The cynical readers of this blog will think I’m being cute here…oxymorons-squared to end the week, anyone?  A more abstract question:  Does a President have to be a moral person to be a good President?  When we think back to some of the escapades our Commanders-in-Chief were embroiled in during the first hundred years or so of this country, it’s clear to me there’s not a high degree of correlation between moral behavior and leadership skill.  I’m not just talking about dalliances with women either.

When we get into the 20^th century, especially the latter half, scurrilous behavior seems common in the Oval Office.  Kennedy had his alleged affair with Ms. Monroe and rumor has it that Papa Joe bought the election for him by creating a coalition between the mob and the unions (see The Dark Side of Camelot by Seymour Hersh)—maybe that’s why the mob was so pissed when Bobby started going after them.

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#35:  OK, folks…I didn’t receive much help for writing reviews of anthologies.  Doug from eFiction offered some sage advice for those who write such a review in a MFA writing class but immediately qualified it by saying that most readers would want a very different review.  So, I took a wag at it.  You can see the results in Tuesday’s post to this blog (or, if you prefer, on Amazon).  Now you can help by reviewing the review….

#36:  Writers should challenge themselves now and then.  Writing the review for Alex Carrick’s Three Scoops Is a Blast was such a challenge, albeit only a brief struggle.  Writing my first YA (young adult) novel The Secret Lab was more long term but equally rewarding.  I’m now sketching out a new YA novel.  WD (Writer’s Digest) has a good article about how the author should not parent his young YA heroes.  Better late than never.  I struggled with this when writing Lab and employed many of their suggestions before they ever thought of writing the article.  Nevertheless, authors interested in writing YA stories and novels should read their advice.  (Also see #39.)

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Indie authors know all about the internet as a home for cottage industries.  Even if you use Amazon or Barnes & Noble or some other online retailer as a distributor, an indie author still has to publish, market, and sell his or her books.  The author’s writing or content is the industrial product and the reader is the customer who buys that product.

Services for authors and readers are a natural for internet cottage industries.  Google “ebook formatting” and see how many different services you find, for example—or “eBook cover design.”  There’s a website with info on forensics and many websites that discuss some or multiple aspects of the writing trade (see the list in “Steve’s Writing” here at this website).  For readers, there are services from the monolithic Goodreads (that probably started as a cottage industry) to websites or blogs more focused on reviews (see Holly Hook’s bargainebooks) to several online ezines—eFiction is one of the latest and open to submissions.

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Here’s my Amazon review of this book:  I liked it.  You will too.  Buy it.  (Sent via Twitter?)  Now, for a review with some meat on the bones—not fat.  I’ve never met Alex.  Those who know me and my Bookpleasures reviews know I won’t avoid negative criticism.  While this is not a Bookpleasures review, I apply the same standards (even more so, since I’m the editor here).  Bottom line:  Alex compares favorably with Charles Ives.  Consequently, this review is either negative or positive depending on whether you like Charles’ music.  If you’re just indifferent to Charles or don’t know who he is, Alex wins by default.  So, here goes….

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#29:  I was very pleased to see The Secret Lab appearing on Holly Hook’s bargain eBooks list (my book is #354).  For avid readers, this is a wonderful list of inexpensive but worthwhile eBooks—ideal for giving e-stocking stuffers to your favorite person(s) for the holidays, for example.  For writers, if your eBook is priced low enough, Holly’s list is a good place to list it—it will help you build your platform.  The URL is: http://bargainebooks.blogspot.com.

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Indeed, what will become of Tunisia, Egypt, Libya, Iraq and Afghanistan?  The problem with nation building is that it makes two assumptions:  (1) That the representative governments found in Western democracies offer useful models for governing human beings; and (2) people coming out from under the yoke of a strongman dictatorship will want to adopt some form of government based on one of these models.  I contend that these two assumptions are wrong.

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#21:  There was an interesting frontpage article in Monday’s N.Y. Times about Amazon going into the legacy publishing business.  Well, not really.  What I gleaned from the article is that Amazon has a secret board of editors who cherry pick from all the self-published books, both trade paperbacks and eBooks, and offer some contracts.  The conditions of the contracts are also secret.  No agents are involved, but authors can get advances.  The slushpile here is all self-published material found on Amazon.  (See also #28.)

This is yet another nail in the coffin of the legacy paradigm and the legacy publishers are running scared.  They probably shouldn’t worry just yet, but it doesn’t help when they punish an author who has gone the legacy route for one book self-publishes another (the case is also mentioned in the same article).  The legacy publishers’ control of bookstores has already suffered—every bookstore that closes provides additional nails for their coffins.  Exciting times.  We authors are wondering how it will all shake out.  Readers can only expect to gain by the changing paradigm (more books to choose from).  The bottom line is that only authors and readers are needed in tomorrow’s publishing world.

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#15:  Joe Konrath has spoken about the gate-keeping mentality of agents.  It’s obvious, of course, why they don’t like eBook self-publishing.  Joining the ranks still propagating the myth of legacy publishers (this myth states that an author needs an agent, editor, publisher, and publicist, although the agent only gets you out of the slushpile and to the publisher, and the publisher rarely helps you with marketing, while all four reduce your royalties to nothing), the author will find many reviewers.  Among these, one will find those who concentrate on “literary fiction” (they generally also refuse to consider anything self-published—I refrain from giving examples, some of them very well known).

This sort of snobbishness is exactly what I was talking about in my blog post “Writing for Readers”—these reviewers comprise the old boys’ club of literature.  Of course, I’m biased too!  I think “literary fiction” is a genre name that is snobbish all by itself since it implies that all other fiction is not literary.

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I generally am happy to see a WD in my mailbox (that’s Writer’s Digest, in case you’re wondering if I’m missing an M).  Nevertheless, I’ve always thought the apostrophe is misplaced and lately there has been this nagging suspicion that their editorial board just doesn’t get it.  Joe Konrath has a better perspective on the industry (unfortunately, his participation in his blog is going on a hiatus).  However, he doesn’t get it completely either.

WD still propagates the myth of legacy publishing (this myth states that an author needs an agent, an editor, publisher, and publicist, with one of the Big Six providing the first two of the last three, the agent taking a hefty cut just for getting an MS , short for manuscript, beyond the slush pile where all unagented MSs go, and the author generally providing his or her own marketing–in other words, he or she can contract the publicist.  Joe and others like Barry Eisler have shown that the Big Six publishing houses are now built on sand and moreover have their heads buried in it.  Sure, they’re trying to invade and control the new digital paradigm, now revolutionized by eBooks, but they’re choking—they still live their myth and are making badly formatted eBooks at exorbitant prices (one that I will not name created a mini-scandal when people started complaining about formatting and price).

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#8:  Look for my short story “The Bridge” in the October edition of eFiction magazine.  I highly recommend this eZine to every reader…something for everyone!  It is available online for free and as an inexpensive Kindle subscription on Amazon (the latter has a free trial offer).

#9:  The Perseus Books Group has announced a new eBook formatting service.  As I understand it, this service will primarily be offered through agents to authors they are representing, but MAYBE to some indie authors.  Duh!  I’m sure indie authors will rush to use this service.  Whoops!  They still have to find an agent.  Since every agent is wondering what to do in this digital revolution when authors really don’t need them, I suppose this is a bow to that disappearing profession.  Don’t get me wrong—all that agent expertise is very valuable.  However, this is not the place for it!

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