for it to be delivered (or the reader becomes the delivery man). Avid readers often read ebooks only because of that difference.

Authors, please price your ebook novel accordingly and take advantage of digital publishing. You will be a happier author by doing so.

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Comments are always welcome. (Please follow the rules on the “Join the Conversation” web page. If you don’t, your comment will be declared spam.)

Fear the Asian Evil. Former Scotland Yard Inspector Steve Morgan’s next case at Bristol PD involves the attempted murder of a journalist who happens to be the sister-in-law of one of his sergeants. Its prelude, though, involves a fishing trip made during a vacation when Steve and his girlfriend’ father find a dead Chinese spy afloat in the North Sea. That leads to frictions with MI5 that distract from solving what should be the routine case of the woman’s attempted murder. The hunt for spies and ordinary policework clash until they come together. Available wherever quality ebooks are sold (just not on Amazon).

Around the world and to the stars! In libris libertas!

 

A trilogy…or more?

Wednesday, November 16th, 2022

Many of my books are part of a series, but a lot of the series end as a trilogy. The latter will probably be the fate of “The Last Humans” series (I’m working on the third novel, Moscow Menace), but it could also be the fate of the “Inspector Steve Morgan” series (three books already published).

In any case, it gives me great pleasure to announce the publication of the third “Inspector Steve Morgan” novel, Fear the Asian Evil. Here’s the summary:

Former Scotland Yard Inspector Steve Morgan’s next case at Bristol PD involves the attempted murder of a journalist who happens to be the sister-in-law of one of his sergeants. Its prelude, though, involves a fishing trip made during a vacation when Steve and his girlfriend’ father find a dead Chinese spy afloat in the North Sea. That leads to frictions with MI5 that distract from solving what should be the routine case of the woman’s attempted murder. The hunt for spies and ordinary policework clash until they come together.

When I introduced Morgan in The Klimt Connection, Book Eight in the “Esther Brookstone Art Detective” series, I sensed that the complex British copper was a character who promised to provide many suspenseful adventures as he solves complex crimes. Although all British-style mysteries owe something to great trailblazers like Agatha Christie, today’s world is a lot more complex than theirs was, and crime-fighting has taken on a new meaning. If only for its massive bureaucracy (the UK reorganized that for policing in general in the first decade of this century, creating the NCA, for example), a bureaucracy Morgan often battles (particularly MI5’s), crime investigations have to be carefully managed now. I believe Morgan has shown he’s up to the task while he strives to put order in his personal life (in particular, with a new romantic partner). I hope my readers will agree.

All three novels, Legacy of Evil, Cult of Evil, and Fear the Asian Evil, are distributed by Draft2Digital and available wherever quality ebooks are sold (just not on Amazon, which I now boycott for my book publishing). Because everyone is already talking about holiday gifts, allow me to suggest that the entire set would be a great gift to yourself or to anyone among your family or friends who are avid readers of the mystery, thriller, suspense, and crime genres. Here a reader can read about complex twenty-first century crime that goes from murder at the local level to nationwide syndicates and international spy rings. Christie and other mystery and thriller pioneering authors could never have imagined how crime stories have evolved! Modern readers reap the benefits.

Next projects…

Wednesday, November 2nd, 2022

As I announced in a tweet (I don’t know how much longer I’ll be on Twitter because Elon Musk seems intent on ruining it!), I’m finishing a short story for my “Friday Fiction” series on my blog (see this Friday’s post). I use short fiction to take a few breathers, a cooling down if you will, after running the marathon of completing a novel (in this case, the first three “Inspector Steve Morgan” novels that may or may not end as a trilogy). Of course, short fiction is like running a few sprints or mid-distance races in comparison to a novelistic marathon. (The real NYC Marathon will take place soon. I was never able to run a real one, but I can still admire all those runners stamina!)

Once I’m done with that short story and posted it, what comes next? I’ve been debating three possible new novels. I had intentions of morphing More than Human: The Mensa Contagion into three novels, adding to the first and second parts of that sci-fi novel. There’s also still the question about what becomes of the combined Human-Mensan expedition to a nearby star (nearby in cosmic terms, of course).

I couldn’t call on A. B. Carolan to help on that, though, an avid fan of sci-fi himself. He’s still working on the second and third books of “The Denisovan Trilogy” to add to Origins. Unlike the Mensan book, there’s two novels there that need to be written to finish that story about galactic empires and their political battles. The first book took place on Earth. I can understand A. B.’s indecision about the next two with all the politics already going on here on Earth! He expressed that when he appeared in Intolerance, Book Seven of the “Esther Brookstone Art Detective” series. (It’s available as a free PDF download—see the “Free Stuff & Contests” web page here at this site.)

To avoid badgering A. B. and to take a breather from sleuthing, British-style (the Brookstone and Morgan series), I’m going to try to control my ire against Black Opal Books (publisher of The Last Humans) and Amazon (for confusing the first book with its sequel, The Last Humans: A New Dawn) by finishing the trilogy with a novel tentatively titled Moscow Menace. Here, as hinted at the end of the second novel, Penny Castro, the principal protagonist in the first two novels, and her husband Alex will have starring roles once again.

The plot for Moscow Menace is about Russia, of course. Don’t worry. Vladimir Putin is long dead, having succumbed to the same virus bioengineered by the PNRK and unleashed on the US’s west coast only to see it become worldwide and kill billions, even most of its originators. (All that predated Covid-19, although it’s still in question whether the latter virus was bioengineered by the Chinese. At any rate, it certainly made The Last Humans more believable and a warning that no one heeded, among them the Chinese.) Penny and a few others are among the survivors, all a fluke of genetics. (The mRNA vaccines help explain why genetics is important here. And we’ll be studying the consequences of that, i.e. the vaccine side effects, for a long time.)

The post-apocalyptic world of Penny Castro is still one where human beings must struggle to survive, but like in the second novel, this third novel adds the debris from world politics to the trials and tribulations of the survivors. I’ll keep readers posted on my progress. In the meantime, if you haven’t read the first two novels, you have some catching up to do!

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Four sci-fi novels. Mentioned above are More than Human: The Mensa Contagion, The Last Humans, The Last Humans: A New Dawn, and A. B. Carolan’s Origins. All are available wherever quality ebooks are sold (even on Amazon, except for the last). They’ll make fine holiday gifts for all the sci-fi addicts among your family and friends. (See the “Books & Short Stories” web page for descriptions.)

Around the world and to the stars! In libris libertas!