Is a new book review paradigm needed?

If you read Joe Konrath (I still lurk there, even though I’m against his exclusive by-invitation-only policy for his book borrowing effort), or you’ve just experienced it en carne propia (Spanish for “in your own flesh,” meaning personally), you’ll have heard that Amazon’s bots search for links between reviewer and author and erase the review if they find them.  What?  Authors can’t be reviewers?  I read a lot, and I review a lot of books.  My reviews tend to be longer than most Amazon reviews—even on Amazon—but maybe Amazon only cares about those star assignments and is perfectly content with one- or two-liner reviews?  Are they just trying to stop review exchanges?  I don’t support those either, but how do they know?  At any rate, I won’t be posting reviews on Amazon anymore, except for Bookpleasures reviews I repost there because the author requests it (we do that, but I won’t do that anymore either if Amazon forces me to pare down the review to 500 words, something they often also do).

All that said, these are Amazon’s problems, not mine, so let me just say they need a new book review paradigm that makes book reviews something more than voting on American Idol.  But I think I can generalize that comment to book reviews in general.  A new paradigm is needed to add some seriousness into the reviewing process again.  Book reviews nowadays follow Sturgeon’s Law.  I realize that there are many authors, publicists, and publishers seeking reviews.  Publishers often pay for them, so indie writers and their publicists are also asked to pay (Kirkus is the most common pay-for-review source, but many online review sites also ask for payment).  Like gushing blurbs from famous authors (yesterday I reviewed an ebook praised by James Rollins, for example—the book didn’t satisfy, to say the least), paid reviews are useless to readers (probably the gushing blurbs are about all Big Five authors are willing to write—they’re usually not reviewers).

When I see an ebook with more than twenty reviews, I think beyond the idea about whether there’s any more to be said about the book.  I think of the TV shows American Idol or Dancing with the Stars.  In those shows, the professional judges (the real reviewers) become irrelevant and the participants are judged in the court of public opinion (sort of like Bill Cosby, Target T-shirts, and that McKinney cop—all modern versions of lynch mobs).  The whole thing reduces to a popularity contest where often the person who web-screams the loudest generates a steamroller effect (in the social media cases I’ve mentioned, I happen to think public opinion came up with a correct appraisal, but that doesn’t make the process right or legit).  And that’s exactly what’s wrong with the present paradigm.  Just look at any ebook on Amazon with more than twenty reviews.  Friends, family, and other people just jumping on the bandwagon have written what I can only call trivial reviews—in so many words, just “atta-boys” or “atta-girls” or “this sucks!”  Why any reader would pay attention to these reviews is beyond me.

In early web times, blogs were discovered, and bookbloggers flocked like flies to spilled ice cream, scavenging free books from authors and publishers in exchange for “honest reviews.”  Instead of a publisher’s slush pile for manuscripts, indie writers now are faced with bookblogger slush piles.  Today bookblog backlogs (that sounds poetic for some reason) AKA slush piles are so large that bookbloggers tend to close down at least temporarily because they’re drowning in books to review.  I’m tempted to start my counter-Simon Royale list of bloggers as a result.  I’ve observed that a large percentage (maybe not as large as Sturgeon’s) of those listed on Simon Royale’s famous list of bookbloggers willing to review books by indie writers are no longer accepting book review requests.  With the release of More than Human: The Mensa Contagion, for example, I queried every sci-fi blogger appearing on Royale’s list—I’ve received only one response so far, and that was a formalized “Get lost!”

I’m not going to call that false advertising because of the slush pile phenomenon.  But even when a reviewer tells me that s/he won’t take more books for the next six months, that reviewer is useless for my purposes.  (Part of this is due to a lack of focus.  In Simon’s list, for their genre preferences, many reviewers list “all.”  This might be appropriate for a review site where many reviewers hang out, but it’s not appropriate for a single blogger!)

Some review sites are particularly egregious.  Readers’ Favorite, for example, won’t accept free review requests now because they’re working through their contest entries, but they’ll accept requests for paid reviews!  I won’t pay for reviews.  It galls me to even send a free ebook in exchange for an honest review.  Too many times, the reviewer doesn’t write that review (that assumes the reviewer even bothered to respond to my query, of course)—that means the blogger didn’t keep her/his part of the bargain.  No writer should ever pay for reviews beyond this SOP, and I get a max 10% return from the free ebooks I send out (Sturgeon’s Law again?).  (Yes, I keep stats.)

Bookbloggers for the most part are avid readers, interesting people, and honestly try to manage the backlog (many times created by not being genre-specific).  They’re not the problem—it’s the paradigm.  While I’ve found a few online reviewers who range from conceited asses to sociopathic pariahs, most want to do a good job, but they all expect authors and publicists to come begging.  The old paradigm lends itself to that.  While it doesn’t cost me any money to go begging (ok, a free ebook), it takes time and wounds my pride a bit.

The latter is similar to giving away free ebooks in general, as many internet sites, including Amazon, encourage.  I don’t do that.  I value my work.  While my goal is to entertain, I expect readers to value my work too.  If all indies stopped writing, the future for new and entertaining books would be bleak.  Some readers, not just bookbloggers, think that writers owe them something, when it’s really the other way around.  Every time I finish a good book, I mentally thank the writer for writing it (and do so formally if I review her/his book)—s/he has brought joy and entertainment to my geeky life, something far better than mindless TV shows or video games.

Here’s my solution to these problems: bookblogging and other review sites should function more or less like Bookpleasures.  A monitor or monitors should work with a staff of reviewers.  The monitor sends out a new list of book review queries every so often and asks if any reviewer is interested.  S/he or he emails the author, publisher’s rep, or publicist, requesting the book for review.  There’s no slush pile—if a book isn’t snatched up by a reviewer in a certain amount of time (TBD—I’d suggest two weeks), it’s removed from consideration (that doesn’t mean the author can’t query later with the same book or a new one).

For indie review sites, I would add the requirement that the reviewer pay for the book if it’s less than $5 (or TBD).  For many reviews on this site, the ones I don’t do in my official reviewing capacity at Bookpleasures, I pay for the books—they’re books that I’ve chosen to read for entertainment.  That eliminates the pernicious effect of bookbloggers and other reviewers just reviewing in order to get free books, and it helps indie writers financially as well because they find reviewers who are really interested in the book instead of just going through the motions.  This would also keep those slush piles limited.

Of course Amazon won’t support such a paradigm change.  And bookbloggers and other reviewers won’t either because their source of free books would dry up.  (Oh yes, there’s NetGalley—reviewers won’t find many indie ebooks there, though.)  As a result, I’m not hopeful for any change.  I won’t be using Simon Royale’s list for future releases, not even to update my own secret list of blacklisted reviewers (yes, I keep tabs).  For the time being, I’ll continue to send an interested reviewer a free ebook in exchange for an honest review, but the reviewer will have to make the request.  Other writers are forewarned: I’ll only look at queries submitted through Bookpleasures.  Other reviews I write will be of books I buy for my own entertainment—they won’t appear on Amazon.  And I will not participate in review exchanges—that’s almost as bad as paying for a review!

Am I sounding like a bitter old curmudgeon?  Maybe.  Write and tell me your opinion.  My usual SOP is to publish your comment after screening for foul language—this is a PG-13 site after all, but you can say I’m wrong without using expletives.  So comment away.  Because I’m a reader and reviewer as well as an author, I have strong opinions on this subject.  Yours might be different, so let the debate begin!

[Waiting for sci-fi?  More than Human: The Mensa Contagion is now available on Amazon, Smashwords, and other online retailers.  Kindle Countdown Deals: Soldiers of God will go on sale for $1.99, reduced from $2.99; Aristocrats and Assassins will go on sale for $0.99, reduced from $2.99.  Both sales run from July 31 through August 4 (note date correction).]

In elibris libertas….

 

7 Responses to “Is a new book review paradigm needed?”

  1. Scott Dyson Says:

    You’ve touched on something I have been thinking about since before I started publishing my fiction on Amazon. Why do we want reviews? Because…discovery. It all comes back to discovery. I’ve not submitted anything to anyone, really, for review. Instead I’ve focused on networking with other authors. (Not so much recently, but I’m still meeting people and trying to keep up contacts.) Not that it’s done me much good; I haven’t sold a book this month. I’d think, with my three collections, my seven individual short stories, and my one novella, someone might stumble on one of them once in a while, even if it’s while searching for something with a similar title. (I d/l’ed a free copy of a book called THE CAVE because I found it while searching up my own title on Amazon — it wasn’t terrible but wasn’t really very good, either…)

    Anyway, my thought was to create some sort of blog network of authors, sorta like THE KILL ZONE but not really like that. Maybe the blog focuses on reviews and such, and links to the individual authors. Each involved author would have a dedicated page where they could post stuff or link to stuff on their own blog. The authors would come together for purposes of cross-promotion. Maybe guest authors would be invited to post things, with the hope that they would link back to the site and drive more traffic to it. Find hot-button subjects of novels, have pages that are dedicated to discussion of those topics. I’m still in the notebook stages for this, but as I said, I started with the idea long ago, and am still thinking that it might be a help in promoting discovery.

  2. Scott Dyson Says:

    Looks like I got caught in the spam filter…

  3. Steven M. Moore Says:

    Hi Scott,
    Sorry for the filter–for the life of me, I can’t find a setting that indicates a word limit, but then again I’ve had my own comments go into the spam folder, and they’re usually short. Just try to use WP info pages to figure this out. Ugh!
    Re your idea: It sounds good. Here’s what’s wrong with it. The “discovery problem” is about readers discovering us, not other authors. While most writers are also readers (or should be), they’re still in the minority compared to all those readers out there. What solves the discovery problem is a snowball effect where one reader tells others, “Hey, I’ve found a great new writer–try him out!” Goodreads seems to be the internet vehicle for that (and other similar sites).
    Not that it’s a bad idea for authors to get chummy. Maybe we need an open Authors Guild, an online pub where we can chew the fat (Hemingway’s cubanos aren’t healthy, even though we have relations again).
    r/Steve

  4. Scott Dyson Says:

    True, I realize that other authors aren’t and shouldn’t be our focus in the problem of discovery. But I also think that authors have fans, and if authors network together, creating a place for their fans to go, it’s also a place where fans can “discover” the other authors on the site.

    I envisioned something larger than three or five authors — maybe it gets too big, too unwieldy. But right now there is nowhere for an author to direct fans except to their own blog, and like here, where you review books and occasionally promote someone else’s stuff, or on my blog, where I do some of the same, we’re generally “preaching to our choir.” It’s sort of like the algorithm thing that amazon does, where they show you what others buying a SF or a mystery book might also be buying. Except that here, the curation is done by hand (at least at the beginning) and the exposure is to other like-minded authors.

    I dunno. I’m just thinking out loud right now…

  5. Scott Dyson Says:

    PS: it was part of the point of QUANTUM ZOO — to see if cross-promotion between the authors in the anthology OF the anthology would result in increased sales for the individual authors… From my perspective, it didn’t result in any additional sales…

  6. Steven M. Moore Says:

    Hi Scott,
    Now I understand. The idea is that a reader who likes X might also like Y. I’m not sure that works if X and Y aren’t writing in the same general genres. Amazon’s cajoling is generally in that direction. Have you received any emails from them saying something to the effect, “Can you recommend other books similar to Z for readers?” Of course, they probably have bots who troll purchases and make those connections too.
    One way to do this is to have a common site. Bell had such a site (maybe still does, but I’ve stopped going there, because they made it impossible to comment). Book bundles might be an alternative that’s better than short story collections, but I’ve found that I often buy them for one author and ignore the rest. 🙂
    r/Steve

  7. Scott Dyson Says:

    Re: Book bundles. That’s what I’ve done. I might sample a couple of the other novels in the bundle, but I usually only end up reading the one book by the author I bought it for.

    I think you’re right about genre crossover, but I’m thinking that it would have enough authors in a particular genre to stimulate crossover there. And then there are readers like me, who read broadly (about the only genre I don’t read is romance, and even there I’ve been cajoled into reading some and found them enjoyable, even if I didn’t want to grab everything else by the author or in the genre), who might cross over. In fact, that’s probably the way I’d promote it to readers — try to find those that read all over the board in many genres, those who appreciate a good story.

    Still thinking out loud… 🙂

    PS Bell’s site is more for writers, and that’s not what I’d want to do at all…though the basic structure is a starting point. They do cross-promote each other’s books…