How reading can make your writing better…
April 5th, 2023I’m always astounded when some author informs me that they don’t read all that much because they want to spend all their time writing. I even read a lot and wrote when I had an intense day job. And I certainly don’t accept the excuse of binge-watching streaming videos or binge-playing computer games. And I also don’t want to hear or see the excuse that it’s because they don’t want to plagiarize other authors’ work. Are you a writer or not? If you’re a writer, you have to be a reader. Reading others’ stories makes writers’ storytelling better. Period.
Reading other fiction doesn’t have to take time away from your own writing or lead to plagiarizing. I can guarantee you that ever story I’ve written is free of plagiarism—theories, plots, characters, dialogues, and setting are all my invention and pieced together to make a unique tale that no one could have written except yours truly.
Yet, after finishing a story, sometimes a long time after, I might return to a story and observe how other writers have influenced my fiction writing. It mostly involves style, not content, but I also realize I’ve answered some long-standing personal questions.
In retrospect, the “Chen & Castilblanco” series of novels was influenced by the hard-boiled style of American crime dramas from the first half of the twentieth century, but only in the sense that I generalized that to establish my minimalist style. That style is often found in my sci-fi tales as well—descriptions of characters and settings, for example, with just enough information so that readers can create their own imagery and sounds as they read, thus participating in the creative process. Also, if a pronoun is obvious, I don’t include it. (That might be more influenced by my mastery of Spanish and my one-time mastery of Russian where the verb form often indicates the pronoun. One doesn’t say, “Tu hablas castellano”; one says, “Hablas castellano.” In Colombia, they often use “castellano” in place of “espanol,” especially in the interior where nearly pure Castilian Spanish is spoken.) I paid homage to those hard-boiled authors of American crime literature in one “space-time jump” found in the sci-fi rom-com A Time Traveler’s Guide through the Multiverse. (Some sci-fi authors also receive homage in that novel as well.)
Recently I read J. R. R. Tolkien’s The Hobbit for the first time. (I missed it in my childhood reading.) I decided that fantasy story must have influenced George R. R. Martin’s “Game of Thrones” series. (Does his use of “R. R.” indicate that?) Tolkien’s dragon Smaug is a lot more fun than any of Martin’s. (My review of The Hobbit is found in the blog archive “Book Reviews.”) I don’t like that kind of fantasy. Magical and mythical creatures turn me off (not as much, though, as creating fantasy-world rules as the novel progresses, as in Rowling’s Harry Potter tomes). I suppose the halfling Hobbits might be considered magical or mythical, but I see them as mini-humans. (Others did too, because one hominid offshoot discovered about the same time as the Denisovans was nicknamed Hobbits.)