Harry Bosch…

October 13th, 2021

A while ago, as I was reviewing a book for Bookpleasures.com, something struck me. I was noting how the author’s style reminded of Michael Connelly’s early work, in particular the Harry Bosch books. The first, The Black Echo, came out in 1992, and I remember being impressed. And then I thought: Bosch is like my Detective Castilblanco! Not the same, of course, but similar. Harry was a tunnel rat in Vietnam; Castilblanco was a SEAL who had many missions in the Middle East, Afghanistan in particular. They both became detectives in big cities, Bosch in LA, Castilblanco in NYC.

I had to analyze this a bit further to put myself at ease. Had I inadvertently copied Connelly?

At the end, I decided there was no problem. After peeking inside some of those early Bosch novels again, I decided that the only things the Castilblanco books have in common with the Bosch books are those similar backgrounds of the detectives and their grittiness. Moreover, Harry is always local (at least in the Bosch books I read—I maybe read half of them), while Castilblanco’s cases usually start in NYC but often expand to national and international ones. Also, I’ve only reached #7 with Castilblanco, while Connelly is up to #19, last count. Still, eleven Bosch books were out before I published my first novel,  Full Medical (2006), and that was a dystopian sci-fi thriller, not a mystery/thriller. I didn’t write the first Castilblanco book, The Midas Bomb, until after the stock market crash in 2007-2008.

Harry doesn’t have the help of a partner like Castilblanco’s Dao-Ming Chen either. He has to do it all alone most of the time (he does get a little too close to an FBI agent). But both Bosch and Castilblanco are loose cannons sometimes, giving their superiors a tough time. That’s probably true of most innovative and successful cops who are detectives.

Bosch isn’t a hard-boiled detective like Sam Spade and Mike Hammer either; more of those old detectives is found in Castilblanco. My writing owes more to that old school than Connelly’s does—for Bosch, gritty, yes; hard-boiled, no. I call my prose minimalist writing, and it’s prevalent even in my sci-fi tales.

Does any of this matter? Of course not! Crime novels with their mystery, suspense, and thrills all have some similarities, but as long as they’re exciting, intriguing, and entertaining, who cares? I’m addicted to them, in both my reading and writing. And who knows? Maybe my Chen and Castilblanco stories influenced Michael Connelly? Nah, not likely. And I’m sure he doesn’t give a damn that I didn’t read his later Bosch books…for reasons I won’t go into here.

Yet this is a warning to all authors who are avid readers: Check every once and a while to see if your writing too closely mimics some other author’s. A little bit is okay, but even that can kill your own unique voice. I’ve always strived to maintain mine. Modesty aside, it’s not Asimov’s nor Connelly’s, just Steve Moore’s.

After all, you can like both Bosch and Castilblanco. Nothing wrong with that! (Seems like we need a detective whose name starts with A there.)

***

Comments are welcome.

The Chaos Chronicles Collection. This bundle contains three full sci-fi novels. Survivors of the Chaos begins with a dystopian Earth controlled by international mega-corporations that have resorted to private militias to police what remains of the collapse of Earth’s society; it ends with the third of three starships bound for the 82 Eridani system…and the first interstellar stowaway. Sing a Zamba Galactica is an epic history that goes from first contact with good ETs to a war against bad ones that have conquered Earth, but some strange collective intelligences also make trouble in the near-Earth galactic neighborhoods. If the first two novels are considered my Foundation tales, in Come Dance a Cumbia…with Stars in Your Hand! my Mule is the autocratic Human who wants to control all near-Earth space using ESP powers. Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Book review of Woodward and Costa’s Peril…

October 11th, 2021

Peril. Bob Woodward and Robert Costa, authors (2021). Who this book is not about: While the authors are mostly responsible for causing the media hype about the Milley-Pelosi interchange after January 6 (Trump aka Il Duce called Milley a traitor), it’s neither about the Chairman of the Joint Chiefs nor the Speaker of the House. It’s about the transition (or lack thereof) from the administration of the worst president in US history to the administration of the newly elected president, to whom the ex-president has never conceded.

Do you care? Maybe not. “Let’s not dwell on the past,” some people might say. Others still continue to believe the Big Lie. All that’s scary, and so is this book! A narcissistic psychopath with a fuehrer complex took us very close to the precipice that would plunge us into fascism, turning the US into one of those “shithole” countries he’d railed about during one rage. So this book is also about how the “marching morons” (C. M. Kornbluth’s aptly appropriate description of Narcissus le Grand’s rabid followers), who, like lemmings, followed the “f%$#ing moron,” their Pied Piper, right over that cliff and tried to drag more sane Americans along. (Good tidbit in the book about McConnell’s admiration for SecState Tillerson’s quote: Moscow Mitch said to his sycophants that Tillerson was allowed to deny calling Trump a moron because he called the president a “f&^%ing moron”! Of course, McConnell used Trump for four years to further his own fascist agenda. By the way, I was happy to see the word fascist used in the book to describe Trump…rarely, but even by some of Trump’s own “supporters”!)

The book, as chaotic as the Trump administration’s four years, can also be considered that administration’s post mortem, a forensic analysis of a dead criminal who almost destroyed American democracy. Of course, like a zombie, Trump might rise again and prey on democracy again. He was impeached twice (which will be the Big Loser’s most lasting legacy), but he was never convicted. He still has the “marching morons” who continue to follow him, although their numbers are reduced now as many of them die from Covid. (Is the virus eliminating the “stupid gene”? If so, there’s collateral damage, of course.)

This book is scary indeed! It’s Dr. Strangelove and Full Metal Jacket all wrapped up in a real American tragedy! And the fright still grips because me because we might have yet another Trump reality show. That gives me nightmares. It should give any sane person nightmares.

For reasonable and logical people who lived through this four-year debacle caused by a deranged psychopath, there’s not much new here…if they were paying attention. From the day Trump made the announcement he was running after that grand entrance in Trump Tower in NYC, I said that we should never let this deranged person anywhere near the “nuclear football.” Yet we did, and the country suffered greatly, and so did the world, teetering far too close to an apocalypse.

While everyone should read this book (of course, the Big Loser, his minions, and the marching morons will only diss it…if they know how to read—Trump doesn’t!), I do have a few nits to pick. One, the authors are too damn nice to Trump’s evil minions, all fascists like Meadows, Miller, Steve Bannon, Pompeo, Don Jr., Giuliani, etc., etc. Two, the authors did no favors for General Milley by hyping his participation in trying to control Il Duce’s multiring circus; that only made the poor man an easy and continuing target of Trump’s wrath.

As you read this book, you’ll see there’s more than one American hero here, albeit some were reluctant ones like Pence, who saved the country from disaster. May we still have more around if the Big Loser runs again in 2024!

I suppose I should have posted this review at Pub Progressive, my political blog, but it is a book review and an honest one, after all. And this is an important book to read. It contains good journalism, even if the writing is poor at times and a bit sensational. In their hurry to capture market share, Woodward and his publishers are becoming more and more willing to sacrifice quality. It’s a long but an easy read, especially if you paid attention to what’s been going on; and it’s damn scary! So maybe you shouldn’t read it late at night? And maybe it will only be a prelude to the apocalypse?

***

Comments are always welcome!

The Chaos Chronicles Collection. This bundle contains three full sci-fi novels. Survivors of the Chaos begins with a dystopian Earth controlled by international mega-corporations that have resorted to private militias to police what remains of the collapse of Earth’s society; it ends with the third of three starships bound for the 82 Eridani system…and the first interstellar stowaway. Sing a Zamba Galactica is an epic history that goes from first contact with good ETs to a war against bad ones that have conquered Earth, but some strange collective intelligences also make trouble in the near-Earth galactic neighborhoods. If the first two novels are considered my Foundation tales, in Come Dance a Cumbia…with Stars in Your Hand! my Mule is the autocratic Human who wants to control all near-Earth space using ESP powers. Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

“Friday Fiction” Series: Poetic Justice, Chapters Seven through Nine…

October 8th, 2021

[Note from Steve: I’m having way too much fun writing these British-style mysteries to stop now. This one combines the amateur-detective theme of Irish writer Declan O’Hara paired with the professional-detective theme of Scotland Yard’s DS Margaret Bent. Enjoy.]

Poetic Justice

Copyright 2021, Steven M. Moore

Chapter Seven

Maggie wanted to talk to him at her place of work. That was convenient, because Declan had just had a traditional English breakfast at The Golden Goose as a reward for a mostly sleepless night and to receive some good medicine to work against stress.

He’d visited his father’s workplace often enough, so her office was more or less what he expected, although much cheerier than the room where he’d made his statement with all its bustling activity. The large room with its many desks and computers was busy with plods working on various cases.

She sat at one of those desks because she was only a DS, even though she was SIO for a couple of cases, so she led him back to that interrogation room for some privacy. They sat facing each other.

“Ezra said you seemed nervous, Declan?”

“I was in a hospital because someone tried to kill me. Wouldn’t you be nervous?”

She nodded. “I can have patrol drive by your flat once and a while.”

“That’d be a waste. We have to find out what’s going on. I’m not nervous now. I’m mad as hell.”

She smiled at him. “Actually, that’s good. You’ll be more inclined to help me even more. I notice you said ‘we.’ Is there any chance your encounter with the mad motorcyclist is unrelated to Gilby’s abduction?”

He shook his head in the negative, sending a shock of hair to his forehead that he brushed away. “No, if you’re asking me if I have a secret enemy trying to assassinate me. I do believe that Motorcycle Man might be the same man who kidnapped Gilby. It’s too much a coincidence if not. But I didn’t see his face. He had a helmet on with a dark visor.”

“Opinions expressed in your articles and posts on your website’s blog are strong ones.”

“Mostly not opinions but my interpretations of facts. Here’s what happened, and here’s why it happened, to put a fine point on it.” He gave her a wink. “So you’ve read some?”

“I was curious. I suspect anyone who reads them will react strongly too, pro or con.”

“I’m paid well for the articles. So are many writers. It’s all about content these days. No one I know makes a living writing prose and poetry.”

“I suppose. But your more—shall we say interpretative?—writings have the flaw that no one has a way of determining whether someone who reacts badly to them will want to kill you.”

“You’re not helping to cure my paranoia.”

She shrugged. “In this case, it’s not—”

“—paranoia because it’s true,” he finished.

They laughed together. He liked her laugh. That moment was soon over, and she returned to business.

“Let me try another tact.”

She shoved some stapled papers over to him. It was a list of names.

“What’s this?”

“Something I had Ezra create, a list of Heathrow’s recent clients, criminals he’s got off the hook one time or another, some several times. Do you notice anything unusual?”

He studied the list comprised of five pages of names. The barrister had been a busy man. When he finished, he said, “Seems like there’s a lot of Irish names here. Are you suggesting that Heathrow and his partners are somehow working for an Irish mafia here in London? Does such a thing even exist?”

“Not exactly mafias, but gangs of smugglers. Most of the Irish names and some of the non-Irish, I’m guessing. The border problems you’ve been writing about create many ancillary problems. One is an uptick in smuggling.”

“Here to there, or vice versa?”

“Both. Some people on either side don’t like the rules put in place because of Brexit and try to work their way around them.”

“Just human nature, I suppose. And isn’t smuggling more in the domain of customs, not the Yard?”

“Yes, for the smuggling itself but not for other crimes associated with it.”

“Good Lord, this world is complicated.”

“And leaders like Johnson have made it even more so.”

***

As the discussion continued, Declan realized that Maggie was grasping at straws. Did she only invite me in to look at Ezra’s damn list? He wasn’t keen on the idea that he might be involved somehow in some smuggling activities via Gilby and Babbitt…and the Yard. He wanted his peaceful life back. How can I write when I have to look over my shoulder every time I go out?

Basically she’d forced him to agree to do just that until the Yard made more progress on the case. He thought she might be going down a cul de sac and taking her team with her. Am I supposed to give her company?

He liked the detective. He would help her as much as he could, but he’d much prefer that she consider other possibilities as well. It wasn’t much fun being someone’s target.

After their chinwag ended, she told him to wait. She introduced him to Archimedes and left them alone together.

Declan immediately liked the tall techie who badly needed a haircut. He asked to see the text message on Declan’s mobile. He spent a lot more time than he needed to read it. Trying to parse the meaning? To Declan, that was clear.

“This bloke’s got some tech skills, just like the one sending that message to Gilby. Maggie was hoping I could determine the origin of yours. Maybe I can, but I’ll need some time. Can I borrow your mobile for a while?”

“I use it for work. It’s my laptop away from home. I even read in the Underground with it.”

“Probably more powerful than your laptop even. I can lend you a burner.”

“A what?”

Archimedes smiled. “Smart phone without sim card. No GPS locator. Might be a good idea to improve your security too.”

“What about my contact list?”

“I’ll transfer stuff like that over to the burner. Minus this message, just in case. And I’ll return your mobile in a few days. Deal?”

“Do you think it will help Maggie’s investigation?”

“Maybe. Depends on my luck.”

“Okay. Let’s do it.”

***

When Declan returned to his flat, he discovered a mailer envelope in the hall entrance way that had been shoved under his door. He picked it up with a tissue from his bathroom and took it to his study, almost dropping it because his hand trembled so much. He placed it on his desk.

How do I unseal an envelope without destroying forensics evidence? He wanted to see what was inside. He snapped his fingers. Returning to his bathroom he found the box of rubber gloves he used to clean both his galley kitchen and bathroom. A few years ago, he’d had a rash on both hands, and the doctor recommended the use of rubber gloves. The rash had disappeared; he’d continued to use the rubber gloves so it wouldn’t come back.

Instead of working open the clasp, he used a letter opener to slit the envelope open. Inside was a large photograph. The woman he recognized as Gilby. He assumed the man was Babbitt. They were sitting bound and gagged on back-to-back chairs.

The first question that flooded into his mind was: Why me? The second was related: Why not the police? The final one was: What am I supposed to do with this?

He left envelope and photo on the desk and exited the room to sit on his couch. Fumbling a bit with the unfamiliar mobile Archimedes had provided, he called Maggie. It went to voicemail, so he left a message informing her about the envelope and its contents.

I want this all to end. He wished he’d never seen Gilby’s abduction. Is whoever did it using me as a go-between, a person to funnel information to the Yard. Why not to the SIO herself? He’d heard from his Da that criminals often liked to gloat to the police.

Any romantic aspirations he had harbored for DS Bent were now fading. Won’t any relationship with her bring more of the same? He wondered how his mother had managed with his father. Had he only imagined it to be a loving relationship all those years, a delusion hiding a mother’s fear about her family being affected by the father’s occupation? A content creator and a copper. The more he thought about it, the less he felt good about it.

He was working on his second bottle of Smithwick’s when Ezra and the SOCOs arrived.

Chapter Eight

“I think the first thing you should do is take a picture of the picture with your mobile and send it to Maggie. She’ll find it interesting. I couldn’t manage it with Archimedes’s moby.”

“Will do. I saw you were careful handling it.” Ezra slapped Declan on the back. “Good show, mate. We’ll make a detective out of you yet.”

He went and hovered around the entrance door, kneeling down and sticking a finger under the crack. “Big enough gap here. Somewhere along the line a previous tenant removed a plush carpet to get to the hardwood floors. Always leaves a gap.”

“That would be me. I have some seasonal allergies. Pollen collects in plush carpeting.”

“I hear you. Only problem is that someone could come in under the door with a stiff wire and release the deadbolt. It’s then a simple matter to pick the knob’s lock.”

“Good Lord. Were you a cat burglar?”

“You should see Maggie. Her set of picks is top quality. You’re one of the smart ones. Most people don’t even think ’bout having a deadbolt.”

“I can’t make that claim. I only changed keys when I moved in.”

He laughed and then shrugged. “Not important, mate. With the gap, the scrote didn’t even have to enter.”

“Will that photo help the investigation?”

“We’ll see. At least it tells us Gilby and Babbitt are together and both victims. Maybe we can get something from the background that will give us a clue about where they’re being held.”

“But why send it to me?”

“Who knows? Because you’re such a lovable bloke? Maybe we’ll get one too. Or Gilby’s workplace.”

“Why there?”

“The Yard frowns on paying ransoms. The barristers might spring for that, though, I suppose. Depends on what Gilby and Babbitt know. Or maybe they have some evidence the scrotes would not want us to have? Use your imagination. You’re the writer.”

“Maybe the Met is so big they don’t know where to send it? I just met a woman who used to be in the Yard, an inspector in the Art and Antiques Division. Have you ever heard of that?”

“Can’t say I have. Maybe Maggie has. The bureaucracy is huge. I get your point. You think they’re using you as an intermediary.”

“You’ll need to check, but maybe Heathrow and his lawyer friends aren’t guilty of anything?”

“The scrotes would know about them through Gilby, if only recently. I don’t know what the involvement is, but I’m willing to bet Heathrow and friends are involved in some way. Maggie showed you the list.”

“It was a bit depressing, seeing a bunch of Irish criminals.”

Ezra laughed. “For all we know, the rest were Cockneys. Remember Daddy Doolittle.”

Declan thought a moment and then laughed. The droll constable had a sense of humor.

***

Maggie read through the forensics report. There’d been a bit of dust at the bottom of the envelope that turned out to be scouring powder used to clean sinks and stoves that hadn’t come from Declan’s gloves, which had been out of the box. No fingerprints, no DNA traces.

She asked herself the same question Declan had asked: Why go through the writer? Ezra had told her his theory that they didn’t know where to send the photo to in the Met. She didn’t buy that. And Declan had no connection with Heathrow and his cronies. She saw her whole smuggling theory taking a hard crash landing.

She didn’t buy the ransom theory either, but the idea that somehow those who’d kidnapped Gilby and Babbitt were after incriminating evidence the law firm had was likely. Yet why would Heathrow or anyone in the firm feel pressure with the two kidnapped? Could it all just be a big mistake, the left hand of a criminal operation not knowing what the right hand was doing?

Early days, she said to herself. But the DI wants results! She had to face him in ten minutes. It was time for a cuppa’.

She returned to her desk to find a note from Archimedes. She sighed. She put down her tea, popped a biscuit into her mouth, and then took a sip. She then went to the lift. In the basement, she found the jolly black giant waiting for her.

“Traced Declan’s text message. It came from Kensington. Here’s the address.”

She examined it. It looked familiar.

When she returned to her desk, her tea was cold. She drank it anyway and then pulled the file on Heathrow. He lived in Kensington.

She called the law firm. Arthur Heathrow, Esq., had taken a personal day. She called his home. No answer, no answering machine.

She met Ezra coming in as she was going out. “Just in time. We’ll take a little ride to Kensington. You can tell me about Declan as we go.”

“Just give me time to visit the loo, Guv.”

***

Maggie saw the body on the sitting room floor. She told Ezra to practice his skills at lock-picking this time. Once in the foyer, he handed her gloves and booties.

There wasn’t much blood. She didn’t see the wound until Ezra rolled Heathrow over. A hole in his chest told the sordid tale.

“Blood’s all in his abdominal cavity, I’d wager. I’ll call for a pathologist and SOCOs.”

“Now we have a murder case. The DI will be thrilled, I’m sure. After you call for them, do a quick sweep of the downstairs. I’m off to do the same upstairs.”

Everything was tidy upstairs. One bedroom was in use, probably the barrister’s. A small bookcase mostly contained popular fiction. She noticed one of Declan’s novels, The Case of the Distraught Diva. The subtitle: Inspector Robinson, Book One. Different than Gilby’s, which was more recent. He’d published it six years earlier. The cover was a bit sexy, showing a woman’s bare leg and foot with a high-heeled shoe.

She browsed through it and then put it back and checked the bathroom. Neat and tidy too. Was a cleaning woman here at the house this morning? If so, the SOCOs probably wouldn’t find much.

The other two bedrooms had mattresses with bed sheets and covers folded on top, and chests with empty drawers. The main bathroom, in between those two rooms, looked unused as well. She went downstairs.

“Marks on the rug in the study and dishwasher with clean dishes show a cleaning lady was here,” Ezra said.

“My same conclusion. No biologicals in the study, I presume. He was shot here in the sitting room. He must have known his killer.”

“Because he wasn’t shot through the peephole or in the entrance way?”

“Probably opened the door willingly enough and let his killer in. Say, does he have something in his fist. Careful.”

Ezra had bent to pry the fingers open. He held up a cufflink. “Unusual design, I dare say.” He handed it to her.

“An Irish cross. Probably not his.”

***

Back at the station, Maggie called Declan.

“It’s nice to hear from you, Maggie,” he said, “but I’m sure this isn’t a social call.”

“I’d like to have your father’s phone number.”

“He splits his time between Dublin and Donegal. Let me think. He’d be in Donegal now because a course at the training academy just finished. But I’ll give you both numbers and the home number. Why do you want to call him?”

“I would probably just get a run-around from the Garda if I went through official channels. I need a lesson on Irish crime syndicates.”

“Can’t help you there, but Da probably can. Or knows levers to pull to get you connected with someone who can. Are you looking for someone in a particular place? Irish ports, perhaps?”

“Forget the smuggling. That could just be part of their business model.”

“You seem a bit antsy. What’s happened?”

“Heathrow’s dead. We found him at his home.”

“Um, you plods are gathering all kinds of evidence. How are you going to sort it all? You don’t think my father’s involved, do you?”

“No, of course not. But he’s a valuable source of information I have available through you.”

He gave her the numbers. “You might get Mum, so fair warning: She’s very protective of Da. And her children, for that matter. Thinks he works too hard and that he should retire completely. I tend to back her on that. Man’s over seventy now.”

“Will she put me through if I mention you?”

“If you do, she probably will, thinking you’re my girlfriend. She’s always badgering me about how she wants some grandchildren.”

“Maybe I’ll lead her on a bit. I really need to talk to your father.”

Chapter Nine

The conversation with the old copper Michael O’Hara was brief. He wanted to Skype. They used Zoom instead so Ezra could more easily sit in at his own desk.

“The technological miracles of our age,” Michael O’Hara said after they had everything sorted. “What a boon to policing, right DS Bent?”

“Call me Maggie. DC Ezra Harris is with me, as you can see. Call that old Cockney Ezra. We’re recording, if you don’t mind, and he’s taking notes as well.”

“Good show. I hope my son is okay. I heard his name bandied about before my wife handed the phone over.”

“He’s fine. Just a good friend.” Maggie said nothing about the motorcycle attack. “Down to business.” She held the cufflink close to the computer’s camera lens. “Does this mean anything to you?”

Read the rest of this entry »

“Inspiring Songs” #5: “Star Trek: The Next Generation” theme…

October 6th, 2021

The original Star Trek series had better episodes than any others in the Star Trek franchise. They’re dated now, especially if you’re looking for razzle-dazzle special effects. (They had to make do with what they had back then—literally!) Yet many of those original episodes were written by real sci-fi writers, not some young screenwriting novices. (The same can be said about the earlier Twilight Zone, even more so.) But The Next Generation‘s theme song was much more inspiring than the one from the original series’, hands down!

Written by the famous Jerry Goldsmith (the version I liked best was on a Boston Pops CD—”Pops in Space” I think it was called), it gave me goose bumps the first time I heard it. My ten-year-old son (he’s now forty-five) was even more impressed. It just held so much promise. The show delivered, with Jean Luc Picard matching my image of what a starship captain should be. (I had a hard time getting by Counselor Troi and Ensign Crusher, though.) Picard and Worf were my favorite characters.

But hearing that theme motivated me to watch every show. The stories were often disappointing, though, especially when compared to that magnificent theme song. The experience led me to conclude that it takes a whole team to make a successful series or movie. Good writers are needed as well as good music and good actors, writers who can spin good yarns week after week, a more difficult task than writing a movie’s screenplay…or just one novel.

The comparable challenge a fiction writer faces is a series of novels, not one. Like The Next Generation, an author’s series generally reuses many of the same characters over and over again. What changes are the plots and maybe the settings, and maybe the “guest” characters. The challenge arises because the ho-hums can set in. Like readers who read the books in a series, an author can become bored with writing about them.

This is one huge advantage self-publishing has over traditional publishing. For the latter, a publisher can get tired of a series even before readers and writer do. The publisher can cancel the series as a consequence. (This happened to me with the “Esther Brookstone Art Detective” series when the publisher wanted to end it with a trilogy. I knew Esther and Bastiann wanted me to create more adventures for them. I don’t know about readers.) The flip side of the coin occurs when a publisher wants an author to continue a series, even if the author is bored with it and knows subsequent novels will seem boring and formulaic to readers as well. The author often ends up writing little else, as in Sue Grafton’s case.

Self-publishing offers an author a lot of freedom when writing a series. Although my “Esther Brookstone” series is forty percent traditionally published, I self-published the last three books in the series. Sure, I completed the trilogy, even ensuring the third novel had a paper version, but I went beyond that for Esther and Bastiann. They deserved it, and I wasn’t bored with writing about their new adventures together as a married couple. I hope you aren’t either.

I’ll let someone else worry about theme music for the series when and if it becomes a TV series. I can suggest a few possibilities from classical music, but I’ll have to confirm those with Esther! She has a mind of her own.

***

Comments are always welcome.

Oktoberfests. I think my only mention of them is in Death on the Danube, and that only occurred as a reasonable facsimile at the beginning of Esther and Bastiann’s honeymoon river cruise (the beer gets to Bastiann, though!). We actually took the cruise that novel is based on in October through multiple European countries, so the reader can see most of what we saw by riding along with those two lovebirds. We didn’t have a murder on our cruise, of course, and there was no Interpol agent like Bastiann around to take over the investigation if we’d had one! This novel is in the middle of the five-novel “Esther Brookstone Art Detective” series, forming a bridge between the first two more international books and the last two, where the sleuths solve crimes on Esther’s home turf. Available in ebook and print format.

Around the world and to the stars! In libris libertas!

The high cost of most entertainment…

October 4th, 2021

The exception is books! But first, a bit of history…

It all started with cable’s “On Demand”-type offerings (most cable companies had and have that), then HBO with premium movies, and now a whole Jurassic menagerie of streaming services and streaming bundles, a business so lucrative that even Disney jumped in and now competes with other streaming T-rexes. Expensive movie subscriptions, anyone?

And those video games! Lawsuits have been lost or won about who owns them and who can sell them, and they’re so popular that there are people now who make a living treating other people addicted to them. Big business creating cottage industries?

Your ordinary family movie matinee afternoon followed by dinner for four, even at McDonald’s, can easily cost parents $100 or more. That’s a hit on the old family budget!

Entertainment is big business in America, and Americans are willing to spend big bucks to get it.

What’s missing here? Books and reading! I still just make do with regular cable, mostly because I like to keep up on the news (CNN and network news) and PBS shows (new ones for the latter seem to have disappeared with Covid, though). But sometimes I look for a movie in the “On Demand” catalog, but I generally back out of there fast!

As Mr. Biden says, here’s the deal: Let’s say an “On Demand” service charges $3 for an old flick that I’ve missed (more chances for that now with Covid), and that movie lasts two hours. For $3, I can download a damn good novel that will take eight hours to read, say. In other words, for the same price, I get four times the entertainment! And that book is usually far better entertainment. Movie scripts nowadays are notoriously bad, often with no plot or interesting characters, just a lot of special effects. It’s incredible that I can buy a well-thought-out novel for $3, a story that’s almost guaranteed to be more entertaining than most movies.

Of course, I have to be selective, but I am for both media choices, and that’s another plus for books: There’s a lot more selection! There are more books because it doesn’t cost $100 million-plus to make a book. And with the book’s blurb and a “peek inside” (most online book retail sites have these features, and you use them also as you browse in a library, where a book is zero cost to you), I can home in and find a very entertaining book. Movie trailers all too often just show the few good parts of a movie, so I’ve learned to distrust them (same for book trailers, of course, especially James Patterson’s).

Conclusion: The best entertainment is found in books; the least expensive entertainment is found in books. Books are better. Period. Go out and spend a lot on other entertainment if you like. I’m sticking with books!

***

Comments are welcome…but see the rules on my “Join the Conversation” web page.

Oktoberfests. I think my only mention of them is in Death on the Danube, and that only occurred as a reasonable facsimile at the beginning of Esther and Bastiann’s honeymoon river cruise (the beer gets to Bastiann, though!). We actually took the cruise that novel is based on in October through multiple European countries, so the reader can see most of what we saw by riding along with those two lovebirds. We didn’t have a murder on our cruise, of course, and there was no Interpol agent like Bastiann around to take over the investigation if we’d had one! This novel is in the middle of the five-novel “Esther Brookstone Art Detective” series, forming a bridge between the first two more international books and the last two, where the sleuths solve crimes on Esther’s home turf. Available in ebook and print format.

Around the world and to the stars! In libris libertas!

 

“Friday Fiction” Series: Poetic Justice, Chapters Four through Six…

October 1st, 2021

[Note from Steve: Missing something? For those of you who enjoyed reading my politically-oriented articles about current events in the US and around the world, you’ll now find them at http://pubprogressive.com. Please drop by if you’re interested.]

[Note 2 from Steve: I’m having way too much fun writing these British-style mysteries to stop now. This one combines the amateur-detective theme of Irish writer Declan O’Hara paired with the professional-detective theme of Scotland Yard’s DS Margaret Bent. Enjoy.]

Poetic Justice

Copyright 2021, Steven M. Moore

Chapter Four

“Sorry I’m late.” DS Bent took her chair across from Declan after shaking his hand and was immediately captivated by the view of London at night. “Are you trying to impress me?”

“Just hoping you will help me celebrate the sale of my article for a nice piece of change and the sale of a few copies of my poetry book, although that’s overwhelmed by the overall success of that gallery event.”

“Congratulations. No saving for a rainy day, eh?”

“If you think I’m a Bohemian, you should have seen the Brazilian painter, Ricardo Silva.”

“I’d heard about him. Never about you.” That hurt a bit, but he made no comment; it was a fact. “What are you drinking?”

“A Southwick’s ale, but please order what you want.” She ordered a G and T. “I’m supposing our meet here isn’t all for pleasure?”

“Pleasure, except for one quick question about my case, that’s all.” She removed an envelope from her large purse, took a photo out, reversed it, and slid it toward him. “That her? The woman you saw kidnapped?”

He nodded. “Any news about that case?”

“Now we’re beyond one question. Let’s get past the hors-d’oeuvres, at least. I’m in the mood for bacon. Any recommendations?”

“Broiled asparagus wrapped in bacon?”

“You’ve been here before?”

“Two invitations by ‘zine editors. They were using up their per diem, I think. I came down from up north to meet them here. That was before face-to-face meet-ups went out of style. of course. Here’s the waitperson.”

They chatted more about life histories and goals until the dinner ended and they waited for coffee and dessert. He then repeated his question. She told him about Gilby and her boyfriend and their disappearances at the same time.

“That’s too much of a coincidence. Seems like someone was after them both. They might be dead.”

“And here I thought I was the one whom too often is called Ms. Doom-and-Gloom. There are no bodies, Declan.”

“Yet. But that’s segue to a good question: Why bother to kidnap them if they were just going to kill them? Perhaps they had information someone badly wanted. Have you contacted Jamaican authorities? The country’s a commonwealth realm, after all. The King could query the governor directly.”

“Writers always have interesting imaginations. Can you imagine King Charlie doing something so plebeian?”

“You know what I mean. Your top cop talks to their top cop. Probably can’t get it done otherwise.”

He could see that she was considering his suggestion. They were interrupted by dessert.

***

Through dessert and coffee, the conversation changed to become more of a first-date chinwag.

“Where do you live, Declan?” Maggie said.

By then she had dropped the more formal DS Bent for the evening, although he couldn’t remember at what point. He’d taken it in stride he hoped, although she still seemed a bit stand-offish.

“Mostly in public libraries or bookshops.”

“I mean your abode, where you sleep.”

He hesitated. “I have a flat.” He rattled off address and telephone number and told her how to get there from The Golden Goose via the Underground. “I have a combination living-dining room with a galley kitchen on the side which leaves me good space for my music system. I use one bedroom for a study and the other for sleeping. That’s all I need.”

“No telly?” He shook his head in the negative. “Do you cook?”

“Sometimes. Why all these questions? Planning a rescue mission because I’m a witness? Will they come after me now?”

“Always a possibility. Beyond that, one, your answers assure me you’re a reliable witness and not just a crazy, reclusive writer lost in his fantasy worlds. Two, I want to see if your set-up is better than nine. I’m nearer my place of work, but that comes with a lack of space, and I’m guessing the rental fee for my studio is on a par with your place.”

“Understood. I’d prefer that you don’t live near me, though. You might want to bounce ideas off me about a case at odd times.” He said that with a smile, trying to head off a bad reaction. Maggie Bent had a short fuse.

The rejoinder still came. “Don’t you really mean I’d crimp your style with your other female friends?”

At least she said other. “I haven’t had much luck in that department. Some people might even think I’m gay. Even intelligent people often pigeonhole other people in ridiculous ways based on stereotypes. Like, Muslims are terrorists, Irish writers are either gay or sots, and so forth.”

“And plods are stupid. I only know of one gay Irish writer.”

He raised an eyebrow. “At least you recognize the importance of being earnest.”

She laughed. “That’s a terrible joke that probably has Oscar Wilde spinning in his grave over in Paris. I should visit Dublin one of these days.”

“The west coast and south are a bit more picturesque…and have better pubs. Just my biased opinion, of course. After all is said and done, though, I like County Donegal best. It appears you’re well read. I doubt they emphasize that when training plods. My da would consider it a great joke.”

“With the graduate entry scheme, one has a shortcut to detective status. I took advantage of that. I was never in patrol.”

“I bet you’d look good in uniform.” She blushed a bit. “Don’t take that as flirtation. My sis looks sharp in her uniform. She hopes to get promoted out of patrol soon. I think Da is very proud of her, maybe more of her than me. He’s never understood my obsession with writing. He likes my articles, though, a lot better than my poetry and prose. Wanted me to work for The Irish Times. I considered it, but here I am.”

“I was the middle child, male and female siblings above and below. My sisters are nuns and my brothers are priests.”

“Your family must be Catholic too. Did your parents want you to be a nun?” Declan thought that would have been impossible—Maggie was too worldly.

“Mum did. But I wanted nothing to do with that. I wanted to help people more directly, out and about in the community, so I guess I could have been happy as a priest, but the Church is sexist as hell and dominated by old misogynist men…like my brothers! I flipped a coin to choose between EMT and copper. EMT won, so I chose copper to give stick to fate.”

“Aha! We’re kindred spirits in that sense. Da always said I’d never make good money as a writer, that a life of poverty would be my fate.”

“Do you make money as a writer? Beyond what’s needed for this repast?”

“Enough to get by, and it’s getting better, but I fear writing articles will soon take all my time. One ‘zine wanted to send me to a war zone to get background for an article. I turned that assignment down. The Irish had enough war during the Troubles.”

“That’s picking up again, thanks to Johnson.”

“Don’t I know it! County Donegal snuggles up against Northern Ireland. Londonderry is too near.”

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“Inspiring Songs” Series #4: “America”…

September 29th, 2021

[Note 1 from Steve: Missing something? For those of you who enjoyed reading my politically-oriented articles about current events in the US and around the world, you’ll now find them at http://pubprogressive.com. Please drop by if you’re interested.]

[Note 2 from Steve: If you’ve downloaded “Mayhem, Murder, and Music,” the free collection of short crime fiction—see the “Free Stuff & Contests” web page if you haven’t—you know that music often inspires me. It’s always been part of my life. I even attempted once to write a Broadway-style musical based on Huxley’s Ape and Essence (it’s now shredded—I didn’t get much further than a rousing march, “Seventy-Six Trombones” in an apocalyptic setting). This series of posts was also inspired by music. I might even repeat some of the songs from that collection! Enjoy.]

The version of “America” considered in this article isn’t the bastardization of the UK’s “God Save the Queen”; it isn’t the song that many in the US think should be the US national anthem either. It’s Neil Diamond’s song (yep, another one!). My roomie in college couldn’t understand how I liked Neil Diamond, One colleague at my old day-job thought he’s corny and anyone who liked him is too (including me). Tough. Musical tastes are as subjective as reading tastes. My feedback to them was always that Mr. Diamond is a talented songwriter who not only sings his own songs well but wrote songs for other famous soloists and groups. I have yet to hear a Neil Diamond song I didn’t like. So here’s another: “America.”

Some readers of this blog might remember that song as the anthem for the failed Dukakis presidential campaign. (Michael didn’t fail in his bid for the presidency because of the song, although it generated some anti-immigrant sentiment from the fascist Good Ole Piranhas even back then. Papa Bush played dirty by pulling that Willie Horton trick on Michael, and we were saddled with another Good Ole Piranha in service to the American plutocracy—Papa Bush was the cowboy’s VP; Reagan and Bush started us down the path to fascism.)

You might not remember the real reason Dukakis chose this song. Both he and Diamond were celebrating America as a land of immigrants, that is, our country’s diversity. This is an important theme throughout my novels, even in my sci-fi stories. (What’s more diverse than a bunch of physiologically different ETs and their strange cultures?)

No one ever accused Diamond or Dukakis of practicing cultural appropriation, though. (Papa Bush also played the race card with that Willie Horton ad, making a false equivalence between blacks and criminals to the delight of American racists who, unfortunately, can vote.) You might know I have no use for the anti-cultural appropriation movement. I celebrate our diversity and always have, long before Diamond recorded “America” in 1980. As far as I’m concerned, I equate anti-cultural appropriation sentiments to racist ones; they pretend just the opposite. (What!? An old white guy can’t like reggae?)

Read the rest of this entry »

I give up…

September 27th, 2021

[Note 1 from Steve: Missing something? For those of you who enjoyed reading my politically-oriented articles about current events in the US and around the world, you’ll now find them at http://pubprogressive.com. Please drop by if you’re interested.]

[Note 2 from Steve: My blog readers can consider this article a sequel to “I’m a failure…,” my 6/9/2021 article that’s about as equally positive and negative as this one. Read on if you want to learn more truth about this publishing business!]

I give up. No, not on writing—I’m addicted to storytelling and blogging (sometimes they’re the same thing). I gave up on traditional publishing (yeah, I tried it), and now I’m giving up on all those marketing gurus who promise everything and deliver nothing with their services.

Nearly all “book marketing experts” focus on Amazon now: Amazon this; Amazon that. We can help you get more Amazon reviews. We can help you with Amazon ads, key words, whatever. All this amounts to is a complete surrender to Jeff Bezos and his mega-monopoly that actually hurt authors more than help. And I don’t want Bezos’s bots screwing around with my books anymore! (I only leave my “evergreen” ones on Amazon because it would take a lot of time to pull them all down. I haven’t sold a book on Amazon in a long time! I’m now boycotting them.)

Those marketing gurus offer all kinds of “free” advice too (most of it involves using Amazon!). Believe me, I’ve tried most of it. It’s mostly worthless, especially if it’s based on using Amazon. About all you can do anymore that might do some good is a book-launch campaign to let readers know you have published a new book. (At least that might give you some useful graphics you can use in your own DIY promos.) Anything else is worthless. Period. Full stop.

Worse, the marketing gurus’ efforts are focused on one book (even though they offer the contradictory advice to write the next one, which I’ve done many times over). I tried to get BooksGoSocial to promote a full series (without using Amazon!), and they ignored me. Same for AME (a marketing service wholly dependent on Amazon it seems—do they work for Jeff Bezos?). Maybe their services produce results for some authors. Their advertising certainly implies that. But neither one offered solutions for my series. (BooksGoSocial has focused on NFTs lately. How stupid is that!?)

I can write a good story; I just can’t sell them. (That’s different from finding readers. Apparently some of those read pirated ebooks, but, of course, I’ll never know that number.) Marketing gurus don’t seem able to help authors like me who are in the same fix. They can’t sell books either. And their business models suck.

Even sleazy lawyers do pro bono work; for some of them, that’s all they do. Smack someone with a lawsuit, and the lawyer only collects if he wins the case. That’s because lawyers know what they’re doing. They work off percentages: Win enough cases, and they’ll get rich. Not so much who they represent, but they get something too.

Greedy marketing gurus want their money up front. There’s not one that does pro bono work. (If I were to go easy on them, I’d say they were just working under the delusion that they’re like Madison Avenue ad execs. Ha!) The reason is simple: Unlike the lawyers who know their business model works, book marketing “experts” know their business model doesn’t. So they just leech off authors by asking for their money up front even before doing a damn thing, and that’s all they end up doing for authors—take their money.

What’s an author to do? What I’m doing: Enjoy the storytelling and give up on all the rest. And you shouldn’t think a traditional publishing contract will help you. First, you can do much better with royalty percentages if you’re DIY. And traditional publishers won’t do a damn thing to help you in marketing either, unless you’re one of the privileged glue-factory-ready mares and stallions in their stables that consistently sell their schlock, tired and formulaic stories, to unsuspecting readers. And you should give the finger to marketing gurus except for those who are competent enough to run a good book launch. You’ll be a lot happier if you follow my lead.

By the way, give up on your dream of making a living with your storytelling. It’s unlikely you can do that now. Look elsewhere to make a living if you insist on doing it by writing (journalism or advertising work…or greeting cards?), or keep your boring day-job. You’ll be a lot happier doing that too, and so will your family.

I know some writers hate me for telling the truth about publishing. Tough. They have kicked me out of discussion groups so they can fester with their damn dreams, but they can’t stop me from blogging about my experiences. Some authors think like I do but are afraid to tell others, as if it’s some kind of stigma to tell the truth now. I’ve dedicated over two decades to putting my stories out there. I know the truth about today’s wacky publishing scene, and I’m not afraid to state it.

I always wanted to be a writer. Now that I am one, I’m happy enough. I’ve told many stories. I think most of them are good ones. The rest doesn’t matter except for warning you not to expect too much. You’re not likely to get it. It’s like playing the lottery. You might win, but you’d better just do it for the enjoyment, because you probably won’t win.

***

Comments are welcome.

“Mary Jo Melendez Mysteries.” A trilogy that’s definitely binge-able! Meet the MECHs (“Mechanically Enhanced Cybernetic Humans”). In the first novel, Muddlin’ Through, ex-USN Master-at-Arms, now working in security at a firm with Pentagon contracts, is framed for her sister and brother-in-law’s murders when a secret US agency covers up their incompetence in letting the MECHs be stolen by Russian operatives; Mary Jo goes around the world to prove her innocence. In #2, Silicon Slummin’…and Just Gettin’ By, Mary Jo finds a new job in the Silicon Valley, only to have CIA and Russian agents pursue her to find out where the MECHs are hiding…and someone else is also stalking her! In #3, Goin’ the Extra Mile, China kidnaps her family to make her reveal the MECHs location, and she must take on the entire Ministry of State Security in Beijing. Rapid action and intrigue await the reader in this series, available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

“Friday Fiction” Series: Poetic Justice, Chapters One through Three…

September 24th, 2021

[Note from Steve: I’m having way too much fun writing these British-style mysteries to stop now. This one combines the amateur-detective theme of Irish writer Declan O’Hara paired with the professional-detective theme of Scotland Yard’s DS Margaret Bent. Enjoy.]

Poetic Justice

Copyright 2021, Steven M. Moore

Chapter One

The constable was amiable and chatty, but Declan only half-listened to the Cockney’s rambling discourse after the fellow had taken his statement, especially when the woman approached him. Her grim look matched her business-like attire, a modest power suit one might see in any of London’s corporate towers, places Declan avoided if at all possible.

He’d watched her directing two others, a man and woman and presumably lower-ranked detectives like DC Ezra Harris. She apparently gave the stereotypically nondescript plods their marching orders to go knock on doors around the neighborhood. But what stereotype works for coppers? His father had looked nondescript once he’d been promoted beyond patrol. Some, especially those who worked undercover, might think that was a plus.

He’d expected one bobby max to arrive and felt a bit guilty and pleased Scotland Yard had sent a whole team. Maybe because the neighborhood was a bit chichi? Except for his favorite pub, he didn’t fancy it. He certainly couldn’t afford to live there.

He’d felt duty-bound to call 9-9-9. He was standing outside the pub, sorting a few lines of poetry in his head and wishing for a fag, when an older woman came out of a building—he thought number forty-nine, although it had no number and was only sandwiched between forty-seven and fifty-one, possibly indicating even a more posh residence. A sleek black car drove up beside her, and a bloke jumped out to grab her and wrestle her into the backseat. As it drove off, he memorized the plate number and called the police.

After DS Margaret Bent flashed her warrant card, that was exactly what he told her, mostly repeating his statement the Cockney had already taken.

Read the rest of this entry »

“Inspiring Songs” series #3: “Onward Christian Soldiers”…

September 22nd, 2021

[Note from Steve: If you’ve downloaded “Mayhem, Murder, and Music,” the free collection of short crime fiction—see the “Free Stuff & Contests” web page if you haven’t—you know that music often inspires me. It’s always been part of my life. I even attempted once to write a Broadway-style musical based on Huxley’s Ape and Essence (it’s now shredded—I didn’t get much further than a rousing march, “Seventy-Six Trombones” in an apocalyptic setting). This series of posts was also inspired by music. I might even repeat some of the songs from that collection! Enjoy.]

No matter our religious preferences (or lack thereof), Hollywood, at least in old westerns’ prairie churches, exposed us to the old hymns that resounded from sea to shining sea. Of course, there might be a saloon  not far from the church where evil booze turned cowboys into warring gladiators. In many ways, this made mock of a serious issue, an existential problem human beings have often faced on planet Earth and may very well carry to the stars (see my novel Rogue Planet): How religious belief can breed the extreme violence when believers become fanatics.

It always seemed to me that this familiar juxtaposition of religion and violence, well-summarized by even the title of the hymn indicated above, was a telling indictment of human failings (the Taliban in Afghanistan is but one obvious example). Early on (at least by junior high—middle school for easterners), I’d realized the dichotomy was ubiquitous throughout our world. It’s extremes can be seen in the Nazi holocaust and other genocides, tribalism that can tear a society apart. It often amounts to “Believe as I do, or die!” In other words, religious fanaticism.

And it isn’t just restricted to murdering fanatics either. America’s fascists count radical evangelicals and right-wing Catholics among them (we now even have a few on our Supreme Court). These are people who might seem normal but hold extreme views. QAnon is basically a radical Christian cult. Scratch a militant male from the SBC VIPs and you’ll find a Taliban fanatic, including the belief that women are the property of their men and have no rights at all.

Religion has its place as a comfort to many; extremism doesn’t . But like many other critical themes, I haven’t treated it very often. Terrorism, its extreme form, yes; but the religious extremism that leads to that terrorism, rarely. There’s one novel, though, where I tried to strike a blow against religious fanaticism: Soldiers of God.

The novel’s title was motivated by that old Calvinist hymn of the title that might as well be the militant march of Christian fanatics. Three fanatical religious groups appear in the novel. An FBI agent and a socially conscious priest (obviously not a part of the Vatican hierarchy) battle one group in particular, but the villain of the story, a precursor of Mr. Trump, if you will, uses religious fanatics to further his own agenda. That’s the message: Fanatics all too often become the political tools of despots. We’re seeing this today, so, in that sense, the novel, like our present situation, is a prescient prelude to the apocalypse. (The book provides a bridge between the “Clones and Mutants Trilogy” and the “Chaos Chronicles Trilogy.” It’s a sci-fi thriller that just might be too close to our present reality.)

In a previous post in this series, I considered unrequited love. I misspoke by saying there that I have no novels that contain that theme. The FBI agent’s love for her priest who works undercover in the fanatical group certainly qualifies as unrequited. This makes the novel stronger, of course, contrasting true love against the Christian fanatics’ hatred.

If I had to choose my two best and most profound books, I might choose Soldiers of God and Son of Thunder. (Yes, thrillers can be profound!) Both feature the clash between good and evil with religious overtones. For that reason, I see both novels as an analysis of how human belief systems can generate violence. Perhaps the first  novel reflects more the vengeful God of the Old Testament, He who inspires fanatics, while the second reflects the more loving God of St. John, He who disapproves of fanatical mayhem and violence in His name. Keep that in mind when you read those novels.

***

Comments are always welcome.

“The Last Humans” series. I wrote the first novel in this series, The Last Humans, before the real Covid pandemic. The plague here is bioengineered by an American enemy and is delivered to the West Coast of the US via missile. But we all know from the experiences with those California wildfires that small particles, here the virus, can be carried across the US and to the rest of the world by prevailing winds. Penny Castro, forensic diver for the LA County Sheriff’s department, dives to recover a corpse and emerges to find apocalyptic desolation. The first novel is her story of survival. The second, The Last Humans: A New Dawn, is the story of a US-sponsored revenge mission that goes terribly wrong for Penny. (Fair warning: The idiotic Amazon bots—or the idiots who program them?—confused these two novels, so I’d recommend buying the two books elsewhere. Barnes & Noble, for example, where the links take you, kept them straight. The first novel was a bestseller from Black Opal Books at B&N for a bit, in fact.)

Around the world and to the stars! In libris libertas!