Facebook woes…

November 15th, 2021

Mark “Sugar-Mountain” Zuckerberg, thinking he’s some kind of god in control of the internet, continues to annoy me, to say the least. From the moment I created my Facebook author page (the URL is https://www.facebook.com/authorStevenMMoore for those interested), I knew he and most of his minions at Facebook were greedy SOBs. Every post on my author page is followed by advice to reach out to more Facebook users by creating an ad! And anyone accessing that page is hit by ads as well (not mine). They (and Google as well) make all their money that way. Sorry, Mark, I won’t let you exploit me! I know you will bury my posts about my books, if only with other ads, and make my readers furious, because I won’t play your games. I don’t give a damn now. (Well, I do about my readers, but Zuckerberg can go to hell.)

I created that page because many pundits and a few author friends recommended it. Same for using the social media aspects of Facebook. All social media is similar to more insidious versions of PR and marketing whose gurus want to take authors’ money. Most of the those gurus  pay homage to the Amazon god by exclusively playing Bezos’s game (Penny Sansevieri’s AME is a prime example.) While social media has the positive of allowing me to keep in contact with some internet friends, it’s useless for book marketing. (So is Amazon. The only thing their bots did for me was to confuse two books in “The Last Humans” series, If B&N can keep them straight, why can’t Amazon? (That’s why the links in the ad below go to B&N. You won’t see many links to Amazon here anymore.)

I’ve thought many times about completely cancelling Facebook (even for my social media). Old-fashioned email seems effective enough to maintain contact with relatives and friends, fellow authors included (spam from everyone else is treated accordingly). Election meddling aside (Facebook will take anyone’s money, including Putin’s), the whole Facebook edifice is just built on sand, volcanic black sand steaming with corporate greed. No, not sand, but quicksand. One sinks into it and disappears, burning as if you just passed across the river Styx. It’s much torturous than drowning.

And what’s this about that name change to “Meta”? Sugar-Mountain says it’s short for “Metaverse.” Now I know old Mark has no real interest in physics—he probably flunked all of high school science—so I don’t buy his reasons for the name. (I’m just happy I used the string theory term “Multiverse” instead of “Metaverse” in the title for my sci-fi rom-com, A Time Traveler’s Guide through the Multiverse). What he really means is VR, short for “virtual reality.” As much as I think Harari is a charlatan (a history prof popping off about past and future science who has no business doing so, and makes tons of mistakes doing it), he has warned us enough about VR and AI. Facebook’s current algorithms are AI—they study users and then target them with ads (which I ignore, of course)—and Meta indicates a future where Sugar-Mountain plans to turn everyone on planet Earth into a VR avatar, a conspiracy to create a worse world than the one in Neuromancer.

That famous and brave whistle-blower (I won’t mention her name, not wanting her to be attacked by crazies) has exposed a lot of Facebook’s shenanigans that I’d only suspected by observation and without solid proof that would hold up in court. The transgressions, in my opinion, are sufficient to close down Facebook and ban it for good, whatever it’s called. They’ll never learn and are too arrogant to change, especially Sugar-Mountain and his close confidents. (I’d never “lean on” one, for example; she’s luring us into that hot quicksand.)

I’ll play along with the internet’s Goebbels for a while longer until I’m so sick of Mark and his cronies that I can’t stand to use Facebook anymore. You might want to consider using my email steve@stevenmmoore.com now, though, because you never know when Facebook puts me over the edge. Or they ban me. In any case, my days there are numbered.

***

Comments are welcome.

The Last Humans: A New Dawn. For a short time, the first novel in this series was the bestselling Black Opal Books’ novel on Barnes & Noble. This second novel continues Penny Castro’s adventures in a post-apocalyptic world. What remains of the US government forces Penny and her husband Alex to participate in a revenge campaign against the country that caused the apocalyptic pandemic…by kidnapping their young children! Just as thrilling as the first novel but independently readable, this Draft2Digital ebook is available wherever quality ebooks are sold (just not at Amazon, Black Opal Books, or Smashwords).

Around the world and to the stars! In libris libertas!

“Friday Fiction” Series: Arms Control, Chapters One to Three…

November 12th, 2021

[Note from Steve: My British-style mysteries to date probably are more influenced by Dame Agatha and other authors’ creations rather than the hard-boiled American school, probably the major influence for my “Detectives Chen and Castilblanco” series (the Tums-chewing Castilblanco is as hard-boiled as lollipop-sucking Kojak, to be honest). After a bit of reflection about that, I decided to write a story about a hard-boiled British DI. Okay, he has Irish blood, so maybe the stereotype of Irish NYC cop also holds true with him? You decide.]

Arms Control

Copyright 2021, Steven M. Moore

Chapter One

Alan Galbraith wasn’t a patient man, and he was less patient the older he became. He was waiting for a bloke with the bad habit of being late most of the time. If he didn’t need information from the prat, he would have gone home to his girlfriend and dinner instead of sitting in a foul pub, nursing a beer. His third one! He stared at the sorry-looking peanuts in the little chipped dish and decided they were a poor substitute for Amanda’s homecooked dinners, few and far between because her work schedule was almost as bad as his.

Where Amanda had a full head of red hair and green eyes that made her look Celtic (she wasn’t), Alan was balding, a fact that made his blue eyes all the more piercing beneath his wrinkled brow (he had Celtic roots). The Detective Inspector knew he was well past his bird-watching prime, but Amanda didn’t seem to mind his ubiquitous slovenly appearance except when they went out. He always tried to tidy up a bit for such events just to please her.

The two had been in a relationship for almost two years. He knew that she might ruin that by asking for more commitment, but so far their intense work schedules had kept that from occurring. Any day now, he supposed she would tell him she didn’t want to play second violin to a copper’s addiction to work. Of course, she was as addicted to work as much as he was, running a graphics arts company mostly from her place.

Finally Ralph Hodges appeared and slid into the booth opposite Alan; he pointed to Alan’s pint glass. “I’ll have that,” the twit demanded.

Alan called for the waiter, asked for another lager, and added two bacon and cucumber sandwiches to the order. “Ye look a bit gaunt, Ralphie, and I’m a bit peckish. Unless you’ve got something for me, both sandwiches are mine.”

“You asked ’bout Sam Duncan of Duncan and Sons Trucking, right, Inspector?”

“I feared you were under the influence when I asked for that. What did you do? Find out who makes the king’s fancy white shirts instead?”

Ralph laughed. “No, I remembered correctly, Guv. Just got rumors for you, though.”

“I can work with rumors. Proof for the Crown Court can come later. Worth the pint and ten quid. We know Duncan’s lorries are making a lot of extra trips. Can you tell me why?”

***

Up to that time, the only form Alan and his team had on Duncan was drunk and disorderly, which had resulted in a night in the nick to sleep it off.

“One rumor is that he’s dumping garbage illegally.” Ralph shrunk away when he saw Alan’s furious scowl. “That’s just one rumor, Inspector. Another is that they’re moving drugs, ‘nother kind of garbage.”

Better, Alan thought. “Okay.” He gave Ralph his due. “That’s useful. Maybe. Can you take a peek inside a lorry for me?” He’d probably need a warrant for that, and judges and Alan didn’t get along too well.

“Too dangerous. My friend Herb tried to do that just out o’ curiosity, and two of Duncan’s drivers gave him stick, they did. He’s a guest of NHS now.”

Yeah, that figures. Duncan was a thug and only hired thugs. “Did Herb report that to us?”

“You mean to you coppers?” Alan nodded. Who else? “‘Course not. He’s not suicidal, Guv.”

Alan sighed and eyed the limp sandwich when it arrived—limp cucumbers making the toasted bread limp, which was hard to do with good country bread. He took another sip of lager after trying a bite and decided the rest was too risky. He shoved the sandwich over to Ralphie, who had already tucked in like he hadn’t grazed for a while.

Will my DCI consider a raid? Alan had turned down various offers of promotion to remain a DI, a position he loved. As a consequence, he now had a boss half his age who took few risks. Alan would put it to him like, “Jay, I’ve got information that Sam Duncan’s lorries are delivering drugs.” But with that DCI, that mightn’t be enough. And with Alan’s bad luck, only a few lorries would regularly carry drugs. And why lorries?

He’d have to try. He knew Duncan was dirty and up to no good…felt it in his gut.

To Alan’s surprise, the DCI agreed to call for a raid. Maybe I finally won his trust? Of course, the pillock only worried about closing cases to pad his resume, always looking for the next promotion, so maybe trusting Alan wasn’t a great motivation. He didn’t call out the SCO19, though. Considering what they found, that might have been a good idea.

Three of the seven lorries inspected were carrying illegal merchandise all right, but they carried weapons, ammunition, and bullet-proof vests instead of drugs.

Jay congratulated Alan. Sure, for him it’s still a win! But the DCI didn’t wait long to take the joy out of that.

“Now you only have to discover who are the buyers of those arms. Maybe some ISIS sympathizers?”

“I’ll get on that, sir,” Alan said, although he’d already thought about that eventuality. The case no longer involved Duncan; it was bigger than that scrote. Alan doubted it involved ISIS, though. Sure, there were ISIS sympathizers in England. One group had even gone to Syria, earning the nickname “Beatles.” But Sam’s lorries had been headed northeast, from Southampton towards London. Liaison with the Yard might be required. Or, even MI5, if Jay was right. He’d hate both.

He went home to his girlfriend Amanda.

***

The following morning, Alan’s sergeant approached his desk carrying a mug of coffee for him along with hers.

DS Judy Benson was almost as tall as he was. She’d introduced him to Amanda and was already the best sergeant he’d ever had. She wore her dark black hair short, framing her face nicely, which was rather plain and without makeup but often showing a comforting smile. Best of all, she was as smart as an owl and just as quick to pounce on a clue as if it were a scurrying field mouse. They often bounced ideas off each other, about cases and life in general. She was his work-Amanda, and Amanda and Alan had often double-dated with Judy and her boyfriend, an interesting quartet to be sure, because there were nearly twenty years’ difference between the pairs’ ages.

“Late night, Guv,” she said, putting the mug on his desk. “You still look knackered.”

“And you slept like a baby, I suppose. Your beau is off to Scotland, right?”

She nodded and smiled. “You know, I thought last night would close the Duncan case.”

“Might’ve been closed if the cargo’d only been drugs like Ralphie said. I’ll bet the buyers of those weapons will take their business elsewhere now.” He took a sip of coffee and smiled at his sergeant. “We’re back at square one, lass. We’ll get the team together in a bit, but sit yourself down. Let’s be creative. How the hell are we going to find out who those buyers were?”

“Beats me. I’ve got nothing beyond what our DCI said, and I find it hard to believe that ISIS sympathizers were the buyers. They don’t need all those weapons, just a few bombs in lorries or scimitar-waving fanatics willing to be martyrs.”

“You’re a woman with too much imagination. Um. I just had a niggling thought.” He leaned back in his chair—it received a lot of punishment as his pounds increased with age. He took another sip of his coffee. “What if we get Sam Duncan to tell us where he keeps paper records for his weapons smuggling? The bloke doesn’t know computers from cantaloupes. Said he keeps it all in his head and he’s not telling us. Bollocks! The scrote’s much too dumb to have much in that hard head.”

“You mean, make a deal with him? Would Jay go for that?”

“Maybe. Closing down Duncan’s operation plus nicking the buyers would be twice as good for our beloved DCI to achieve his aspirations for another promotion. Keep that in your thoughts for now. Let’s see what the team says. They’re not shy about voicing opinions even when they’re worth crap.”

Chapter Two

Both DCI and team had liked the idea.

It was the second time Alan and Judy faced the heavyset Duncan with the bulldog-like jowls. He looked a bit more deflated and weary this time. So did his barrister, an oily, pasty-faced, hawk-nosed arse with beady eyes who was dressed in a striped suit that made him look like a poor imitation of a gangster in a 1930’s movie.

Judy went by the book, getting the barrister and his client to agree to recording, reading Duncan his rights again, and then announcing for the record all who were present.

Alan thought they might get a bit more joy this time. We already have him for arms smuggling, although we need to know the port of entry for the arms. That wasn’t a big deal. If it came up in the interrogation, well and good, but the detective was more interested in who the buyers were.

“Checked with the VIPs, and they said we can make you an offer, Sam: A reduced sentence if you show us records of who purchased all those weapons and when. Maybe even a sentence cut down to a few years instead of the minimum ten the Crown Court likes.”

“Need it in writing,” Duncan said.

Judy shoved three copies toward the burly man. “We’d need you to sign them all.”

Duncan handed them to his barrister.

“My client and I will need time to study the offer,” the lawyer said.

“Got it,” Alan said. “You gentlemen need tea or coffee?”

“I already choked on that swill you call tea,” Duncan said with a growl. “I’ll try your coffee.”

“I’ll get by with a bottle of water, if you don’t mind,” said the barrister, probably taking in consideration Duncan’s critique yet figuring the coffee might be worse.

“Back in ten,” Alan said.

The two coppers filed out of the interrogation room.

“Think they’ll go for it?” Judy said as Alan watched her prepare the refreshments.

He didn’t mind the cakes, but he agreed with Sam about the tea. He would also make do with coffee, although that was a gamble as well.

“Document’s still about minimum sentences, but two years is a lot better than ten. If I were Sam Duncan, I’d go for it.”

“Unless the buyers have threatened him already. You know: Grass on us, and we’ll kill you.”

“Sam’s company is still a going concern, and he can run it from jail. I doubt he gives a rat’s ass about buyers and their threats.”

“Unless they really are ISIS. That ugly head wouldn’t look too good atop a pike.”

Alan smiled. Judy could be as gritty as he was sometimes.

“I’m imagining a middleman who sells to London gangs. The Yard is seeing more and more guns since Covid. They’re coming from somewhere. I’m betting old Sam is the first link in a chain. Bringing the weapons in from the south, east, or west coasts for that middleman.”

“We’re not able to go after all the gangs, but you’re looking for the middleman?”

“Yes. And whoever works for the scrote.” Alan looked at his watch. “Time to continue our little chinwag.”

***

When they reentered the room, the barrister handed Judy all three copies. “Signed and dated by Mr. Duncan, and initialed by me.”

Judy waved a hand to the tech behind the one-way window. “Please state, Mr. Duncan, that you signed these documents with no coercion from us and upon being advised by your legal council to do so.”

“I signed without any coercion from you coppers, following my barrister’s advice.”

“To close the deal then,” said Alan. “Where do you keep your records for your little smuggling business?”

“My sister-in-law’s place. She lets me use one of her bedrooms as a second office. They’re in a safe there.”

“Is she involved in the smuggling?”

“No. I pay her rent for that office. Works for me; works for her, ’cause she’s a bit cash-poor since my brother passed on. She thinks I’m just doing normal record-keeping there.”

“I’m sorry for her loss,” Judy said.

“She’s not. My little brother was a violent little weasel.”

And he’s not? thought Alan. “Okay. Let’s have the combination to the safe then. We’ll also need you to okay a visit to that office since you lease it from her. I assume she’ll let us in?”

“If I say so.”

Alan sent two detective constables to the sister-in-law’s place. They brought back four boxes filled with orders and invoices. The safe had actually been a heavy steel filing cabinet with a combination, like one might find for Top Secret documents at MI5 or MI6, something limited local police funding didn’t permit.

He called a team meeting to divide up the paperwork load and put Judy on closing the case with Sam Duncan. He saw the dour man being led out by two uniformed constables who would be taking him to jail. Alan waved and smiled; Sam glared at him. The lawyer just stared ahead. Probably trying to figure out how to up his fee? Or even get paid? The barrister had been on Sam’s retainer; he wasn’t Crown Court appointed, so someone paid for him. Someone besides Sam? Alan put that question on the back burner. He didn’t trust the lawyer, so Alan would give one of the team the job of finding more about him.

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NaNoWriMo redux…

November 10th, 2021

I’ve dissed NaNoWriMo aka “National Novel Writing Month” before. Let’s forget about the poor choice of November for this annual writing frenzy. (Thanksgiving in the US is a major travel holiday that can take out a big chunk of writing time!) That’s not an important criticism. (For all I know, authors take advantage of holidays to write, especially if they otherwise have demanding day-jobs.) No, my main criticism is that no one should write a novel in a month! Or even think they can.

So…you’re not one-third of the way through the month. Have you finished one-third of your great American novel? Maybe you have sixty thousand words in an MS Word file and even an outline for everything, but in the twenty day left, it’s almost impossible for you to turn even that into a novel. NaNoWriMo is a sprint, while writing a novel is a marathon. You’re winded now? You have seventeen or eighteen miles to go!

Having written a few novels, I have a large statistical sample that I can extrapolate to say, “The odds are against you.” I’ve never written a novel in a month. I’m lucky to finish a short fiction piece in a month! I don’t want to discourage writers or dampen their enthusiasm—after all, I’m an avid reader who’s always looking for a good story—but steady writing a bit each day over months or years is much better praxis than fits and starts for a writing project. Authors are the captains of their writing voyages, and “steady as she goes” is always better advice for a captain to follow than “Damn the torpedoes! Full speed ahead!” The latter is likely to end in a shipwreck, and the author can go down with the ship.

I have speedily written a few novels. The Midas Bomb‘s  words just spewed, page after page; The Secret Lab‘s prose went quickly too. Maybe that was because The Midas Bomb was my first mystery/thriller and I had two new characters, a crime-fighting duo, to spur my interest; and The Secret Lab was my very first YA novel with a lovable mutant cat as a main character. But that speed had consequences: The Midas Bomb required a second edition to make it better and align it with other books in the “Detectives Chen and Castilblanco” series; and The Secret Lab also had a second edition, a bit of makeover by A. B. Carolan to prepare for more YA sci-fi mysteries to follow.

Mind you, the first two editions of those novels were good, modesty aside, but the speed in writing and publishing the first editions left me dissatisfied. And, even with that speedy writing, I didn’t finish them in a month!

Because my writing technique involves content editing as I go, that speedy writing was due to the stories nearly writing themselves, so there wasn’t much need for content editing. In fact, self-analysis tells me that my writing speed is determined by how much content editing is required. Or, to put in another way, how well-formed the entire story is in my mind (I don’t do outlines because they constrain me).

That’s my writing technique, of course. If yours is getting a fast first draft done with editing only in subsequent drafts, I suppose it’s possible to get the first draft done in a month like the organizers of NaNoWriMo encourage you to do. But, if you do no self-editing after that month, you’re being unfair to your beta-readers and other editors who’ll read the manuscript. In fact, no acquisition editor worth that title will want to receive an unpolished manuscript. Whether self- or traditionally published, your tale will need polishing before anyone else sees it, and that’s impossible to do in a month!

***

Comments are welcome!

The Chaos Chronicles Trilogy Collection. Here’s another example of what I mean by the above post: This bargain bundle of three epic sci-fi novels, none of them written in a month, should provide many hours of entertainment for any reader interested in sci-fi. Survivors of the Chaos starts in dystopia with multinational corporations dominating both the Earth and the solar system, maintaining order with their corporate militias. First contact occurs in Sing a Zamba Galactica as friendly ETs are discovered on the third planet colonized by human beings; a further contact with more ETs is not so lucky, and some collective intelligences out there in intergalactic near-Earth space just might blow your mind. Finally, if the first two novels represent my First and Second Foundations, Come Dance a Cumbia…with Stars in Your Hand! features my Mule, an autocratic psychopath who is out to control near-Earth space with psi armies. This bundle is a bargain you can find wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Elements of science fiction…

November 8th, 2021

Isaac Asimov made androids and robots famous long before the Star Wars movies did. He took some ideas from Capek’s seminal play and created sci-fi tales that revolutionized the genre, even inventing the three laws that they had to follow so people could get past their Frankenstein complex. (Mary Shelley’s monster was neither an android nor a robot, of course; today it might be called a golem or zombie.) As a tween reading Asimov’s stories (in the early days of the computer age), I often wondered how those three laws could be programmed. I still do.

But I digress. Androids and robots are only some of the elements of sci-fi. Asimov didn’t have ETs in his stories, just humans and mechanical men. (I can’t ever remember an android or robot with female characteristics in his stories, so that last is politically correct.) My sci-fi stories have both but probably more ETs (even some with matriarchal societies).

And sometimes all the fancy technical stuff, once explained, is assumed. Castilblanco talks about NYPD-issued PDAs but really means smart phones, considering the timeline of the stories in the “Detectives Chen and Castilblanco” series. The implant in a person’s head that allows a direct link to the internet first appears in Survivors of the Chaos, the first novel of the “Chaos Chronicles Trilogy Collection,” but it’s taken for granted in later books. And FTL travel, once discovered in Sing a Zamba Galactica, the second novel of that trilogy, is rarely mentioned again. All that tech is still there, of course, but I don’t want to bore or distract readers by mentioning them over and over.

Androids and robots appear more sporadically than ETs or futuristic tech in my stories. In my “Future History” timeline (Chen and Castilblanco start that, and it continues through many stories, all the way to the Dr. Carlos tales), some cultures have them, others don’t. There are cyborgs too (although I call them MECHs, but the “Mary Jo Melendez Mysteries” don’t fall on that extended timeline), as well as clones and mutants (the “Clones and Mutants Trilogy” is on that timeline). The ultimate distillation of all those programmable beings is the disembodied AIs that play multiple roles, some that HAL could never imagine even in his wildest dreams.

Sometimes I mix up things in new ways. In A. B. Carolan’s Mind Games (that takes place on that timeline too), I, rather he, asked, “Could an android or robot be given ESP or psi powers?” Asimov didn’t consider that, as far as I know. I don’t think any sci-fi author had ever asked that question before. I won’t give away the answer here—you’ll have to read the novel.

So…what’s my point? I think old Isaac could have had a lot more fun with androids and robots than he did, by adding ETs and other sci-fi elements to his stories. I’m not being critical. He was a pioneer, after all. But modern sci-fi authors can be like fancy bartenders, mixing and matching these elements as if they were inventing new cocktails. I’d like to think that Isaac wouldn’t constrain himself now; he’d be doing just that. Maybe he’d even be writing a few British-style mysteries too! He loved the mystery genre, even though he had very few sci-fi mysteries. (All of A. B. Carolan’s books can be considered sci-fi mysteries.)

Combining the mystery, thriller, and sci-fi genres with all their different elements is a lot of fun. I’ve enjoyed doing that.

***

Comments are always welcome.

The Chaos Chronicles Trilogy Collection. This bargain bundle of three epic sci-fi novels should provide many hours of entertainment for any reader interested in sci-fi. Survivors of the Chaos starts in dystopia with multinational corporations dominating both the Earth and the solar system, maintaining order with their corporate militias. First contact occurs in Sing a Zamba Galactica as friendly ETs are discovered on the third planet colonized by human beings; a further contact with more ETs is not so lucky, and some collective intelligences out there in intergalactic near-Earth space just might blow your mind. Finally, if the first two novels represent my First and Second Foundations, Come Dance a Cumbia…with Stars in Your Hand! features my Mule, an autocratic psychopath who is out to control near-Earth space with psi armies. This bundle is a bargain you can find wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

“Friday Fiction” Series: The North-Counties Tale…

November 5th, 2021

The North-Counties Tale

Copyright 2021, Steven M. Moore

Preface

Readers of the “Esther Brookstone Art Detective” series know Esther inherited a castle up by Edinburgh in the first novel of that series. She and her husband, Bastiann van Coevorden, have managed to repair it and make it into a comfortable retreat, more for summertime use. In this story, she receives a call from Bastiann to help find some stolen paintings.

Enjoy.

Prologue

Klaus knew the owner of the mansion and his family had gone to Antwerp for the holidays, a more muted event for the world’s Jews who usually still took the time off. The jeweler had retired, left his business in that Dutch city to his son, and was now visiting with his son’s family. The staff at the mansion had gone home for Christmas, leaving it to the holiday frolicking by ghosts from its past.

Klaus figured the old Dutch Jew had a few jewels in the house just west of Morpeth and Newcastle. He’d determined there were never any guards, so he expected a security system and a safe. The security system had been no problem. It took him a bit longer to find the safe.

He’d ambled around the second level, the squeaks from his trainers on the polished wood floors echoing around the house. He expected the safe to be in one of the many bedrooms. It wasn’t. The third level contained an attic and servants’ quarters.

So he’d explored the first level. He’d been about to descend to the basement when a niggling thought stopped him. Something wasn’t right about the study. He went back to take it all in while standing at its entrance. One wall displayed trophies from the daughter’s equestrian events; he thought she now lived in Australia. That wall seemed to be wasted space if all it was used for was to display a half dozen second- and third-place finishes in a toff’s sport.

He found a switch buried behind some books at the end of the shelf closest to that wall. He threw it, and half the wall moved forward a bit and slid over the other half.

A vault, not a safe! He smiled, imagining the jewel cache that awaited his greedy fingers. This heist had taken a positive turn from nicking the formal dining silver to stealing a mountain of jewels.

The lock mechanism was a modern keypad. It would be easier to open than the traditional combination where he’d have used a stethoscope. He took the little electronic device from his kit instead and went to work.

Chapter One

Detective Inspector Harold Gregg watched the SOCOs from the entrance to the study with his sergeant, Tim Shaw. Gregg was frowning; Shaw’s expression was neutral. Both had needed to rise earlier than normal to drive the nearly twenty miles west from Newcastle to the mansion, the largest residence among a few clustered around a small village.

“We’ll need the owner to make an inventory,” Shaw said.

“Adjuster will be arriving,” mumbled Gregg. “We got his number from the owner. The old Jew mightn’t even know what he had in there, but the insurance company will.”

With the heavy vault’s open door, both thought the thief wouldn’t have bothered with searching the rest of the sprawling house. And no one would have a safe like that without something of value to put into it. At the moment, they had no idea what that might have been.

The lead SOCO approached them. “Curious thing about that vault, Guv,” he said. “Damn thing is climate-controlled—temperature, humidity, and circulating air are monitored somewhere. We’ll find that.”

“Maybe via a mobile, so maybe not?” Shaw said.

Like many young coppers, Gregg thought Shaw was addicted to his moby. “Could be a hideaway,” he said. “Jews needed some with that madman Hitler. And the way this country’s going….”

“Not enough room,” said the SOCO. “Probably only to safeguard very valuable things, I’d imagine.”

“I can’t guess what would require climate control,” Gregg said.

“That’s because most police don’t place any value on art,” a voice behind them said.

Gregg spun around to come face-to-face with a tall woman, old and elegant now, even in sweats and trainers, but probably a stunner when young.

“You’re the adjuster?”

“Insurance might be called my game, but I do my adjusting in other ways. My name’s Esther Brookstone. My husband called and asked me to look into this heist. We’re friends with the owner.”

***

“So this owner, this Ezekiel Grossmann called your husband, he called you in Scotland, and you drove down?”

Brookstone had tucked into her breakfast, saying little before, now even less. Gregg figured she was protective of the mansion’s owner for some reason more than just friendship. Shaw’d already confirmed she was ex-Scotland Yard, once in the Art and Antiques Division. She now owned a gallery in London.

She took a long sip from her coffee as she studied the DI. “Zeke’s an old friend, like I said.” She showed Gregg and Shaw her engagement ring. “He gave my husband a good deal on this. A while ago, that was. Bastiann’s in Southampton now.”

Bastiann van Coevorden. Possibly a Dutch name. Maybe that was the connection with the jeweler? “Into shipping is he?” Gregg said instead.

Unlike Gregg, Shaw had joined Esther in breakfast. But he was listening to the conversation. Gregg only had coffee and toast. He was getting to the age where he had to watch what he ate. Traditional plod food put the pounds on.

“He and his colleague are chasing some illegal arms traffickers. They’re ex-Interpol and now MI5 consultants.” She smiled at the two coppers. “Needs must, you know. The elderly must keep busy at something to try to stay young.”

Shaw glanced at Gregg, whose slight frown caused by the impertinence of the old woman had now turned into a scowl. He was thinking they needed to know a bit more about this energetic wrinklie and her husband. The north counties were a bit provincial, even Newcastle, but the rest of the world did exist.

“So this Ezekiel kept paintings in that safe?” She nodded, breaking the yolk so it would flow over her toast. “Could you make a list for us?”

“No, but the adjuster can. The vault was specifically designed for them, of course. I understand some were purchased, others family heirlooms recovered from illegal buyers of paintings stolen by the Nazis. Zeke lost most of his family in the Holocaust. He was in England all during the war. The family had always invested in art. Zeke has carried on with that tradition.”

“I see.” He really didn’t. He had no love for art and hated museums, the latter a waste of the precious little time he had off. “And I suppose you’re going to be here annoying us, not letting us go about our investigation in peace.”

“I’ll take any abuse from plods for a friend,” she said with a smile. “I know you’re uncomfortable with that, inspector, but why don’t we agree to collaborate? Let’s just say I have some experience in recovering stolen art.”

***

Unfortunately Gregg discovered that she had more experience than anyone on the Newcastle Police force. He had to listen on the phone to some of the woman’s exploits from someone named George Langston at the Yard who had once been her chief. Langston encouraged Gregg to bite the bullet and accept Brookstone’s help. He reluctantly decided to do so.

“We closed down a large network that trafficked in stolen art,” she told him, “among other naughty mischief, but it’s still a worldwide problem. Many buyers wishing to own something only their eyes can see create the market for stolen art. Some less selfish and legitimate owners have to pay ransoms to get their artwork back. With the pandemic, thieves saw it as gainful employment, and that uptick has yet to diminish.”

”Do you think the old Jew’s paintings are still in the country?” Shaw said.

“Probably. With Brexit, smuggling has become a bit riskier. What’s also likely is that our thief has probably already passed the paintings on to someone else who will hold…um, let’s call it a private auction. We still need to find the thief, of course, to know who that auctioneer is. That’s your job.”

“Seems like stealing art might not be as common as other heists,” Gregg said. “That might be easy by reducing the number of possible suspects. I expect you or Chief Langston has a list of known art thieves?”

“Um, you probably won’t get off so easily. Because of Zeke’s old profession, the thief was probably looking for jewels. He knew exactly when the house wouldn’t be inhabited. He’s a cat burglar looking for items to fence, a very good one. He was probably disappointed he only found artwork in that vault, but he had the presence of mind to steal it. If it’s in a vault, it’s valuable.”

Shaw was nodding, and Gregg felt a bit embarrassed he hadn’t come up with that.

“You’ll have to cast a wide net for burglars of mansions, from Cumbria to Northumberland. It’s someone skilled who looks for the big heist.”

“Could he be someone just released from gaol?” Shaw said.

“Yes. And someone who’s still the guest of King Charlie could know about him, so include all those in your net too.”

“And where does that leave you in helping us?” Gregg said with a growl.

“I think Chief Langston would probably like working with me than with you. I can get access to all their records and agents. And then there’s the MI5 and NCA, where I know a few people too. We’ll find the thief, inspector, and we’ll find the paintings for Zeke. We must work as a team.”

***

Gregg’s team had met in a small briefing room in Gregg and Shaw’s Newcastle station. Gregg was wondering what he was getting into all the time his crew debated and parceled out tasks. The inspector was controlling, but he didn’t think he could control Brookstone. He’d have Shaw find out more about this impertinent woman. That might be a waste of time, but at least he would know where he stood.

Later that day, Shaw entered the office.

“The net for jewel thieves is cast. I have a list of ones currently in prison. If we eliminate a lot of the petty heists, the list isn’t that large, like you implied, Guv.”

“What did you find on Brookstone?”

“A bit famous, the old witch is. She thwarted an ISIS attack on London, helped nick a drug cartel leader, and brought down a sex trafficking network. Lots of other information there, but it’s mostly classified.”

“Um. None of that’s about art.”

“The sex trafficking network was; they also trafficked in art. And somehow that ISIS attack was involved with a stolen Rembrandt. She brought down an organization that sold fake art to ingenuous cruise ship passengers too, and recovered some famous bust for the Italians. I’ll leave you a printout.”

“You’re good with her participation then?”

“I guess.”

“I’ll confirm it with the super, but I suppose she could be useful.”

Gregg hoped not, though. And he certainly didn’t want the Yard, MI5, or NCA to butt in.

Chapter Two

Esther got a hotel room in downtown Newcastle. It wasn’t that far a drive down the road to the duke’s castle, but there was a chance Freddy March wasn’t there, and Esther didn’t want to impose on the duchess. Besides, she thought she might be coming and going a lot.

She took tea that afternoon in the hotel’s dining area. Her first call was to Jeremy Brand, nominally her husband and Hal Leonard’s boss, but an old friend from her days in MI6. He was now in MI5.

“I just know this isn’t a social call.”

“So Bastiann warned you I’d be calling?”

“Guilty as charged. Something about stolen art? What’s going on? Another obsession?”

She explained who Zeke was and that his valuable artwork had been stolen.

“Seems like a case that’s perfect for you, Esther. What can I do to help? Unofficially, of course.”

“Any way you can correlate trips abroad with known art thieves?”

“Thieves with form leaving the country? You’re thinking they’re exporting the paintings to EU buyers? Hard to do that now after Brexit, but not impossible, I suppose. I can put Ambreesh on it.”

Esther nodded. Ambreesh Singh was a techie in MI5 and also a friend of Esther’s. “I rather doubt the thief or thieves would risk that, so maybe a list of the usual suspects, representatives of sultans, emirs, and what not who have entered the country.”

“For an illegal auction? It probably won’t be that easy, but I’d include Russian oligarchs, if I were you. All those invest in valuable property, whether real estate or artwork. Before we know it, they’ll own Buckingham Palace. They’re vultures picking the meat off the bones of a dying UK.”

She laughed. “On that cheery note, if you can think of any other way to help, ring me. I’m going to call George now.”

“Say hello to that old stick. I have to admire the bloke. He tolerated your antics for many years.”

“And you didn’t?”

“I was younger when we were going back and forth to East Berlin. My patience was a lot better then.”

“Back at you. Have a good day, Jeremy.”

***

George Langston, who had taken over as head of the Art and Antiques Division because Esther had hated that post, was her Dr. Watson. He had chronicled some of her adventures. What he hadn’t been sure about, he made up. Esther thought that was clever of him, but there were minor errors. Her marrying Bastiann had caught Langston by surprise, though. Ke and his wife stopped in her gallery now and then to make sure her employees hadn’t created any problems. That gallery and Bastiann’s consulting, along with their pensions and savings, kept them afloat. Her latest adventures were without pay, of course, but she’d done everything willingly, including the work she was currently doing for Zeke. She thought it was smart of him not to trust a private investigator, which many people would do, and he had never put much trust in authority with his family history.

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“Inspiring Songs” #6: “What a Wonderful World”…

November 3rd, 2021

Note from Steve: Sometimes it happens that I’ll write an article that’s appropriate for both my blogs, this one and my political blog. That will usually mean the message contained therein goes beyond writing. I hope this short one resonates.

***

Okay, you’ve probably heard many renditions of this song, but Reuben and the Dark’s provides us with a different meaning of this classic. (Forget about the snippet heard on that Celebrity Cruise ad and listen to the entire version.) That Canadian group expresses almost a pantheistic love for Gaia, a primitive vision of the planet’s ecosystem that provides sustenance for all flora and fauna, including us. It’s wistful at the beginning, reminding us of how we’re damaging our only home’ but, after a glorious crescendo, becomes a celebration of how truly wonderful it is.

I’m sure that’s not what Celebrity sees in the song, but it might represent what Captain James T. Kirk (William Shatner) saw in his ten-minute view of Gaia from space, as many true astronauts have seen before from the International Space Station.

Thanks to the immoral Senator Manchin, champion of the fossil-fuel industries, evil will continue to be unleashed against Gaia. Hopefully he and others like him will have a special place in hell for all eternity. They deserve it. As long as such people walk this good Earth, the planet will never be safe!

It still is a wonderful world. We must vanquish the forces of evil and take care of it. That’s a moral obligation each and everyone of us has irrespective of religion or creed. Global warming, extreme weather events, and species extinction aren’t hoaxes. They’re warnings we haven’t heeded, and we and future generations will pay dearly if we continue to ignore the health of our planet.

***

Comments are always welcome.

Gaia and the Goliaths. This last novel (so far!) in the “Detectives Chen & Castilblanco” series is my only novel with an environmental theme. Russian and US fossil-fuel conglomerates are the villains, environmental activists are the victims, and Chen and Castilblanco’s homicide case that begins in NYC expands to involve a conspiracy of national and international proportions. This story also highlights much of the environmental debate currently going on and has the crime-fighting duo doing their best scrambling yet! Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Kurt Vonnegut on sci-fi…

November 1st, 2021

Don’t think miracles are happening when I say that I finally found a NY Times “Book Review” issue that wasn’t better suited to paper the bottom of a bird cage. The October 24th issue celebrated 125 years of the “Book Review,” a self-congratulatory pat on the back to the Times (I suspect no one else much cared). Still, as much as I hate the “Book Review” in general and its stupid formula to determine “bestsellers” that they guard as closely as Coca-Cola’s (and equally toxic), and their critics whose blather and twaddle serves the Big Five NYC publishers, I’m also a fan of history. (Strangely enough, I read more history than historical fiction.) Or is this issue just self-serving nostalgia? No matter; I perused this issue out of curiosity. (As an ex-scientist, this old tomcat is still curious.)

There are some old reviews, interviews, and essays in this issue that are worth noting, among them a review of Conan Doyle’s The Lost World (1912), an interview with Ralph Ellison (1952), and a few others. Also contained therein is the “First Bestseller List,” which, if anything, proves that the Times has consistently featured very little that appeals to my reading tastes.

But I found an essay by Kurt Vonnegut, “On Writing Science Fiction” (1965), that was perfectly delightful. (Hmm. The other two articles noted above also indicate my interest in sci-fi—Ellison wrote The Invisible Man.) Of course, I was just a freshman in college when Vonnegut’s essay was originally published, so it’s not remarkable that I missed it. I’d written my first sci-fi novel and some sci-fi short fiction before that, but I trashed the novel when I left for college; the short fiction either was packed away in boxes in my mother’s attic or lost.

Vonnegut has always been a hero of mine, mostly for his essays. A Man without a Country (on my bookshelf, both my physical one and the web page) is a classic collection of his essays—irreverent, cynical, and anti-status-quo opinion pieces, many about reading, writing, and publishing that often point out how stupid human beings can be (Einstein had the right idea there). I’m now wondering if I’d even written any sci-fi if I’d read his essay on sci-fi before starting on my publishing journey!

Like many of his essays, the one reproduced in the special edition of the “Book Review” is full of cynical commentary, most of it as true today as in 1965, if not more so, except for his laudatory comments (for Vonnegut) about ‘zines, Playboy in particular (okay, maybe “laudatory” isn’t the right word, especially for Playboy). (‘Zines now are useless for publishing short fiction, and anthologies and collections never sell well either.)

Vonnegut clearly didn’t want to be pigeon-holed as a sci-fi writer; I don’t either. In fact, I’ve probably written more mystery/thriller stories than sci-fi ones. (I’m double-counting here—for example, the “Clones and Mutants” and “Mary Jo Melendez” trilogies.) I’d like to amplify Vonnegut’s main points that go beyond the “sci-fi writer” label.

First, “writer” is too general a descriptor for what Vonnegut was, or I am. A writer can be anyone who uses language. A person writing for an ad agency or a greeting card company is a writer. “Storyteller” and “essayist” is a bit more specific yet general enough to describe what he did and I do. If you think there’s too much technology and science in some author’s stories, go ahead and call them sci-fi if you like, but they’re often just stories about human beings (or ETs)—the characters—doing some interesting and/or remarkable things—the plots. And I’d never call an essay—for example, this one—sci-fi!

So Vonnegut’s main point about storytelling is one I harp on a lot: Genres are just some key words now, among many others, used to describe stories storytellers tell. He doesn’t say this explicitly, but it’s implied and explains why he doesn’t want to be called a sci-fi writer.

In any case, I’ll keep Vonnegut’s essay around, if not this whole issue of the “Book Review.” There aren’t that many storytellers and essayists who have motivated me to tell my own stories and write my essays. Vonnegut is one of them.

***

Comments are always welcome.

Gaia and the Goliaths. This last novel (so far!) in the “Detectives Chen & Castilblanco” series is my only novel with an environmental theme. Russian and US fossil-fuel conglomerates are the villains, environmental activists are the victims, and Chen and Castilblanco’s homicide case that begins in NYC expands to involve a conspiracy of national and international proportions. This story also highlights much of the environmental debate currently going on and has the crime-fighting duo doing their best scrambling yet! Available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

“Friday Fiction” Series: The Novice…

October 29th, 2021

Note from Steve: Missing my political posts? This blog now only has articles about reading, writing, and book publishing. You will find the missing political posts at http://pubprogressive.com; they’re still commentaries on social issues, politics, and other topics of concern that have more to do with my concerns as a US citizen and not my writing life. Please take a look.

***

The Novice

Copyright 2021, Steven M. Moore

Preface

Readers who have followed Esther Brookstone’s adventures in the “Esther Brookstone Art Detective” series know that her current husband, Bastiann van Coevorden, ex-Interpol agent and MI5 consultant, is her fourth husband. In those novels, flashbacks and background material refer to the previous ones, as well as to her time in MI6, sandwiched between Graham, husband number one, and Alfred, husband #2. In this sense, this short story is a prequel to all those prequels.

Readers might also remember Jeremy Brand from those novels. This story is about how the long association between Esther and Jeremy began. She didn’t meet Bastiann until much later. The novels are the chronicles of their adventures together, and Jeremy plays a role in most of them.

Enjoy.

r/Steve

***

Jeremy Brand didn’t know how to handle Esther Brookstone. The young spy was clever, enthusiastic, and productive, but she took too many chances. She was also a stunner who could catch the wandering eye of any Stasi agent looking for a conquest, much to his peril, at least in job standing.

He saw her waiting on the bench reading a newspaper. It would be in German, of course, and printed with dirty ink that would soil those delicate hands with the long fingers of a concert pianist. She spoke the Teuton tongue like a native, even capturing a bit of the East German manner of forming efficiently constructed sentences. Her writing was also educated German prose as if she were an intellectual who supported the East German ruling classes…or was one of their members.

Today she was blond. Her name during this first sojourn into East Berlin was Gretchen Lange. She was nearly as tall as he was, and even dressed in a modest blouse, sweater, and skirt, was every bit the demure fraulein. He took a seat beside her, at the other end of a bench, as if he were a young man trying to approach a young, pretty woman, and being a bit shy about it.

“A dreary day, fraulein,” he said.

She looked up from her newspaper. “The clouds might come in, I’m afraid.”

He resisted the urge to surveil the area. Her statement was a signal that Stasi agents lurked nearby. They’d have to be careful. They always were.

“What news is there today? Good or bad?”

She tapped the paper. “The Russians want us to increase production. It’s not clear what that means in the short term.”

That was a more complex message, but it meant she had information about Russian visitors to East Germany, yet she wasn’t clear that the information was useful.

How did she get that? Jeremy asked himself. He didn’t want to know.

She handed him the newspaper. “Here. See for yourself. I have an appointment to keep. Please excuse me, mein Herr.”

He watched her walk away…practiced, dainty steps, not her customary, business-like stride. Coldly professional, this novice spy.

He’d knew he’d find a floppy disk inside the paper. It wouldn’t be examined until later, when they’d find the list of Russian visitors. With luck, they’d also find a list of East German journalists who might be approachable by the British before or after the event.

***

The next “meeting” was at a restaurant near various Soviet-style residential towers where Jeremy figured living in a flat there would be dangerous; he knew shoddy construction practices and inferior materials characterized such buildings. They were bleak, foreboding, and gray monuments to Soviet dominance in the East Germans’ worker’s paradise.

She was sitting in the booth at the rear; he took the next one.

All meetings between the two were arranged by an intermediary named Walther, a man who lived elsewhere and used an illegal transceiver the British had supplied him. The messages were generally from Jeremy to Esther via the intermediary, in encrypted Morse code. She could send messages to him too, but that wasn’t often because they met on a schedule, both days and times corresponding to agreed upon random numbers in a table the three spies had.

Read the rest of this entry »

Your voice…

October 27th, 2021

Note from Steve: Missing my political posts? This blog now only has articles about reading, writing, and book publishing. You will find the missing political posts at http://pubprogressive.com; they’re still commentaries on social issues, politics, and other topics of concern that have more to do with my concerns as a US citizen and not my writing life. Please take a look.

***

Your voice (or style) might be influenced by other authors’. How can you not be influenced if you’re an avid reader? (If you’re not, you should be!) Still, whether you’re influenced or not, if your voice isn’t more unique than not, why bother writing?

Many things contribute to that voice! The themes and plots they wrap around that you choose as an author are two where you not only stake out your territory but also can use them to appeal to different audiences. Same for narrative, dialogue, and settings. All your chosen story elements can be individualized. I wouldn’t worry too much about genres, though, because you can leave those keywords and others who insist on classifying your oeuvre. In fact, every time you think they’ve pigeon-holed you, break out and do something different! It’s best to keep readers guessing about the next book. That goes even for a series.

Consider Canadian mystery writer Louise Penny. I stopped reading her Inspector Gamache series because, like many traditionally published authors’ series, those books were becoming formulaic. Now a surprise! She teamed up with Hillary Clinton to write a thriller. (I can guess who did most of the writing.) I guess old Hillary didn’t want to be outdone by her philandering husband Bill, who teamed up with formulaic James Patterson, but I didn’t much care for either politician, so I won’t read their fiction. (A tell-all where Hillary relates why she didn’t kick Bill out on his butt would be more interesting than fiction.)

In my case, I bet some readers thought that after Rembrandt’s Angel, Esther Brookstone and Bastiann van Coevorden would just continue solving crimes involving art. Son of Thunder, however, is entirely different as three parallel stories unfold and then coalesce, with religion playing a major role. (My only previous novel where the latter occurred was Soldiers of God, but religion is treated in an entirely different way in that story.) Then Death on the Danube had Esther and Bastiann on their honeymoon cruise and something like Christie’s Murder on the Orient Express occurs.

Did you think that would end the series? No, I continued to write about those two sleuths, having them solving crimes involving art, only art was trafficked in Palettes, Patriots, and Prats. Finally (for now!), having written Son of Thunder, the book Dan Brown should have written instead of The Da Vinci Code, I wrote about a Da Vinci code! Leonardo and the Quantum Code has a mathematical physicist developing new algorithms for quantum computers that are based on ideas found in a recently discovered Da Vinci notebook.

Say what you want about the “Esther Brookstone Art Detective” series, you can’t claim it’s formulaic. Yeah, I know, I shouldn’t use my own books as examples, but I know them best! And this series illustrates what I mean by keeping readers (and critics?) guessing about your author’s voice.

Maybe some readers don’t like my changing voice, or Penny’s, for that matter. I don’t give a damn. I like to surprise readers! And sometimes the way a novel turns out surprises even me! I’m not the same writer I was when my first novel, Full Medical, was published in 2006. As my skills developed, my voice changed…and I’m proud of how it has changed, no matter what readers think.

***

Comments are always welcome.

Rogue Planet. I often taut this as a hard sci-fi and not just another fantasy version of Game of Thrones. Now there’s a lot of hype about Dune, as the third movie based on the famous Herbert fantasy epic is about to come out. While it’s much better than Thrones, it’s a bit long-in-the-tooth…and long! Rogue Planet is a more compact story—similar swash-buckling battles between armies and a similar flawed and royal hero, but everything is set in my usual sci-fi universe that I began in The Chaos Chronicles Trilogy Collection. Of course, you can read it independently of that trilogy. (All my novels have that feature.) So if it’s epic fun you want, try my hard sci-fi, not fantasy! Rogue Planet is available in ebook or paper format wherever quality books are sold.

Around the world and to the stars! In libris libertas!

Halloween…

October 25th, 2021

Horror stories come in all flavors, from the hilarious to the gory. Some call them fantasy, others sci-fi, and still others speculative fiction. Stephen King and Dean Koontz have made successful careers telling them, building on that genre’s founders, authors like Mary Shelley, Edgar Allan Poe, and H. P. Lovecraft.

I have to confess I’m not a reader of horror, fantasy, or supernatural sci-fi. Gore doesn’t turn me on; zombies, werewolves, and vampires turn me off unless they’re comedic fellows; kings and princes doing battle with bizarre creatures give me the blahs; and magicians, leprechauns, and elves, especially evil ones, generally just give me indigestion.

I’ve read all of Stockmyer’s “Under the Stairs” series, though; it’s a wonderful mix of sci-fi and fantasy (and probably the most neglected yet deservingly trumpeted series of its type). I’ve also beta-read much of my friend Scott Dyson’s work where his truly human characters, unlike King’s, have very human reactions to horror (like Stockmyer, another neglected author in my modest opinion).

And the latter points to my problem with horror stories: They all too often get lost in the fantasy world and lose touch of their characters’ humanity. That’s one reason why I don’t write horror stories, even though they become popular this time of year: It’s too difficult for me to lose the humanity in my characters.

Sure, I’ve written a few, mostly short fiction. You’ll find most of them in the Pasodobles in a Quantum Stringscape speculative fiction series (Volume One, in particular, which is available on Amazon, with Volumes Two and Three available as free downloads—see my “Free Stuff & Contests” web page). A few other pieces of short fiction might be scattered around here and there. Rogue Planet (see below) is hard sci-fi with fantasy elements. Yes, it has a prince who becomes king, but he’s very human (meaning he has his flaws), and there seems to be magic, but it’s all techno-wizardry.

I suppose this might all come from my childhood where dressing up for Halloween was an afterthought, a bit of drudgery other kids and their parents seemed ascribed to. “Oh, isn’t he cute!” never set well with me, especially when uttered by strange grownups. And later on I was more into the tricks than the treats! Just call me the Grinch that stole Halloween, I guess.

Covid has put a damper on Halloween too. We struggle with making it safe for everyone. Most of the kids who visit us aren’t vaccinated. We get more little kids now as our neighborhood becomes filled with Brooklynn ex-pats and their little ones, and they are indeed cute (I don’t sat it!) as we have fun guessing who their parents are. The elementary school across from us usually has a Halloween parade around the neighborhood. Last year they didn’t. Maybe they will this year.

In any case, I wish a happy and safe Halloween to you and yours.

***

Comments are always welcome!

Rogue Planet. I often taut this as a hard sci-fi and not just another fantasy version of Game of Thrones. Now there’s a lot of hype about Dune, as the third movie based on the famous Herbert fantasy epic is about to come out. While it’s much better than Thrones, it’s a bit long-in-the-tooth…and long! Rogue Planet is a more compact story—similar swash-buckling battles between armies and a similar flawed and royal hero, but everything is set in my usual sci-fi universe that I began in The Chaos Chronicles Trilogy Collection. Of course, you can read it independently of that trilogy. (All my novels have that feature.) So if it’s epic fun you want, try my hard sci-fi, not fantasy! Rogue Planet is available in ebook and print versions wherever quality books are sold.

Around the world and to the stars! In libris libertas!