Archive for the ‘Writing’ Category

Questions about Brits I’d like answered…

Wednesday, March 13th, 2024

I’ve written more than a few British-style mysteries (see the web page “Books and Short Fiction), and questions keep arising as I write that show my ignorance about life in the UK, of course, but visitors to this blog—they could be American readers or authors themselves—might have also considered some of them. These questions aren’t answered in any detail if at all in my British-style mysteries. Perhaps they shouldn’t be, or they shouldn’t even be asked by an inquisitive Yank who lives across the pond in a country with its own many unanswered questions, but I’m interested in the answers.

Here’s my current list:

Do Brits feel like they’re part of Europe or not? I do mention Brexit in my British-style mysteries, more in the aftermath of PM Boris Johnson’s reign than what led to PM Teresa May’s downfall. (In my stories, the latter received more attention for trying to send those descendants of immigrants who helped clean up after World War II back to their home countries. Esther Brookstone’s handyman in her gallery has Jamaican ancestors, and Steve Morgan’s ARO leader has ancestors from Belize.) Brexit caused a whole host of problems, so a related question here might be: Will the UK ever return to the EU?

Did Winnie and his cronies feel like they’d made a pact with the Devil in World War II? This is related to Europeans’ hate-love affair with Putin. The UK is less dependent on Russia’s petroleum exports, but there’s no doubt that part of the world isn’t always comfortable in its support of Ukraine, especially fascist-leaning countries like Austria, Hungary, Poland, and the Czech Republic.

Churchill’s pact with Stalin followed one old Joe made with Hitler. While Winnie didn’t practice appeasement with Hitler like Chamberlain (or Europeans often do today with Putin), I doubted he liked Stalin very much. Or communists, for that matter (except for Cuban cigars?). Current opinions about Putin, who desperately wants to restore that evil Russian empire, the USSR, and is willing to have thousands of Russian soldiers slaughtered to do it, are mostly negative even among Labour Party members, primarily because the UK thinks of Ukraine as part of Europe even if people in the UK don’t think their country is.

How could Brits have allowed the Iron Lady to lead them into that war for the Malvinas? It was clearly a ploy created by Margaret Thatcher to rev up British pride and make her more popular; but outside the UK, it led many people to believe that Britain was struggling for relevance at best and becoming a bad bully at worst. Participation in a few NATO ops was a lot more noble. Do the Brits also think that Malvinas conflict just Thatcher’s folly? (Note that I don’t call those islands the Falklands.)

What are current attitudes in the UK toward colonialism and their participation in the slave trade? In reference to the Malvinas, there’s some truth in the statement that long ago “the sun never set on the British Empire.” There’s patriotism and pride in that statement. But many outside the UK see the colonial period as causing many problems worldwide, even current ones. From Hong Kong to India, many African nations, Northern Ireland, and Israel, British colonialism left bad feelings bitter hatreds among its subjects. Australia was only a place to send convicts remember, and the slave trade made some Brits a lot of money. Do the UK’s citizens regret any of that?

How did the Brits get rid of Cromwell? That Puritan fanatic created havoc inside and outside England. Perhaps he’s also become a model for religious fundamentalists in the US as well as the UK, although the former are probably more Pope-haters than the latter because the Anglicans (Church of England) aren’t Catholic only because Henry VIII wanted to have a few divorces. Old Oliver was a bit more of a bloodthirsty fascist than Henry, though, especially if you allow for their different eras. Just ask the Irish what they think of Cromwell. How to get rid of fanatical religious leaders of oppressive theocracies like the current Ayatollahs in Iran and future ones like the US House Speaker Mike Johnson and his cohorts seems to be a worldwide problem, hence the importance of this question.

I’m sure that other questions I’d like to ask Brits will keep popping up if I continue to write Brit-style mysteries. Stay tuned.

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My British-style mysteries. The published ones started with Rembrandt’s Angel; the “Esther Brookstone Art Detective” series ended with nine novels (two are free PDF downloads—see the list on the “Free Stuff & Contests” web page). Esther’s stories are linked to the three novels in the “Inspector Steve Morgan Trilogy” and sometimes to my short fiction stories (also found in that list of free PDF downloads). My fascination with British-style mysteries began with Covid-19 enforced “sheltering in place” where I perused many novels that go far beyond anything Agatha Christie ever imagined. (The British publisher Joffe Books has many multi-novel sets that are inexpensive “best buys” in this genre. Visitors to this blog should check them out…and some of mine as well!)

Around the world and to the stars! In libris libertas!

 

 

 

When is sci-fi actually fantasy?

Wednesday, February 28th, 2024

Far too often!

The Star Wars series turned me off with its very first film (whatever number that was in their all-too-cute numbering scheme). I knew immediately that it was basically a fantasy filled with references to Japanese ninjas, Edgar Rice Burroughs’s characters (even the names!), and Isaac Asimov’s plot devices (the Foundation). Where were the lawyers at that time who went after plagiarists? (Or the ones even now?) Jedi warriors and fairy-tale princesses with light sabers? C’mon! (Okay, I’ll admit the music was interesting, but I liked that composer a lot more when he was leading the Boston Pops.)

Frank Herbert’s Dune series is even worse as sci-fi but at least it was in book form long before Hollywood screenwriters took a break from writing terrible scripts (e.g. Star Wars!) and tried to adapt those novels to the silver screen (a new Marvel Comics-like version is about to come out). Herbert’s books were already pure fantasy (forget that damn Hugo because it’s also given for fantasy!) filled with magic, mysticism, sandworms, and that miraculous spice existing only on one arid world, a coveted and moneymaking substance that Ponce de Leon might have searched for in Florida if he could get past DeSantis’s anti-immigrant Gestapo. (I’m sure Ron would have arrested him and sent him to New York if that fascist Florida governor and huge presidential primary loser had been around back then.) The Dune series is just more fantasy, whether in book or movie format. (The movies have been worse than the books, but that’s almost always the case!)

Too many people (a majority who have never read a book, by the way…if they can read—Trump can’t) conflate fantasy with sci-fi, and authors and screenwriters exploit them by adding a few starships and blasters to Harry Potter and call it sci-fi. (A silly author like Margaret Atwood might pardon their sins by calling it all “speculative fiction,” of course; she’s become rich peddling her fantasies.) That’s the formula for creating a sci-fi classic, right? Wrong!

Science fiction, sci-fi for short, even if you accept A. C. Clarke’s claim that any sufficiently advanced technology looks like magic (consider Ugh the Caveman finding some time-traveler’s smart phone, basically a little computer!), must be some sort of reasonable extrapolation of current science. Comsats were created by Clarke in his fiction long before Elon Musk littered near-earth orbits with his space junk! Sure, the farther into the future an author goes with his story, the more bold the extrapolation has to be, and it all often approaches Clarke’s limit. But science fiction stories nowadays have generally ceased to be a logical extensions of current science, stories that often contain clear violations of known physical laws, which is what fantasy does (and all the examples above, I might add).

I read very little fantasy now—I graduated from Edgar Rice Burroughs’s John Carter on Mars stories with their Jedi warriors and beautiful egg-laying princesses decades ago. (For all their sophistication, I guess those Martians didn’t have IVF; and John Carter probably never realized an egg back on Earth was already a chicken, so he couldn’t apply that lesson learned to Martian females’ eggs!) I especially avoid fantasy stories if their authors claim they’re sci-fi. (You can comment on this post and tell me if you agree or disagree.)

Or, you might want to read some sci-fi classics written by Asimov, Clarke, Heinlein, and others (even some of mine?) to see how good sci-fi can be when it’s not conflated with fantasy! (By the way, the best sci-fi authors, like me, are ex-scientists. When they’re not, they can easily confuse fantasy with sci-fi!)

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Comments are always welcome. (Just follow the rules on the “Join the Conversation” web page. If you don’t, I might send you an ESP-transmitted whack with my light saber!)

“Chaos Chronicles Trilogy Collection.” There are three complete sci-fi novels in this one inexpensive bundle. The first, Survivors of the Chaos, will seem a bit too close for comfort to what’s going on in the US and the world today. The last leads into the novel Rogue Planet and the Dr, Carlos short stories. (The first book represents well deserved mockery of the current Iranian regime; for the second collection, see the list of free downloadable PDFs on the “Free Stuff & Contests” web page.) These are “evergreen books” (as entertaining, fresh, and hopefully still profound now as on the day I finished their manuscripts), but sci-fi in general can never get old, can it?

Around the world and to the stars! In libris libertas!

Authors who are accomplices and/or complacent…

Wednesday, February 21st, 2024

From 1984 to Atlas Shrugged and Ender’s Game, authors have stated their political positions. When their works take extreme positions and/or are morally extreme, one way or the other, readers and critics can react. All three novels just mentioned are political, debatable, but shouldn’t be banned.

This article applies not only to the past, however. In fact, it’s more about authors failing to state their positions now. As Tom Clancy, certainly a successful author if not a philosophical or political sage, said, fiction has to seem real, and I would add that real human beings are philosophical and political animals. I’m not asking authors to take positions I favor; I’m telling them to take positions! Period. I’m not asking them to present both sides of an issue nor take what I’d call the moral high (or low) road either. But authors who write silly fantasies (J. K. Rowling’s a well-known example) and schmaltzy or smutty romances (I don’t read them, so that Fifty Shades crap is the only example that comes to mind) are shirking their duty of being honest observers of the human condition when writing their stories, usually motivated by their desire to make tons of money by appealing to readers’ escapist and/or prurient interests. Of course, they share the blame with the acquisition editors of every publisher under the Big Five conglomerates huge umbrellas.

Some of my readers have told me that I’m too political in my fiction, even friends who know better to believe that I measure my success as a writer by my sales figures. I celebrate those comments! They mean that I’ve done my job!

Too many authors nowadays write pablum for the masses and try to please all readers all the time in order to maximize their royalties, often pleasing no one in the process. They become accomplices in crimes against humanity by becoming completely irrelevant. All three authors of the books mentioned in my first paragraph are relevant in the sense that their fiction teaches a reader something I might agree or not agree with—the dangers of fascism, quirky economic theories, and homophobia, respectively—but what they say is important in current political debates as they were when the books were published. Relevance is the key feature we should demand of fiction in today’s troubling times; and if that has lasting value, all the better!

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Defanging the Red Dragon. I originally wrote this novel as a 2022 holiday gift to my readers. It features my quartet of detectives—Brookstone, Castilblanco, Chen, and van Coevorden—from two series—“Detectives Chen and Castilblanco” and “Esther Brookstone Art Detective”—and counts as the eighth novel in the first series and the sixth in the second. It’s also completely free (as is Esther’s seventh). (See the list of free downloadable PDFs on the “Free Stuff & Contests” web page.)

While the dictator Vladimir Putin and his fascist Russian accomplices and enablers are featured more as villains in those two series, this free novel has the fascist Xi and his Chinese spies as the major villains. But there are good Chinese too: Esther’s new artist friends, for example, who play important roles. They had to flee when the Chinese fascists took over Hong Kong.

Considering the title and the importance of those creative and gentle Chinese artists, let me present this novel to you as a celebration of the “Year of the Dragon,” 2024. You won’t find this book in any bookstore, but it’s a complete novel you might not want to miss. Like all good “political fiction,” it will be forever evergreen. Download it now.

Around the world and to the stars! In libris libertas!

Pros and cons of first-person stories…

Wednesday, February 7th, 2024

Last week’s post about James Patterson, Inc., reminded me of some of the pros and cons of first-person stories. They’re usually first-person past, with the main character or chronicler relating what happened, but they can be first-person present as well. They’re good for mystery, crime, and thriller stories when the author wants the reader to learn what’s going on in lock-step with the person telling the story.

It’s also good writing technique even in sci-fi for the same reason. I’m into the third novel of “The Earthburst Saga,” a six-novel series by Craig Falconer. (I bought all seven at once in a bundle. Like my “Chaos Chronicles Trilogy,” that was too good of a bargain to pass up!) After the first, Last Man Standing, I thought, “What’s this author going to do for an encore?” The second novel is different but just as engaging, though. (You may take this part of the post as five-star reviews of the two, by the way.) Emotions and tensions run high as the hero-scientist relates his multiple tales of survival in the first person. (There are a few slip-ups where Ray Barclay seems to know too much about what’s going on in other people’s minds, including his pet parrot, but no one’s perfect!) I repeat: The use of the first person adds a lot to this saga!

A lot of fiction is in third person, past tense, because its use gives all the characters equal opportunity: The author can describe what’s going on from their different points of view (POVs). Of course, this can lead to confusion. Jumping around between different POVs, often called “head-hopping,” shouldn’t occur more often than section to section; some writing coaches say no more than chapter to chapter. When I started out, I was oblivious to this and how it could confuse a reader. An author friend set me straight, and I’ve been careful ever since (but far from perfect, I’m sure). Yet I’ve seen even MFAs make head-hopping mistakes, so either their profs didn’t teach POV or their students ignored the lessons.

The use of first person present or past tense helps avoid POV confusion. It also gives a reader more a sense of direct participation: He becomes the character telling the story. In Mr. Falconer’s first book, I felt all the main character’s desperation and elation, his incredible sadness at seeing dead friends, and his rage when he realizes he’s been duped. A detective and the reader can discover the clues together; a soldier and the reader both hear the sound of gunfire; a tween’s first kiss is experienced by the main character and the tween-reader.

There are negatives for using the first person, though: The reader only experiences other characters indirectly via the character relating the story. One way around this is to use a combination. For example, the author can alternate the first person from chapter to chapter between two main characters. (I did that in A Time Traveler’s Guide through the Multiverse.) Or the author can alternate between first person in one chapter and third person in another. (I did that for all the “Detectives Chen and Castilblanco novels. Detective Castilblanco is almost always in first person, other characters in third. A. G. Carolan also used that technique in Mind Games.)

Two of my novels, Muddlin’ Through and The Last Humans, illustrate another problem with using first person: They’re both written in first person, but the main characters are women! That might give a male author pause (same for a female author writing as a male), especially in romance scenes! I took that as a challenge the first time I tried it in Muddlin’ Through (I often challenge myself), but it’s not really any different from writing third-person prose: You simply must become the character. (I suppose that’s more daunting for a male author writing as a woman than the reverse. Men tend to understand women less than women understand men, especially if the fellow isn’t very observant!)

The art of writing includes handling POV and person correctly. Many authors can fail to do this. For example, I’ve read many British-style mysteries full of confusing head-hopping. This can be disastrous in the mystery genre. I often have to ask myself, how does this character know this? When the reader is playing detective and looking for clues, it can almost seem like cheating…or worse: The author gives away the mystery before his detective solves the case!

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“The Last Humans Trilogy.” Ex-USN SAR and LA County Sheriff’s diver Penny Castro is on a forensics dive off the California coast when the world almost ends after a biowarfare attack. In the first novel, The Last Humans, she struggles to survive in the post-apocalyptic landscape that remains, but the remains of the US government exploit her survival skills. In the second novel, A New Dawn, she’s forced to leave her new family to prevent a repeat attack from the first one’s country of origin. In the third, Menace from Moscow, she must recover missiles from a sunken US submarine in the Caribbean before the Russians can get to them. Exciting armchair-travel, action, and suspense await the reader of this post-apocalyptic trilogy. All three novels available wherever quality ebooks are sold. (And if you want to see more lessons on writing fiction like this one, please download my little course “Writing Fiction,” a free PDF found in the list on my “Free Stuff & Contests” web page.)

Around the world and to the stars! In libris libertas!

 

James Patterson, Inc.

Wednesday, January 31st, 2024

Sorry, Mr. Patterson, I refuse to read your latest book. I haven’t read what comes off the assembly lines at James Patterson, Inc., in fact, for quite a while. You’ve continued to be like the greedy thesis adviser who puts his name first on an academic publication so he’ll get all the credit and citations, not his student; i.e., the second author’s name is below yours in small print…and for exactly the same reasons! Mr. Patterson, you haven’t written anything really original or interesting in a long time. Instead, James Patterson, Inc. has turned out book after book, including young adult and romance stories as you, its CEO, continues to attack self-published authors. You’re the leader and the epitome of members from that group of formulaic mares and stallions waiting for the glue factory in the Big Five publishing conglomerates’ stables.

Now you’re advertising Holmes, Marple, and Poe everywhere, even on TV. Wow! How original that book must be? Maybe it’s a time-travel yarn about those famous fictional and real people teaming up on some faraway planet? Or about three kids playing detective, a Hardy boys + Nancy Drew-like story to keep your foot in YA fiction’s door? Or a modern Fifty Shades of something-romance about a lusty, sexy triad? I don’t care what it is. I’m not reading it!

FYI to you and all readers of this blog: I long ago put Marple and Poirot together when I began  the now nine-book long “Esther Brookstone Art Detective” series, but those were only nicknames for the main characters: Esther is a more active Marple; and Bastiann van Coevorden, the other half of the detective-duo,  only looks like David Suchet, the actor who portrayed Poirot so often. (By the way, Mr. Patterson, Poe was a mystery writer, not a character, so that’s a negative for your title as well.) Also, A. B. Carolan has written YA sci-fi mysteries where one (The Secret Lab) considers a gang of kids on the ISS in the future and another (The Secret of the Urns) has a daughter of a triad as a main character. Because I won’t read Patterson Inc.’s new book, I can’t tell if multiple crimes of plagiarism have been committed by you, but Patterson Inc.’s hyping this new book as something cleverly original just seems wrong, even if it only steals from those awful movies about Holmes.

There was a time long ago when I read your books, Mr. Patterson. I’ll give you some credit: Your early Alex Cross books (where only your name appears as author, so either you weren’t giving ghostwriters credit back then, or you actually managed to write them) taught me that a mix of first person and third person points of view is an interesting technique to use, which I did in the “Detectives Chen and Castilblanco” series (eight novels). But the Alex Cross books were your first to become formulaic and boring, causing me to forget about reading anything you or your slave-authors produce. In fact, you’re responsible for me ignoring almost any fiction the Big Five conglomerates produce!

I suppose it’s natural that Big Five authors will try to continue their hold on the book market at any cost. (Sue Grafton never finished the alphabet, though.) That’s sad, but I feel more for those authors Patterson Inc. exploits. They should break the ties to you, Mr. Patterson, and write their own stories. I might read those.

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Marple and Poirot together. The “Esther Brookstone Art Detective” series is nine-novels strong, and each one is an original mystery and crime thriller that follows no Big Five formulaic plan. Esther is a more active Marple (and hates that detractors identify her with Christie’s famous character!); Bastiann van Coevorden, her paramour and eventual husband, is an Interpol agent who ends up as an MI5 consultant (he only looks like the actor who played Poirot). She’s very British; he’s very Dutch, not Belgian like Poirot. Their adventures will take any armchair travelers brave enough to avoid the Big Fives formulaic fiction to England, Europe, and even to the Middle East and South America. Two novels, Defanging the Red Dragon and Intolerance, are free PDF downloads. (See the list on the “Free Stuff & Contests” web page. Do you think Patterson Inc. would ever give away two complete novels?)

Around the world and to the stars! In libris libertas!

A good laugh provided by traditional publishers…

Wednesday, January 10th, 2024

I had a good laugh when I read “A Character-Driven Approach to Diversifying Fiction” in the NY Times a while ago (12/10/2023 “Sunday Business” section). ‘Twas a report on a meeting hosted by Electric Postcard Entertainment, and it provided some comic relief from all the bad news related to that “f&^%ing moron” (not my quote but ex-SecState Tillerson’s—Il Duce, he of the imperious scowl, would have fired him if he hadn’t resigned). Not to belittle Dhonielle Clayton’s creativity (she leads the afore-mentioned company), the article showed how out of touch with reality traditional publishers have become.

Yes, America is diverse. Yes, many readers want diverse characters in the prose they read. (In the TV shows and films they watch as well!) And the old far-right white boys running and ruining everything are still out of touch, so much so that Dhonielle’s little meeting made the front page of the NY Times’s “Sunday Business” section.

My characters are diverse. They’ve been diverse from the very beginning. In my very first novel, Full Medical (2006), one main character is Jayrashee Sandoval, a ‘zine reporter and daughter of an Indian and Latin immigrant. (No, she wasn’t modeled after Kamala Harris or Nikki Haley—I didn’t even learn about them until years later.) Another main character in the same novel is Kalidas Metropolis, a biogenetics expert and the daughter of Greek immigrants, but perhaps diversely more notable for being a lesbian!

When I decided to write a more conventional mystery-crime thriller, I wanted to avoid the stereotypical Irish cop, so I created NYPD detectives Rolando Castilblanco and Dao-Ming Chen, who first teamed up in The Midas Bomb. NYC is the most diverse city in the world. (Over 800 languages are spoken there.) So these Puerto Rican and Chinese-American cops only reflect a small part of that city’s diversity. Even in my latest British-style mysteries, there’s diversity. (That probably annoys the British royal family if their reaction to Meghan Markle is any indication, but who knows if these dolts read any fiction.)

There might be novels in my oeuvre that don’t feature diverse characters in the US and around the world, but none come to mind right now. There’s good reason for this: I grew up in California, probably the most diverse state in the union. (The state of New York can’t begin to compare with California outside of NYC; it’s more Trumpland, in fact.) In California, I experienced Armenian-, Chinese-, Japanese-, and Latin-Americans along with other ethnic groups as I grew up. That experience, together with living in Colombia for years and traveling in South America and Europe, helped me create and reliably portray many diverse characters. (Our two kids are both half-Colombian!) That background not only allows me to thumb my nose at those who scream “cultural appropriation”; it means that I can create diverse characters who seem authentic in my prose. Fiction must seem real, to paraphrase Tom Clancy, and our country and world are really diverse.

Of course, what the anti-cultural appropriation protesters really mean to say is that Latino authors should be the only ones to write about Latinos, Black authors the only ones to write about Blacks, etc., contrary to the title of the afore-mentioned article that characters drive the diversification of fiction. I’m not completely sure which side Ms. Clayton is on, but the characters must be the ones who exhibit the diversification. Otherwise, anti-cultural appropriation forces would go after any sci-fi writer who dares to write about ETs, which is completely absurd! Maybe someday traditional publishing and other entertainment sources won’t have to keep “rediscovering” diversity and worrying about “diversification”? I might never live to see that day, of course.

In these troubled times, there are persons who eschew diversity and never realize how strong it makes our country. I’m resigned to the fact that these morons will never read Ms. Clayton’s works nor my own. That’s their loss, but it also means that changing the minds of traditional publishers about what sells will be a long slog as their books ignore a huge audience of readers!

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Rembrandt’s Angel. Small presses can be traditional publishers who are exceptions to what’s analyzed above. They’re often more open to publishing novels with more diversity and subsequently originality. I have experimented with two: Black Opal Books and Penmore Press. While we’ve parted our ways, the reasons for doing so weren’t due to their lack of emphasizing diversity…in plots, characterizations, settings, etc.

The novel Rembrandt’s Angel is a great example. This first book in the “Esther Brookstone Art Detective” series is diverse in all these areas as Esther becomes obsessed with recovering a painting stolen by the Nazis during the war. (The title painting is real, by the way, and remains in some fascist’s private collection, I’m sure.) You will visit Europe, the US, and South America as an armchair-sleuth along with Esther as she battles neo-Nazis, a drug cartel, and ISIS terrorists, ably aided by her Interpol-agent paramour Bastiann van Coevorden. Available wherever fine books are sold in paper and ebook formats.

Around the world and to the stars! In libris liberta!

National settings versus international ones…

Wednesday, January 3rd, 2024

When writing her famous mystery stories, Agatha Christie must have had to decide whether her tale takes place in England or abroad. Death on the Nile, for example, has an international setting; Towards Zero has a national one.

Perhaps my choices about settings have  been easier than Christie’s in the sense that I had more options? I could go with the US, UK, countries in continental Europe, or others…or even outer space. (Many Dr. Carlos stories are sci-fi mysteries, as is part of Survivors of the Chaos and all of A. B. Carolan’s novels.) I have variety within series as well: Some novels in the “Chen and Castilblanco” and “Esther Brookstone” series are mainly national in scope (US and UK respectively), while other novels in those series take their MCs away from their home turf to other lands. (The first three “Esther Brookstone” novels are international in scope while the remainder are local.) Only the spin-off “Inspector Steve Morgan” series is completely local with the Bristol area of England as its setting.

Settings can make or break a novel for some readers, of course. If you dislike the UK, for example, you might not appreciate the “Esther Brookstone” or “Steve Morgan” novels. But Agatha probably created Poirot (a Belgium PI) for that reason, and my Bastiann van Coevorden (a Dutch sleuth) possibly serves the same function to mitigate your distaste: These two detectives (Bastiann even looks like David Suchet, the actor who so often portrayed Poirot) give an international flavor to the tale, even though the settings where most of the action occurs are local.

Carlos Obregon creates some mystery all by himself. He’s a doctor but no Dr. Watson aiding a drugs-addicted Holmes; he’s also clearly Hispanic, a sleuth whom you might think is a first in sci-fi literature. He’s not. Many of my novels have Hispanic main characters. The Midas Bomb in the “Chen and Castilblanco” series was one of the first, and Soldiers of God even features a Hispanic priest who’s an FBI informant!

Even if they have local settings, stories can have unusual ethnic characters. (Again, this might not please the “America first” white supremacist crowd of the MAGA millions, but they can’t even read. Their fuehrer certainly doesn’t! The anti-cultural appropriation crowd might not like my fiction either. To hell with them all!)

But I digress. International settings and characters have nothing to do with politics per se. I use the storytelling devices in the best way I can to make a tale interesting and exciting. My goal is for readers to have fun with a tale, as much fun as I had while writing them. You can armchair-travel with my tales, and you can learn about different ethnic groups of our world as well. And, by doing the research necessary to make my fiction seem real no matter what the settings or characters might be, I continue learning as well.

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“Esther Brookstone Art Detective” series. The first three novels in this series hop around the world a bit. The last six stay in the UK for the most part, although number six, Defanging the Red Dragon, is set half in the US and half in the UK, as a crossover novel also featuring Chen and Castilblanco. (It’s also a free PDF download like the novel Intolerance. See the list of all freebies on the “Free Stuff & Contests” web page.) In any case, that’s nine mystery/thriller novels that will provide you with many hours of reading pleasure!

Around the world and to the stars! In libris libertas!

My writing life…

Wednesday, December 13th, 2023

About this time every year, I start thinking about what has gone on in the previous ones, in this case, 2023 and before. With everything going on in the world and the US now—much of it not to my liking, to say the least—I couldn’t help thinking that I started to get serious about publishing my stories not lot long after 9/11. My first novel, Full Medical, was dedicated to someone we lost in that tragic, terrible, terrorist event, although it wasn’t the first that I’d submitted to agents and acquisition editors, mistakenly thinking that traditional publishing was the only possible way to publish a book.

Now, after many novels and short fiction works, I can’t say that I have a lot of fans (aka readers eagerly awaiting my next story?), but I can say that I’m satisfied with my professional writing life, as short as it has been. I can also wonder if my oeuvre would have been a lot more extensive if I’d been publishing my fiction all my life.

Looking back farther than 9/11, it’s not hard to imagine what themes I might have had in my fiction. Themes have always been important to me. A plethora of characters have expressed opinions on many social issues, and I’d have had many more expressing a lot more if I’d started earlier. Like the real world, different characters express different opinions as I try to present all sides of an issue associated with a particular theme. That’s not easy when there are many sides, or the one supported by a character is so evil and a sign of madness, but a wide spectrum makes the fiction seem more real, to misquote Tom Clancy a bit.

My aim has rarely been to settle an issue even though readers might think that they know which side of an issue I prefer. For example, my novel Gaia and the Goliaths (seventh novel in the “Detectives Chen and Castilblanco” series—see the ad below) has global warming and climate control as its major theme, but it offers nuclear power as part of the solution, something that tree-huggers and green parties would deny us although nuclear power is the non-fossil fuel par excellence and a lot more efficient, less costly, and less space consuming than solar, wind, and hydroelectric. (Nuclear power gets a bum-wrap because of bombs and waste products. The first causes people to become ostriches, burying their heads in the sand; the second is easily solvable by putting those nasty waste products where they can’t do any harm, i.e., off Earth.)

Most fiction (especially that published by the Big Five publishing conglomerates) is pablum because it ignores the difficult yet important themes. In other words, it violates Tom Clancy’s rule that fiction must seem real. I have no “official stats” to prove it, but I suspect that’s why my stories don’t sell well. Many readers don’t want to be reminded about real-world problems, so, to maximize the number of readers, the Big Five insists that its authors avoid important themes. That’s why silly romance novels, cozy mysteries, and fantasy are so popular—most fiction read is pure escapism.

Instead, the entertainment aspect is of secondary importance in my storytelling; writing a tale with a meaningful theme and plot that features it has always been more important to me. I can understand why many readers don’t like that. That’s okay. If my stories can only reach out to a few readers who want serious fiction, I’ll consider my writing life a success.

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Note: I’ll now take a wee vacation from writing this blog. May everyone enjoy this holiday season and read some meaningful fiction during their time off. I’ll resume this blog on January 3, 2024.

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The “Detectives Chen and Castilblanco” series. This entire eight-book series treats many important themes as these NYPD detectives solve crimes occurring in NYC, the US, and beyond. Please note that the eighth novel, Defanging the Red Dragon, is a free PDF download (see the list of all free PDF downloads on the “Free Stuff & Contests” web page) that was an earlier holiday gift from me that’s still “evergreen,” i.e., as fresh as the day I wrote it (which is true of all my novels). The others are ebooks available wherever quality ebooks are sold.

Around the world and to the stars! In libris libertas!

Book piracy redux…

Wednesday, December 6th, 2023

Every so often I write an article about book piracy. It affects the whole industry negatively, of course, but it hurts self-published authors more than other authors and publishers. (Most of my books are self-published, hence my personal interest.) One of my doubts about the still-ongoing Draft2Digital (D2D)-Smashwords merger was that Mark Coker, the Smashwords owner, never saw piracy as a problem. It seems that his attitude has contaminated D2D. Let me explain.

Most of my books are self-published ebooks. These are just computer files, and computer files can be copied and/or changed. Moreover, diabolically clever people can turn those files into PDFs, and those, as most people know, are transportable across many electronic platforms, which is an ideal situation for book pirates. Amazon tries to combat this by using .mobi with DRM, but many readers don’t like DRM because they can only use the ebook on the computer they used for downloading the ebook; i.e., they can’t share the book with family members. (I have no problem with that, by the way, and wouldn’t even call it piracy because it’s akin to common praxis with print versions.)

There was even a “legal website,” OceanOfPDF.com, where the above process was done for visitors to that site; they could download a PDF for free. (For those who are slow on the uptake, let me state that “for free” means that the book’s author receives zero payment!) Authors naturally complained, and OceanOfPDF was offline for a while; but it came back, and even two of my most recent books, Legacy of Evil and Cult of Evil, both published via D2D, became available on the site.

I choose to offer free PDF downloads at this site (see the list on the “Free Stuff & Contests” web page); they only represent a (big!) investment of time on my part, not money, and are my gifts to readers. An ebook I self-publish with Amazon, D2D, or Smashwords also represents an investment of time and money I’d like to at least recover by selling it and have a bit of spending money left over to invest in future books.

Bottom line: You’re participating in a criminal activity when you become a book pirate. You might consider it only petty theft (your Venti at Starbucks generally costs more than my ebook!), but it’s still a crime. Don’t do it!

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Rogue Planet. Did you like the “Game of Thrones” fantasy novels? This novel about an evil Iranian-like theocracy in the far future and a prince’s fight to overthrow it is hard sci-fi not fantasy. There are no dungeons, dragons, sorcerers, or other fantasy creatures, but you might think the stuggles are somewhat similar and perhaps more believable. Hard sci-fi is an extrapolation of reality not fantasy, after all!

This novel is set on a world outside the International Trade Union of Independent Planets (ITUIP), but ITUIP, created in the “Chaos Chronicles” series, plays an important role. From palace spies to warring armies, there’s enough intrigue and military action to keep the most adventurous sci-fi readers happy. Available wherever fine sci-fi literature is sold, in ebook or paper format (even on Amazon).

Around the world and to the stars! In libris libertas!

Crime fiction…

Wednesday, November 29th, 2023

I read a lot more crime fiction than I write. In my earlier bows to British-style mysteries, I published a list of novels I’d read and could recommend reading. The number of books in this list has probably at least tripled as I kept my Covid-reading pace going, going, going…. But what’s clear about that list is that it’s better described as one for recommended crime fiction and its authors from all over the world, not just British authors (mostly English-speaking authors, of course, although I’ve been known to read a few crime stories written in French or Spanish, and the various English dialects might be considered to be foreign languages as well).

Classification of books is a dangerous game that I try to avoid playing, but there are many types of crime fiction. My use of the label “British-style mysteries” originally described mysteries following Agatha Christie’s blueprint, but even she tweaked and varied her crime fiction stories. Today we can say that they include police procedurals; special agents and spy stories, both domestic and foreign; investigative journalists and PIs; financial and political conspiracies; and many others. Many of their criminals come from all walks of life as well. In other words, the genre offers a lot of possibilities for plots, characters, settings, and so forth.

I’ve written some crime fiction about investigative journalism, most notably the novel The Golden Years of Virginia Morgan, where one main character is an investigative reporter; but I combined that with his sharing adventures with a special agent, a DHS profiler. Most of the “Esther Brookstone” novels contrast the work local police officers do with that of special agents going after national or international criminals. This blurring between the local and the national or international makes the plots more interesting!

Yet the motivations for the criminals seems to cut across all these subgenres of crime fiction; it’s summarized as follows: Human weakness including jealousy and greed leading to heinous acts of evil. That much is common enough, but also more common than not is the uplifting parts of the tales that show a variety of human beings rising up to bring criminals to justice. (Of course, they don’t always succeed, especially if the villain appears in multiple series.)

I usually respond to the question “What do you write?” with “mysteries, thrillers, and sci-fi.” I probably should simplify that answer even more: I write crime fiction. Consider my sci-fi trilogy “Chaos Chronicles.” Those three novels, Survivors of the Chaos, Sing a Zamba Galactica, and Come Dance a Cumbia…with Stars in Your Hand! are all about crimes committed on Earth, in the solar system, and in the galaxy beyond. Those battling the criminals aren’t always professional crimefighters, of course; they’re often not in more conventional crime fiction either. The villains also aren’t typical—they might even be ETs!—but they can be rather nasty at times.

I can summarize this article by stating that crime fiction, at least as I treat it, is a lot broader category than most readers think, and it often covers futuristic situations as well as past ones in historical crime fiction (see that list mentioned above—you’ll find it in the short-fiction collection Sleuthing British-Style). This breadth of crime fiction blows away the formulaic rom-coms, cozy mysteries, and fantasies that now glut the publishing world, from formulaic Big Five authors in particular.

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The Golden Years of Virginia Morgan. This crime novel features a DHS agent and an investigative reporter who uncover a government conspiracy. That conspiracy is run by a devious criminal mind who uses AI embedded in US agencies to further his evil plans that include the assassination of a US presidential candidate. The book is a bridge between the “Chen & Castilblanco,” “Esther Brookstone,” and “Steve Morgan” series and the “Clones & Mutants” trilogy, but it can be read and enjoyed independently. (Most of those novels have the same villain!) Available wherever quality ebooks are sold (even on Amazon).

Around the world and to the stars! In libris libertas!